Bøger udgivet af University of Georgia Press

In The Art of Touch: Prose and Poetry from the Pandemic and Beyond, the unique voices of thirty-nine of some of the most creative thinkers of our times have been brought together to consider the profound impact of one of our five main senses: touch. Psychologists, healers, massage therapists, academics, creative writers, and others reflect on or tell personal stories about what it means to be able to touch or experience touch, or to have to go without it--as so many did and still do because of the COVID-19 pandemic. They explore how transmissions such as texting may impede opportunities for touch, while those like Zoom may make it possible for people who otherwise might be left behind to stay "in touch." From the experience of touching beloved animals to the life-changing ways in which books and performances can touch us, virtually all aspects of touch are acknowledged in these pages.

With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise-one attuned to the echo in the hecho, the oracle in the órale. .

"The brook trout (Salvelinus fontinalis) is an iconic species among fly anglers and cold-water conservationists in eastern North America. This fish registers as a powerful symbol for its beauty and its imagery in art and literature. Its presence also tells us a great deal about the health of the larger environment. When an angler has a brook trout in hand, there is confidence that the water is close to pristine. Besides being an important indicator species, the brook trout, with its gold and reddish markings and its camouflaged green and black back, is one of the most beautiful freshwater fish in North America. And beyond the beauty of the fish itself, the environment in which it is found is also part of its past and present appeal. To fish for brook trout is often to fish in the last remote and rugged landscapes in the East, "fishscapes" that have not been polluted by stocking trucks that dump nonnative brown and rainbow trout in most of the East's accessible cold waterways. Searching for Home Waters is part science, part environmental history, and part personal journey of the author, Michael K. Steinberg, and those he interviewed during his travels. The work takes a broad perspective that examines the status of brook trout in the eastern United States, employing a "landscape" approach. In other words, brook trout do not exist in a vacuum; they are impacted by logging, agriculture, fishing policies, suburban development, mining, air pollution, and climate change. Thus, while the book focuses specifically on the status and management of the brook trout-from Georgia to Labrador-it also tells the larger story of the status of the eastern environment. As a "pilgrimage," this book is also a journey of the heart and contains Steinberg's personal reflections on his relationship with the brook trout and its geography"--

In a sweeping reinterpretation of the history of disfranchisement, Steve Suitts illuminates how a century of political conflicts in Alabama came to shape both some of America's best achievements in voting rights and its continuing struggles over voter suppression. A War of Sections tells the unknown political history symbolized today by the annual pilgrimage of presidents and celebrities across the Edmund Pettus Bridge. It is the story of how that crucial, tragic day in Selma in 1965 was only the flashpoint of a much longer history of failures and successes involving conflicts not only between blacks and whites in Alabama but between white political factions warring in the state over voting rights. Suitts recasts the context and much of the content of disfranchisement in Alabama as an unremitting, decades-long sectional battle in white-only politics between the state's rural Black Belt and north Alabama counties. He uncovers important Black and white heroes and villains who collectively shaped the arc of voting rights in Alabama and ultimately across the nation. A War of Sections offers a new understanding of the political dynamics of resistance and change through which a southern state's long-standing democratic failures ironically provided motivation for and instruction to a reluctant nation regarding unmatched ways to advance universal voting. Along the way, the book introduces from this unheard past some prophetic voices that speak to the paramount issues of America's commitment to the universal right to vote--then and now.

The influence of sedimentary geology on the strategy, combat, and tactics of the American Civil War is a subject that has been neglected by military historians. Sedimentary geology influenced everything from the nature of the landscape (flat vs. rolling terrain) to the effectiveness of the weapons (a single grain of sand can render a rifle musket as useless as a club). Sand, Science, and the Civil War investigates the role of sedimentary geology on the campaigns and battles of the Civil War on multiple scales, with a special emphasis on the fighting along the coastlines. At the start of the Civil War the massive brick citadels guarding key coastal harbors and shipyards were thought to be invincible to artillery attack. The Union bombardment of Savannah's key defensive fortification, Fort Pulaski, demonstrated the vulnerability of this type of fortress to the new rifled artillery available to the Union; Fort Pulaski surrendered within a day. When the Union later tried to capture the temporary sand fortifications of Battery Wagner (protecting Charleston) and Fort Fisher (protecting Wilmington) they employed similar tactics but with disastrous results. The value of sand in defensive positions vastly minimized the Federal advantage in artillery, making these coastal strongpoints especially costly to capture. Through this geologically centered historic lens, Scott Hippensteel explores the way sediments and sedimentary rocks influenced the fighting in all theaters of war and how geologic resources were exploited by both sides during the five years of conflict.

A waterfall is a perfect destination for a day hike. In this revised and updated guide, native South Carolinian, photographer, and hiker Thomas E. King lists 147 waterfall destinations in the mountains of Upstate South Carolina. Ranging from easy-to-access roadside locations to those that require a six-mile trek, these hikes feature some of the most famous, and some of the most remote, waterfalls in the region. The guide can be used by those of all levels of hiking ability, whether expert or novice. These easy-to-reach waterfalls of Upstate South Carolina are a fun and fascinating retreat for the entire family. Most of these falls are within the ability of the average hiker to reach on a day hike. Some sites are of particularly easy access, such as the pristine falls in the Blue Ridge Mountains, which families with young children and mature adults are encouraged to visit. King has provided the most recent trail directions and waterfall locations available to the public. He also lists and catalogs many remote or hard-to-find waterfalls and waterfalls that nature has reclaimed because the trails have ceased to be maintained. Each entry includes complete driving and hiking directions, trail length and estimated hiking time, a difficulty rating, and a detailed description of the waterfall itself, including a photograph.

This book makes a case for a reorientation of the nuclear nonproliferation regime, posing an alternative conceptualization of nuclear order centered on the regional level. It draws on an array of theoretical tools from the literatures on regionalism, security governance, and international institutions, developing a framework that analyzes the conditions that would allow for more robust regional nuclear cooperation. These include the presence of (1) institutional architecture, (2) political, economic, and military relations among states, and (3) fundamental regional awareness and identity.Wan then deploys this theoretical approach to several case studies, including Northeast Asia, Southeast Asia, and the Middle East, focusing on two interrelated questions. First, what is the viability of a stronger regional nuclear order in the region? Second, what form would such an order most likely take? In the process, the book identifies the magnitude and character of the proliferation challenge specific to each region. It also considers the existing character of nuclear cooperation at the regional level.Wan presents the historical development of regional nuclear order in Latin America as a model for the rest of the world. In this area, regional institutions - ranging from organizations to dialogues to ad hoc arrangements - gradually became more involved across economic, environmental, and human security domains, providing the foundation for multilateral cooperation in the nuclear arena. As his analysis shows, in light of the contemporary proliferation landscape, the establishment and strengthening of such regional nuclear orders is essential.

The Nature of Revolution provides the first account of art and politics under the brutal Khmer Rouge regime in Cambodia. James A. Tyner repositions Khmer Rouge artworks within their proper political and economic context: the materialization of a political organization in an era of anticolonial and decolonization movements. Consequently, both the organization's policies and practices-including the production of poetry, music, and photography-were incontrovertibly shaped by and created to further the Khmer Rouge's agenda.Theoretically informed and empirically grounded, Tyner's work examines the social dimensions of the Khmer Rouge, while contributing broadly to a growing literature on the intersection of art and politics. Building on the foundational works of theorists such as Jacques Rancière, Theodor Adorno, and Walter Benjamin, Tyner explores the insights of Leon Trotsky and his descriptions of the politics of aesthetics specific to socialist revolutions. Ultimately, Tyner reveals a fundamental tension between individuality and bureaucratic control and its impact on artistic creativity and freedom. .

During the American Civil War, Maryland did not join the Confederacy but nonetheless possessed divided loyalties and sentiments. These divisions came to a head in the years that followed the war. In Loyalty on the Line, David K. Graham argues that Maryland did not adopt a unified postbellum identity and that the state remained divided, with some identifying with the state's Unionist efforts and others maintaining a connection to the Confederacy and its defeated cause. Depictions of Civil War Maryland, both inside and outside the state, hinged on interpretations of the state's loyalty. The contested Civil War memories of Maryland not only mirror a much larger national struggle and debate but also reflect a conflict that is more intense and vitriolic than that in the larger national narrative. The close proximity of conflicting Civil War memories within the state contributed to a perpetual contestation. In addition, those outside the state also vigorously argued over the place of Maryland in Civil War memory in order to establish its place in the divisive legacy of the war. By using the dynamics interior to Maryland as a lens for viewing the Civil War, Graham shows how divisive the war remained and how central its memory would be to the United States well into the twentieth century.

Gettin' Around examines how the global jazz aesthetic strives, in various ways, toward an imaginative reconfiguration of a humanity that transcends entrenched borders of ethnicity and nationhood, while at the same time remaining keenly aware of the exigencies of history. Jürgen E. Grandt deliberately refrains from a narrow, empirical definition of jazz or of transnationalism and, true to the jazz aesthetic itself, opts for a broader, more inclusive scope, even as he listens carefully and closely to jazz's variegated soundtrack. Such an approach seeks not only to avoid the museal whiff of a "golden age, time past" but also to broaden the appeal and the applicability of the overall critical argument. For Grandt, "international" simply designates currents of people, ideas, and goods between distinct geopolitical entities or nation-states, whereas "transnational" refers to liminal dynamics that transcend preordained borderlines occurring above, below, beside, or along the outer contours of nation-states. Gettin' Around offers a long overdue consideration of the ways in which jazz music can inform critical practice in the field of transnational (American) studies and grounds these studies in specifically African American cultural contexts.

Recent discoveries in psychology and neuroscience have improved our understanding of why our decision making processes fail to match standard social science assumptions about rationality. As researchers such as Daniel Kahneman, Amos Tversky, and Richard Thaler have shown, people often depart in systematic ways from the predictions of the rational actor model of classic economic thought because of the influence of emotions, cognitive biases, an aversion to loss, and other strong motivations and values. These findings about the limits of rationality have formed the basis of behavioral economics, an approach that has attracted enormous attention in recent years. This collection of essays applies the insights of behavioral economics to the study of nuclear weapons policy. Behavioral economics gives us a more accurate picture of how people think and, as a consequence, of how they make decisions about whether to acquire or use nuclear arms. Such decisions are made in real-world circumstances in which rational calculations about cost and benefit are intertwined with complicated emotions and subject to human limitations. Strategies for pursuing nuclear deterrence and nonproliferation should therefore, argue the contributors, account for these dynamics in a systematic way. The contributors to this collection examine how a behavioral approach might inform our understanding of topics such as deterrence, economic sanctions, the nuclear nonproliferation regime, and U.S. domestic debates about ballistic missile defense. The essays also take note of the limitations of a behavioral approach for dealing with situations in which even a single deviation from the predictions of any model can have dire consequences.

Twice declared extinct, North America's most endangered mammal species, the black-footed ferret (BFF), is making a comeback thanks to an evolving conservation regimen at more than thirty reintroduction sites across the continent. Lawrence Lenhart lingers at one such site in his proverbial backyard, the Aubrey Valley in northern Arizona. He clocks hundreds of hours behind the wheel, rolling over ranch ruts as he shines a spotlight over dusky sage steppe in the hopes of catching a fleck of emerald eyeshine. The beguiling weasel at the center of this book is more than a charismatic minifauna; it is the covert ambassador of a critical ecosystem that has dwindled to 1 percent of its former size. In a landscape menaced by habitat fragmentation, bacterial plague, settler colonialism, and soil death, a ferret must be resilient. Lenhart investigates the human efforts to sustain the species through monitoring, vaccination, captive breeding, and even cloning. Lenhart balances this lens of environmental witness with personal essaying that captures the parallel story of his wife's pregnancy as he realizes the ferret's conservation story is dramatically synchronized with her trimesters. In preparing to raise a child in the Anthropocene, Lenhart takes stock of his own ecosystem and finds something is amiss. Through an ethic of "deeper ecology," Lenhart must hone his ecological interest in the black-footed ferret to assure it isn't overshadowed by his own paternal interests.

Ecocriticism and Appalachian studies continue to grow and thrive in academia, as they expand on their foundational works to move in new and exciting directions. When researching these areas separately, there is a wealth of information. However, when researching Appalachian ecocriticism specifically, the lack of consolidated scholarship is apparent. With Appalachian Ecocriticism and the Paradox of Place, editors Jessica Cory and Laura Wright have created the only book-length scholarly collection of Appalachian ecocriticism. Appalachian Ecocriticism and the Paradox of Place is a collection of scholarly essays that engage environmental and ecocritical theories and Appalachian literature and film. These essays, many from well-established Appalachian studies and southern studies scholars and ecocritics, engage with a variety of ecocritical methodologies, including ecofeminism, ecospiritualism, queer ecocriticism, and materialist ecocriticism, to name a few. Adding Appalachian voices to the larger ecocritical discourse is vital not only for the sake of increased diversity but also to allow those unfamiliar with the region and its works to better understand the Appalachian region in a critical and authentic way. Including Appalachia in the larger ecocritical community allows for the study of how the region, its issues, and its texts intersect with a variety of communities, thus allowing boundless possibilities for learning and analysis.

Immigrant children first speak the language of their mothers, and in Toledo, Ohio's Little Syria neighborhood where Joseph Geha grew up, the first place he would go to find his mother would be the kitchen. Many of today's immigrants use Skype to keep in touch with folks back in the old country but in those "radio days" of old before the luxuries of hot running water or freezers, much less refrigeration, blenders, or microwaves, the kitchen was where an immigrant mother usually had to be, snapping peas or rolling grape leaves while she waited for the dough to rise. There, Geha's mother took special pride in the traditional Syro-Lebanese food she cooked, such as stuffed eggplant, lentil soup, kibbeh with tahini sauce, shish barak, and fragrant sesame cookies. As much a memoir as a cookbook, Kitchen Arabic illustrates the journey of Geha's early years in America and his family's struggle to learn the language and ways of a new world. A compilation of family recipes and of the stories that came with them, it deftly blends culture with cuisine. In her kitchen, Geha's mother took special pride in the Arabic dishes she cooked, cherishing that aspect of her heritage that, unlike language, has changed very little over time and distance. With this book, Geha shares how the food of his heritage sustained his family throughout that cultural journey, speaking to them--in a language that needs no translation--of joy and comfort and love.

This book examines three consecutive famines in Cambodia during the 1970s, exploring both continuities and discontinuities of all three. Cambodia experienced these consecutive famines against the backdrop of four distinct governments: the Kingdom of Cambodia (1953-1970), the U.S.-supported Khmer Republic (1970-1975), the communist Democratic Kampuchea (1975-1979), and the Vietnamese-controlled People's Republic of Kampuchea (1979-1989). Famine in Cambodia documents how state-induced famine constituted a form of sovereign violence and operated against the backdrop of sweeping historical transformations of Cambodian society. It also highlights how state-induced famines should not be solely framed from the vantage point in which famine occurs but should also focus on the geopolitics of state-induced famines, as states other than Cambodia conditioned the famine in Cambodia. Drawing on an array of theorists, including Michel Foucault, Giorgio Agamben, and Achille Mbembe, James A. Tyner provides a conceptual framework to bring together geopolitics, biopolitics, and necropolitics in an effort to expand our understanding of state-induced famines. Tyner argues that state-induced famine constitutes a form of sovereign violence--a form of power that both takes life and disallows life.

In 1975 workers at Life Science Products, a small makeshift pesticide factory in Hopewell, Virginia, became ill after exposure to Kepone, the brand name for the pesticide chlordecone. They made the poison under contract for a much larger Hopewell company, Allied Chemical. Life Science workers had been breathing in the dust for more than a year. Ingestion of the chemical made their bodies seize and shake. News of ill workers eventually led to thediscovery of widespread environmental contamination of the nearby James River and the landscape of the small, working-class city. Not only had Life Science dumped the chemical, but so had Allied when the company manufactured it in the 1960s and early 1970s. The resulting toxic impact was not only on the city of Hopewell but also on the faraway fields where Kepone was used as an insecticide. Aspects of this environmental tragedy are all too common: corporate avarice, ignorance, and regulatory failure combined with race and geography to determine toxicity and shape the response. But the Kepone story also contains some surprising medical, legal, and political moments amid the disaster. With Poison Powder, Gregory S. Wilson explores the conditions that put the Kepone factory and the workers there in the first place and the effects of the poison on the people and natural world long after 1975. Although the manufacture and use of Kepone is now banned by the Environmental Protection Agency, organochlorines have long half-lives, and these toxic compounds and their residues still remain in the environment.

Soft Apocalypse pirouettes in the "anemic glow" of late capitalism, its prose poems and lyrics performing in the civic pocket, in the offbeat, and by arrhythmias that offer improvisational measures for going on. Chrome angels, strange beloveds, and cool-eyed speakers cut speculative lines through precarious spaces of the present--deserts and nightscapes, neon-lit strips, corner stores, foreclosures, pharmacy queues, and "crumpled back alleys"--making imaginative economies, queer kinships, and alternative ways of being in the world. Nothing here is done with ease, but irreducible gifts do slip surreptitiously from palm to palm: after all, "we all need a little help sometimes / baby." Soft Apocalypse insistently edges these unofficial exchanges and intimate apprehensions against the official orders, projections, violations, and isolations of our time. Instead of calculating toward a dystopic ending, this book bets on its softer wrecks, a futurity in an intimately rewired collective.

When her mother passed along a cookbook made and assembled by her grandmother, Erica Abrams Locklear thought she knew what to expect. But rather than finding a homemade cookbook full of apple stack cake, leather britches, pickled watermelon, or other "traditional" mountain recipes, Locklear discovered recipes for devil's food cake with coconut icing, grape catsup, and fig pickles. Some recipes even relied on food products like Bisquick, Swans Down flour, and Calumet baking powder. Where, Locklear wondered, did her Appalachian food script come from? And what implicit judgments had she made about her grandmother based on the foods she imagined she would have been interested in cooking? Appalachia on the Table argues, in part, that since the conception of Appalachia as a distinctly different region from the rest of the South and the United States, the foods associated with the region and its people have often been used to socially categorize and stigmatize mountain people. Rather than investigate the actual foods consumed in Appalachia, Locklear instead focuses on the representations of foods consumed, implied moral judgments about those foods, and how those judgments shape reader perceptions of those depicted. The question at the core of Locklear's analysis asks, How did the dominant culinary narrative of the region come into existence and what consequences has that narrative had for people in the mountains?

Disturbing Development in the Jim Crow South documents how Black employees of the cooperative extension service of the USDA practiced rural improvement in ways that sustained southern Black farmers' lives and livelihoods in the early decades of the twentieth century, resisting the white supremacy that characterized the Jim Crow South. Mona Domosh details the various mechanisms--the transformation of home demonstration projects, the development of a movable school, and the establishment of Black landowning communities--through which these employees were able to alter USDA's mandates and redirect its funds. These tweakings and translations of USDA directives enabled these employees to support poor Black farmers by promoting food production, health care, and land and home ownership, thus disturbing a system of plantation agriculture that relied on the devaluing of Black lives. Through the documentation of these efforts, Domosh uncovers an important and previously unknown episode in the long history of international development that highlights the roots of liberal development schemes in the anti-Black racism that constituted plantation agriculture and illustrates how racist systems can be quietly and subtly resisted by everyday people working within the confines of white supremacy.

The John Lovejoy Murray collection of letters contains insights into the experiences of an African American soldier and his regiment during the Civil War. John Lovejoy Murray, a private in Company E, 102nd USCT, died of disease in a Charleston hospital on April 12, 1865. Through John Murray's letters, readers can experience the war through the eyes of a literate northern Black soldier. His is the story of the soldiers who did not receive accolades for their heroic actions in battle, the ones who spent more time on picket and fatigue duty than on the front lines, the ones who died from disease more than they did of battle-related wounds. Murray's letters are significant because they are ordinary in some respects yet extraordinary in others. Some of the activities and sentiments portrayed in the letters are hardly distinguishable from those described in letters written by White soldiers. In other ways, the letters represent a perspective distinctly from a Black soldier in the Union army. Although many of his experiences may have been typical, John Lovejoy Murray himself, a literate, freeborn, northern Black man, was atypical among Union Black soldiers.

This is the only modern comprehensive constitutional history of any state, and as a history of Virgina, it is one of the oldest and most complex. Virginia's state legislature is the Virginia General Assembly, which was established in July 1619, making it the oldest current lawmaking body in North America. Brent Tarter's Constitutional History of Virginia covers over three hundred years of Virginia's legislative policy, from colony to statehood, revealing its political and legal backstory. From the very beginning in 1606, when James I chartered the Virginia Company to establish a commercial outpost on the Atlantic coast of North America, through the first two decades of the twenty-first century, the fundamental constitutions of the colony and state of Virginia have evolved and changed as the demographic, economic, political, and cultural characteristics of Virginia changed. Elements of the colonial constitution influenced the character of the state's first constitution in 1776, and changing relationships between the people and their government, as well as relationships between the state and federal governments, have influenced how the state's constitution has evolved. Tarter explores that evolution and taps into its relevance to the people who have lived and still live in Virginia.