Bøger udgivet af University of Massachusetts Press

In this richly illustrated book, Robert Macieski examines Lewis W. Hine's art and advocacy on behalf of child labourers as part of the National Child Labor Committee (NCLC) between 1909 and 1917. A "social photographer", Hine created images that documented children at work throughout New England, making the case for their exploitation in the North as he had for rural working children in the South.

An English translation of the German book Farbe bekennen. A compilation of texts, testimonials and other secondary sources, the collection brings to life the stories of Black German women living amid racism, sexism and other institutional constraints in Germany.

When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women's movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality. In Our Science, Ourselves, Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures--Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area--to Harvard, MIT, and other universities--to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women's movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson's sociobiology in 1975 and Larry Summers' comments about women in science thirty years later. Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world.

Henry David Thoreau's interest in Native Americans is widely known and a recurring topic of scholarly attention, yet it is also a source of debate. This is a figure who both had a deep interest in Native American history and culture and was seen by many of his contemporaries, including Ralph Waldo Emerson and Nathaniel Hawthorne, as "more like an Indian" than his white neighbors. At the same time, Thoreau did little to protest the systematic dispossession of Indigenous people across the country in his lifetime. John J. Kucich charges into this contradiction, considering how Thoreau could demonstrate respect for Native American beliefs on one hand and ignore the genocide of this group, actively happening throughout his life, on the other. Thoreau's long study of Native peoples, as reflected in so much of his writing, allowed him to glimpse an Indigenous worldview, but it never fully freed him from the blind spots of settler colonialism. Drawing on Indigenous studies and critiques of settler colonialism, as well as new materialist approaches that illustrate Thoreau's radical reimagining of the relationship between humans and the natural world, Unsettling Thoreau explores the stakes of Thoreau's effort to live mindfully and ethically in place when living alongside, or replacing marginalized peoples. By examining the vast sweep of his writings, including the unpublished Indian Notebooks, and placing them alongside Native writers and communities in and beyond New England, this book gauges Thoreau's effort to use Indigenous knowledge to reimagine a settler colonial world, without removing him from its trappings.

In the mid-nineteenth century, Boston fashioned itself as a global hub. By the early 1970s, it was barely a dot on the national picture. It had gained a reputation as a decaying city rife with crime and dysfunctional politics, as well as decidedly retrograde race relations, prominently exemplified by white resistance to school integration. Despite this historical ebb in its national and international presence, it still possessed the infrastructure--superb educational institutions such as Harvard and MIT, world-class sports teams like the Celtics and Red Sox, powerful media outlets like The Boston Globe, and extensive shipping capacity--required to eventually thrive in an age of global trade and mass communication. In Boston Mass-Mediated, Stanley Corkin explores the power of mass media to define a place. He examines the tensions between the emergent and prosperous city of the late twentieth and early twenty-first centuries and its representation in a range of media genres such as news journalism, professional sports broadcasting, and popular films like Mystic River and The Departed. This mass media, with its ever-increasing digital reach, has emphasized a city restricted by tropes suggestive of an earlier Boston--racism, white ethnic crime, Catholicism, and a pre-modern insularity--even as it becomes increasingly international and multicultural. These tropes mediate our understanding and experience of the city. Using Boston as a case study, Corkin contends that our contemporary sense of place occurs through a media saturated world, a world created by the explosion of digital technology that is steeped in preconceptions.

One of the most famous living French writers, Marguerite Duras is renowned for her provocative and hauntingly beautiful works of fiction, drama, and cinema. This book offers the first comprehensive study of the narrative and stylistic characteristics of Duras's fiction. Susan D. Cohen examines the entire range of Duras's works, combining close textual analyses with a more general discussion of narrativity and its connections with gender, class, and race. The focus throughout is on language, representation, and difference, which Duras explores on every structural level. Cohen shows how Duras's writings, even the controversial "erotic" works, expose and subvert the repression of women in traditional, dominant discourse and at the same time present an alternative, nonrepressive discursive model. She formulates a concept of creative "ignorance," which she identifies as the generative principle of Duras's textual production and the approach to language it proposes. Cohen also explores the distinctive features of Duras's prose, describing how the writer achieves the ritual, legendary aura that characterizes her work.

The poems offered here were gathered from what Robert Francis wrote in the last decade of his life and from earlier work not available either in his seven previous books or his Collected Poems, 1936-1976. While aging is a recurring theme, the later poems converse with the earlier ones in an engaging mixture of subject and tone, mingling the pastoral with the political, the contemplative with the Chaplinesque. Recipient of the Shelly Memorial Award, Prix de Rome, and Academy of American Poets Fellowship, Francis lived in Amherst, Massachusetts, until his death in 1987 at age eighty-five.

In Nadine Gordimer's view, the novel can present history as historians cannot. Moreover, this presentation is not fictional in the sense of being "untrue." Rather, fiction deals with an area of activity usually inaccessible to the sciences of greater externally: the area in which historical process is registered as the subjective experience of individuals in society; fiction give us "history from the inside." Gordimer's novels give us an extraordinary and unique insight into historical experience in the period in which she writes.

Occasionally an accident of research produces a book more engaging than the one the historian originally intended. While sifting through material for his Ph.D. dissertation, which dealt with an entirely different topic, Eisen came across a diary from the Vilna ghetto written by Zelig Kalmanovitch. His tone was sober, but not entirely so. The passage that caught Eisen's eye concerned a playground erected around 1942 and the author's inner conflict surrounded the coexistence of games and sports and mass murder in the ghetto.

A selection of Martin Jay's recent writings on contemporary thought and culture, this is a book about ideas that matter--and about why ideas matter. Borrowing from Flaubert's notion of a dictionary of "received ideas" and Raymond Williams's explorations of the "keywords" of the modern age, Jay investigates some of the central concepts by which we currently organize our thoughts and lives. His topics range from "theory" and "experience" to the meaning of "multiculturalism" and the dynamics of cultural "subversion." Among the thinkers he engages are Bataille and Foucault, Adorno and Lacoue-Labarthe, Walter Benjamin, Christa Wolf, and Jean-François Lyotard. By looking closely at what "words do and perform," Jay makes us aware of the extent to which the language we use mediates and shapes our experience. By helping to distance us from much that we now take for granted, he makes it difficult for us to remain comfortably certain about what we think we know. Elegantly written and richly insightful, this is a work of cultural criticism and intellectual analysis of the first order.

This biography of the African-American activist and scholar, Rayford W. Logan, draws from his own work, letters, diaries and autobiography to create a portrait of a lesser-known member of the black scholarly elite in the mid-20th century.

Gathered here in their entirety are the seven previous volumes of Robert Francis poetry -- Stand with Me Here, Valhalla and Other Poems, The Sound I Listened For, The Face against the Glass, The Orb Weaver, Come Out into the Sun, and Like Ghosts of Eagles -- together with a group of recent poems, many not previously published but "saved" to end this volume on a note of newness. Because the original seven volumes are kept in chronological order, the reader can follow the author's journey from his quiet early work to poetry of greater color, warmth, vitality, vivacity, and sportiveness; and can note just when and where Francis' style becomes more and more diversified, with word-count, fragmented surface, and the celebration of words themselves. The book is graced with eight wood engravings by Wang Hui-Ming.

A philosophical essay on personal virtue of self-control, artistry, and love. A contemporary account of how virtue can have significance in a world that has lost the certainty of common and collective meanings.

A collection of prayers written by Du Bois for students at Atlanta University, thoughtfully compiled and introduced by Herbert Aptheker. These prayers are deeply commited to paying attention to and caring for the inner lives of black Americans. Biblical familiarity and agnosticity are both present in these autobiographical writings, uplifting the hopes and practices of W. E. B. Du Bois's life, while meditating on the still relevant question of how to make "a good life for all".

Just as dreams have long been associated with the unconscious, ghost stories have often served as forums for otherwise unapproachable issues. This volume brings together a lively selection of ghost stories by women writers who use the genre to reveal and challenge prevailing cultural discourses on the nature and status of women. Depicting marriage, motherhood, female sexuality, spinsterhood, widowhood, and the intersection of madness and medical practice, the authors displace their critiques of dominant ideologies onto the supernatural, thus shielding themselves from critical recrimination. Their evocative works provide an invaluable resource for insights into women's writing and lives. Originally published in popular magazines, the twenty-two stories in this collection are set in all corners of the United States and were written by a range of authors known and unknown, including Edith Wharton, Kate Chopin, and Zora Neale Hurston. Whether depicting a servant who helps save the reputation of her master's dead first wife, a ghostly mother who haunts a stranger until he agrees to adopt her orphaned daughter, or a ghost who revisits her beloved husband only to discover his long-standing preference for her sister, these tales possess great psychological richness and offer first-rate entertainment even as they explore the social and psychological realities of women's lives. Each story is preceded by a biographical headnote.

An appreciative examination of the New England clambake, Neustadt divides her study into three parts: historical (social, economic, political, regional, and cultural) influences on the clambake; a close focus on the Allen's Neck clambake as a cultural phenomena in its own right; and a critical examination of the central elements of the clambaking tradition--food, ritual, and festival. The author views the clambake as a unique American folk tradition with interesting connections and rich resonances with other aspects of American culture and history.

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Chosen as a Lawyer's Literary Club Selection, this book looks behind stated legal rules and doctrines in the field of labor law to clearly formulate the often hidden values and assumptions that motivate those who make labor law decisions. The author demonstrates that the "received wisdom" in labor law, which is that decisions are based on analyses of the rational implications of statutory policy, language, or legislative history, fails to account for the actual history of decision-making, particularly the interpretation of the Wagner Act of 1935 that established collective bargaining and the National Labor Relations Board. Through close interpretation, Atleson shows the legal decisions that have been reached are better explained by such factors as notional of inherent property rights, the need for capital mobility, and the interest in continued productivity.

Written during the early seventeenth century, Frei Vicente do Salvador's The History of Brazil: 1500-1627 offers a unique account of this volatile and dynamic period and holds the distinction of being the first history of Brazil written by a Brazilian. With sections devoted to natural, social, and political history, this expansive volume serves as a rich primary source, detailing the successes and failures of colonial governance, interactions with a diversity of Native peoples, and disputes between the Portuguese and the French and Dutch. As an eyewitness to many of the events he describes, Frei Vincente offers unparalleled access to the incidents, social customs, and personalities at play in colonial Brazil.

Grappling with metaphysical questions of suffering, death, and infinity, Antero de Quental's sonnets have been widely celebrated by writers and intellectuals around the world, with Fernando Pessoa calling him "one of the greatest poets of the nineteenth century." Irreverent and nonconformist, Antero became the ideologue and moving spirit behind the group of progressive intellectuals known as the Generation of 1870 who rebelled against tradition and attempted to reverse Portugal's intellectual stagnation. This is the first bilingual (Portuguese-English) edition of Antero's sonnets and poems, as well as the first to assemble the translations by Aubrey F. G. Bell, Roy Campbell, Richard Garnett, George Monteiro, S. Griswold Morley, Fernando Pessoa, Edgar Prestage, and Richard Zenith in a single volume.

In the insular Portuguese fishing community of Provincetown, Josie Carvalho's life has been shaped by the annual influx of summer tourists and his great aunt's fervent, if idiosyncratic, Catholicism. The counterweight to these forces has always been Josie's relationship with his grandfather John Joseph, a drunk, clam-poaching old man who is nevertheless a sly and masterful storyteller.After a stranger starts dating Josie's mother and upsets the family's equilibrium, John Joseph heals the rift with the colorful and adventurous stories of their ancestor, Francisco Carvalho, a Portuguese explorer who just may have beaten Columbus to the New World. With the guidance of these obscure but inspired tales, Josie begins to find new ways of understanding his family and the outside world. This new edition of Leaving Pico makes Frank X. Gaspar's award-winning coming-of-age novel accessible to a new generation of readers.

Organized around themes of particular relevance for Portuguese language learners, this textbook develops students' writing competence in a range of textual genres and features sources drawn from across the Portuguese-speaking world--literary, journalistic, or otherwise. Práticas textuais also provides the opportunity for a review of typically challenging elements of grammar, such as the contrast between indicative and subjunctive moods and compound verbal tenses, and helps learners progress from advanced-low to advanced-midlevel proficiency, according to the ACTFL guidelines, or from level B2 to C1, following the CEFR. Online components accompany the text, including reviews for each lesson, audio files and scripts, and answers to textbook activities, as well as teaching suggestions for instructors.

Established in 1935, the Federal Writers' Project (FWP) sent over 6,500 unemployed historians, teachers, writers, and librarians out to document America's past and present in the midst of the Great Depression. The English poet W. H. Auden referred to this New Deal program as "one of the noblest and most absurd undertakings ever attempted by any state."Featuring original work by scholars from a range of disciplinary perspectives, this edited collection provides fresh insights into how this extraordinary program helped transform American culture. In addition to examining some of the major twentieth-century writers whose careers the FWP helped to launch--including Ralph Ellison, Richard Wright, and Margaret Walker--Rewriting America presents new perspectives on the role of African Americans, Mexican Americans, Asian Americans, and women on the project. Essays also address how the project's goals continue to resonate with contemporary realities in the midst of major economic and cultural upheaval.Along with the volume editor, contributors include Adam Arenson, Sue Rubenstein DeMasi, Racheal Harris, Jerrold Hirsch, Kathi King, Maiko Mine, Deborah Mutnick, Diane Noreen Rivera, Greg Robinson, Robert Singer, James Sun, and David A. Taylor.