Bøger udgivet af University of New Mexico Press

Educator, lawyer, editor, inventor, entrepreneur, and civic booster, Carl Magee helped shape New Mexico and Oklahoma in the years after gaining statehood, garnering fame along the way. Jack McElroy's fascinating biography of "Citizen Carl" tells the story of a man whose exploits were as diverse and complex as the American Southwest he loved.Magee purchased the Albuquerque Journal from the syndicate responsible for reelecting Senator Albert Bacon Fall, soon to become secretary of the Interior. Magee battled the Republican machine in New Mexico, a fight that sent Fall to prison in the Teapot Dome scandal and saw Magee repeatedly tried on charges of criminal libel, contempt of court, and even manslaughter. Forced to sell the Journal, he then started the newspaper that would become the Albuquerque Tribune.Magee's fame prompted Scripps-Howard to buy the Tribune, retaining him as editor and adopting his motto: "Give Light and the People Will Find Their Own Way." The company later transferred Magee to its struggling paper in Oklahoma City. There he solved the city's downtown parking problem by inventing the parking meter.Now mostly forgotten, Magee's legacy lives on, and many of the issues he confronted--press freedom, gun violence, public corruption, and demagoguery--remain relevant today.

Tobias explores the cultural and political influence of the New Mexico Jewish community since the Second World War.

Whittlesey shares tales of "the great Geyserland" as told by the earliest tour guides of America's first and most unique national park.

"Seeks to demonstrate that Chicanos, precisely because of their long-standing presence in the region, have developed their own images of the Southwest, many of which conflict sharply with Anglo-American views."--Raymund A. Paredes, University of California, Los Angeles"A boldly conceived, wide-ranging essay that grapples thoughtfully with complex and subtle issues."--David J. Weber

This account of the French era in Canada is the most original treatment of the subject in over a century. The analysis and ideas in the first edition helped create a whole new school of thought about Canadian history. Over 50,000 copies have been used in classrooms in Canada and the United States in the decade since its publication. In this revised edition, the author updates the bibliography and adds new ideas advanced in the 1970s that will make more valuable still this acclaimed general history of New France.

In the dozen years Carolina Maria de Jesus (1914-1977) lived in a São Paulo, Brazil, shanty slum, she survived by rummaging for junk. She also kept a diary of her abject poverty. Black, illegitimate, and poor, she suddenly became at age forty-six Brazil's best-selling author when a book drawn from her diaries appeared in 1960. An English translation, Child of the Dark, was published in 1962 and sold over 300,000 copies in the United States in a decade. Newsweek heralded her book as "a desperate, terrifying outcry from the slums of São Paulo . . . one of the most astonishing documents of the lower depths ever printed."Collaborating with a Brazilian colleague, Levine tells the story of Carolina's life, giving particular emphasis to the years following her publishing success, and engages in a provocative debate over what Carolina's life reveals about such issues as racism in Brazil, the rigidity of the country's class system, and the process of constructing an identity amid constant degradation and poverty.

In the American Southwest, no two events shaped modern Spanish heritage more profoundly than the San Diego Expositions of 1915-1916 and 1935-1936. Both San Diego fairs displayed a portrait of the Southwest and its peoples for the American public.By examining architecture and landscape, American Indian shows, civic pageants, tourist imagery, and the production of history for celebration and exhibition at each fair, Matthew F. Bokovoy peels back the rhetoric of romance and reveals the legacies of the San Diego World's Fairs to reimagine the Indian and Hispanic Southwest. In tracing how the two fairs reflected civic conflict over an invented San Diego culture, Bokovoy explains the emergence of a myth in which the city embraced and incorporated native peoples, Hispanics, and Anglo settlers to benefit its modern development.

Jean Toomer (1894-1967) was a modernist writer, a member of the Harlem Renaissance, and briefly part of the literary and artistic community that grew up around Mabel Dodge Luhan in Taos, New Mexico. This book, a critical edition of a previously unpublished 1935 manuscript, makes A Drama of the Southwest available to readers for the first time. The play provides a vivid glimpse into the social world of the artists who mined Taos for creative and spiritual renewal in the early twentieth century, and editor Dekker provides cultural and literary historical context, arguing for Toomer's continuing creative power and significance at a time in his career that has been largely overlooked by critics.

On 4 October 1693 don Diego de Vargas left El Paso with eight hundred settlers and soldiers to reoccupy New Mexico. His account of organizing the colonizing expedition, leading the march up the Rio Grande valley, and eventually conquering Santa Fe is presented in this volume, the third of six drawn from his reports. Vargas's journal gives immediacy to the themes of reoccupation and pacification. Many of those he led into New Mexico were survivors of the Pueblo Revolt, and all, he noted, were now reduced to "abject poverty and nakedness." To organize the expedition, Vargas spent eight months in northern Mexico recruiting settlers and attempting to secure financing from the royal treasury. When no funds were forthcoming, Vargas and the settlers nevertheless departed for Santa Fe before winter arrived. On their march north they survived by trading livestock for foodstuffs, and by the end of December they successfully reached the colonial capital and defeated the Pueblo Indians occupying it. This documentary history in English translation is a key resource on New Mexico's cultural and political history. Its extensive annotation will be useful to genealogists as well.

Studies of seventeenth-century New Mexico have largely overlooked the soldiers and frontier settlers who formed the backbone of the colony and laid the foundations of European society in a distant outpost of Spain's North American empire. This book, the final volume in the Coronado Historical Series, recognizes the career of Juan Domínguez de Mendoza, a soldier-colonist who was as instrumental as any governor or friar in shaping Hispano-Indian society in New Mexico. Domínguez de Mendoza served in New Mexico from age thirteen to fifty-eight as a stalwart defender of Spain's interests during the troubled decades before the 1680 Pueblo Revolt. Because of his successful career, the archives of Mexico and Spain provide extensive information on his activities. The documents translated in this volume reveal more cooperative relations between Spaniards and Pueblo Indians than previously understood.

Mexico's Spiritual Reconquest brings to life a classically misunderstood pícaro: liberal soldier turned Catholic priest and revolutionary antipope, "Patriarch" Joaquín Pérez. Historian Matthew Butler weaves Pérez's controversial life story into a larger narrative about the relationship between religion, the state, and indigeneity in twentieth-century Mexico.Mexico's Spiritual Reconquest is at once the history of an indigenous reformation and a deeply researched, beautifully written exploration of what can happen when revolutions try to assimilate powerful religious institutions and groups. The book challenges historians to reshape baseline assumptions about modern Mexico in order to see a revolutionary state that was deeply vested in religion and a Cristero War that was, in reality, a culture clash between Catholics.

Land is people. Remembering is all.These themes pervade Geary Hobson's anthology of poetry, essays, and short stories by contemporary Native American writers. A Native American (Cherokee-Chickasaw), Hobson himself is a poet, short story writer, essayist, editor, university teacher, and ex-Marine. He knows this generation well: the writers he has selected, from the Atlantic coast to Hawaii, are for the most part young voices reaffirming the wisdom, "In remembering, there is strength and continuance and renewal through the generations." Originally published by the Red Earth Press of Albuquerque, this broad survey of the experience, renascence, and aesthetic of Native American writing today is incisive, reflective, moving, and provocative in its variety. Readers familiar with contemporary writing will recognize the names of Silko, Momaday, Hero, Allen, Brooches, and Rose among the nearly one hundred artists assembled here. Their poems, short stories, and especially their essays titled "Imitation Indian Poems," "The Man Made of Words," and "The rise of the White Shaman," provide valuable statements of Native American writers' own assessment of their legacy within the larger context of Anglo-American life and literary traditions. Their works illumine the will to endure and to praise as it is revealed in on-Reservation and urban-landless Native American experiences.

This unique collection of multidisciplinary essays explores recent developments in Paraguay over the course of the last thirty years since General Alfredo Stroessner fell from power in 1989. Stroessner's strong authoritarian legacy continues to exert an impact on Paraguay's political culture today, where the conservative Colorado Party continues to dominate much of the political landscape in spite of the country having transitioned into a modern democracy.The essays in Native Peoples, Politics, and Society in Contemporary Paraguay provide new understandings of how Paraguay has become more integrated into the regional economy and societies of Latin America and changed in unexpected ways. The scholarship examines how the political change impacted Paraguayans, especially its indigenous population, and how the country adapted as it emerged from authoritarian traditions. Each contribution is exemplary in the scope and depth of its understanding of Paraguay, especially its indigenous peoples, politics, women's rights, economy, and natural environment.

Winner of the 2022 International Latino Book Award: Bronze Medal for Fiction Translation, Spanish to EnglishEl feliz ingenio neomexicano is a bilingual recovery edition of Obras de Felipe Maximiliano Chacón, el Cantor Neomexicano: Poesía y prosa, the first collection of poetry published by a Mexican American author. Journalist and author Felipe M. Chacón, part of a distinguished and active family of nuevomexicano authors, published the book in 1924. El feliz ingenio neomexicano (that "inspired New Mexican wit") reestablishes Chacón's work and his reputation by making the text widely available to readers for the first time in nearly a century. With Nogar and Meléndez's excellent translation of the text, this bilingual volume offers access to both English and Spanish editions for scholars and students from a variety of disciplines. Additionally, the in-depth introduction and appendix materials gathered by the editors place Chacón's book in the context of the time in which it was printed, offering a unique insight into the work. A welcome volume for scholars and literature lovers alike, El feliz ingenio neomexicano is a groundbreaking work of literary recuperation.

Press, Power, and Culture in Imperial Brazil introduces recent Brazilian scholarship to English-language readers, providing fresh perspectives on newspaper and periodical culture in the Brazilian empire from 1822 to 1889. Through a multifaceted exploration of the periodical press, contributors to this volume offer new insights into the workings of Brazilian power, culture, and public life. Collectively arguing that newspapers are contested projects rather than stable recordings of daily life, individual chapters demonstrate how the periodical press played a prominent role in creating and contesting hierarchies of race, gender, class, and culture. Contributors challenge traditional views of newspapers and magazines as mechanisms of state- and nation-building. Rather, the scholars in this volume view them as integral to current debates over the nature of Brazil. Including perspectives from Brazil's leading scholars of the periodical press, this volume will be the starting point for future scholarship on print culture for years to come.

In New Mexico's Moses, Ramón A. Gutiérrez dives deeply into Reies López Tijerina's religious formation during the 1940s and 1950s, illustrating how his Pentecostal foundation remained an integral part of his psyche even as he migrated toward social-movement politics. An Assemblies of God evangelist turned Pentecostal itinerant preacher, Tijerina used his secularized apocalyptic theology to inspire the dispossessed heirs of Spanish and Mexican land grants fighting to recuperate ancestral lands throughout northern New Mexico and the Southwest. Using Tijerina's collected sermons, Gutiérrez demonstrates the ways in which biblical prophecy influenced Tijerina throughout his life from his early days as a preacher to his leadership of the Alianza Federal de Mercedes. Tijerina sought justice for those who had lost their lands and was determined to eradicate the most egregious forms of racism and to valorize the language and culture of mexicanos. Translated into English for the first time here, Tijerina's sermons serve as a blueprint for the religious origins of the Mexican American Civil Rights Movement.

While the colonial and territorial periods in New Mexico history have been well documented, and in fact helped create the myth of the American West, the contemporary period remains largely unexamined. This collection of essays remedies that lack by examining the dramatic social, economic, and political changes that have occurred in the course of the twentieth century.Thirteen essays present case studies of farm families, groundwater law, mining, Native American experiences, ranch culture, the role of the military in the state's economy, the development of the penitentiary system, organized labor, the tuberculosis industry, public health nurses, tourism, and World War II Japanese internment camps. A bibliographic essay provides additional resources for teachers and students, and a photographic essay illustrates the state's diversity.

By tracing the impulses of punk rock, trash film, and camp through poetry, Drew Gardner sheds light on a literary tendency that has been part of poetry's DNA all along: uncovering the poetic values hidden in unpoetic things. This unique anthology introduces readers to collage-driven poetry that embodies the sensibilities of punk, trash, and camp in a line of writing that cuts through received taxonomies of movements, influences, and styles. Moving through the twentieth century, the poetry focuses on the unexpected, the anarchic, the demotic, the absurd, the irreverent, the coarse, the rude, and the deliriously playful. It marks an alternative strain of modernism that stretches from one side of the century to the other and includes such diverse voices as Baroness Elsa von Freytag-Loringhoven, Gertrude Stein, William Carlos Williams, Mina Loy, Russell Atkins, Sun Ra, and Bernadette Mayer, along with many other well-known and lesser-known poets. Readers of Ingenious Pleasures will delight in experiencing poetry as they never have before.

The Age of Dissent argues that the defining feature of the Age of Revolutions in Latin America was the emergence of dissent as an inescapable component of political life. While contestation and seditious ideas had always been present in the region, never before had local regimes been forced to consider radical dissension as an unavoidable dimension of politics. Focusing on urban Chile between the first anticolonial conspiracy of 1780 and the consolidation of an authoritarian regime in 1833, the book argues that this revolution was caused by how people practiced communication and framed its power.

A bilingual anthology, Fierce Voice / Voz feroz features Argentine and Uruguayan women poets published after their countries' return to democracy in the eighties. These twenty-six poets introduced innovative, invigorating styles and established new directions in literature, providing an essential addition to the development of Latin American poetry. This anthology includes established poets as well as emerging poets just gaining attention in their countries and abroad. Fierce Voice / Voz feroz serves to showcase their work and give an English-speaking readership the opportunity to experience the breadth and power of this fierce talent. PoetsDiana BellessiAmanda BerenguerJuana BignozziSelva CasalLaura Cesarco EglinRaquel GarzónMarosa di GiorgioIrene GrussSilvia GuerraMaría Rosa LojoVirginia LucasLiliana LukinMelisa MachadoClaudia MaglianoCirce MaiaClara MuschiettiMaría NegroniMariella NigroTatiana OroñoOlga OrozcoMercedes RofféMirta RosenbergBeatriz VignoliIdea VilariñoLaura Wittner TranslatorsCurtis Bauer Lisa Rose Bradford Mary Crow Kristin DykstraRichard GwynKatherine M. HedeenJen HoferCatherine Jagoe Jesse Lee Kercheval Ruth Llana Seth Michelson Michelle Gil-Montero Anna Deeny MoralesJeannine Marie Pitas Louise B. Popkin Bret Sanders Madeleine Stratford

First published in 1954 when Robb was Dean of the College of Fine Arts at the University of New Mexico, Hispanic Folk Songs of New Mexico has been revised to feature arrangements for voice and piano with the addition of chord symbols for guitar. Contributors to the revision are James Bratcher, Marilyn Fletcher, UNM Professor Emeritus, Tomás Ruiz-Fábrega, Ph.D., and Robert Tillotson, Ph.D.Robb's discussion falls into three major divisions: a general examination of the Hispanic folk song in New Mexico (types, origins, and literary and musical characteristics), of specific folk songs, and, finally, the songs presented in both Spanish and English.Aimed at general folk music enthusiasts and educators for use in the classroom, yet avoiding being overly technical, Robb conveys basic principles and imparts his contagious enthusiasm for the flavor of New Mexico's folk songs.

At the Heart of the Borderlands is the first book-length study of Africans and Afro-descendants in the frontiers of Spanish America. While people of African descent have formed part of most borderlands histories, this study recognizes and explains their critical contribution to the formation of frontier spaces. Lack of imperial control coupled with Spain's desperation for settlers and soldiers in frontier areas facilitated the social mobility of Afro-descendants. This need allowed African descendants to become not just members of borderland societies but leaders of it as well. They were essential actors in helping to shape the limits of the Spanish empire. Africans and Afro-descendants built, opposed, and shaped Spanish hegemony in the borderlands, taking on roles that would have been impossible or difficult in colonial centers due to the socio-racial hierarchy of imperial policies and practices.

Gertrude Stein and Laura Riding enjoyed a fascinating if brief three-year friendship via correspondence between 1927 and 1930, and in A Description of Acquaintance, Logan Esdale and Jane Malcolm make the letters available to a larger audience for the first time. Riding and Stein are important figures in twentieth-century poetry and poetics and are considered progenitors of later movements such as L=A=N=G=U=A=G=E poetry. The editors contextualize their relationship and its time period with an introduction; annotations to the letters; and supplementary materials, including pieces by Stein and Riding that exemplify their singular perspectives on modernism as well as their personal poetics. The book provides unique insight into Stein's and Riding's writing processes as well as the larger literary world around them, making it a must-read for anyone interested in twentieth-century poetry.

In this book Nathanial Gardner provides an insider's perspective to the study of photography in Latin America. He begins with a carefully structured introduction that lays out his unique methodology for the book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Mraz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline.The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts.

Distinguished historian Richard W. Etulain brings together a generous selection of essays from his sixty-year career as a specialist on the US West in this essential volume. Each essay provides an invaluable overview of the rise of western literary history and historiography--including insightful evaluations of individual historians--revealing summaries of regional literature and discussions of western stories yet to be told. Together these writings furnish readers with useful considerations of important subjects about the American West. All those interested in the American West and its interpreters will find these illuminative moments of literary history and historiography especially appealing.

This thoughtful study challenges a number of widespread assumptions about the role of Catholicism in Mexican history by examining two related Catholic charities: the male Society of St. Vincent de Paul and the Ladies of Charity of St. Vincent de Paul. With thousands of volunteers, these lay groups not only survived the liberal reforms of the mid-nineteenth century but thrived, offering educational, medical, and other services to hundreds of thousands of poor people.Arrom stresses the prominence of women among the volunteers, showing the many ways that Catholicism promoted Mexican modernization rather than being an obstacle to it. Moreover, by reinserting religion into public life, these organizations defied the secularizing policies of the Mexican government. By comparing the male and female organizations collectively, the work shows that the relationship between gender, faith, and charity was much more complicated than is usually believed, with devout men and women supporting the Catholic project in complementary ways.

Centered in northern New Mexico, this collection of poetry describes a series of journeys that create maps of place and memory. The poems travel south to deserts both mythical and real, east to childhood and the past, west to the Pacific and notions of Buddhism, and north to Alaska and a cold transcendence. Each section concludes with a return home where reflection charts locations and people lost to everything from the passage of time to urban renewal.

What do houses tell us about the people who built or remodeled them? Adobe carefully painted to make it look like brick says as much about Anglo culture and presence in New Mexico from 1850 to 1912 as does any political history of those years. This study of domestic architecture, though, is more than a regional one; it addresses issues basic to an understanding of how one culture transports its social mores, cultural values, and material goods to a frontier where they can take hold.In towns, on ranches, and as forts, the changes to the buildings people lived in came from many sources. Magazines popular in the East and mail order catalogs were often consulted and influenced choices as diverse as adding balconies or picking wallpaper with okra or artichoke patterns. The abundant historic photographs of houses--some now demolished, remodeled, or restored--enable readers to look at furnishings and use of space and understand life in a frontier society better.In showing the numerous, specific ways in which architecture in New Mexico between 1850 and 1912 reflected an increasing dominance of an Anglo society over a native southwestern one, this book will interest historians, architects, folklorists, and nonspecialists in these fields.