Bøger udgivet af University of Oklahoma Press

In this first comprehensive reading of Juvenal's satires in more than fifty years, David H. J. Larmour deftly revises and sharpens our understanding of the second-century Roman writer who stands as the archetype for all later practitioners of the satirist's art.The enduring attraction of Juvenal's satires is twofold: they not only introduce the character of the "angry satirist" but also offer vivid descriptions of everyday life in Rome at the height of the Empire. In Larmour's interpretation, these two elements are inextricably linked. The Arena of Satire presents the satirist as flaneur traversing the streets of Rome in search of its authentic core-those distinctly Roman virtues that have disappeared amid the corruption of the age. What the vengeful, punishing satirist does to his victims, as Larmour shows, echoes what the Roman state did to outcasts and criminals in the arena of the Colosseum.The fact that the arena was the most prominent building in the city and is mentioned frequently by Juvenal makes it an ideal lens through which to examine the spectacular and punishing characteristics of Roman satire. And the fact that Juvenal undertakes his search for the uncorrupted, authentic Rome within the very buildings and landmarks that make up the actual, corrupt Rome of his day gives his sixteen satires their uniquely paradoxical and contradictory nature. Larmour's exploration of "the arena of satire" guides us through Juvenal's search for the true Rome, winding from one poem to the next. He combines close readings of passages from individual satires with discussions of Juvenal's representation of Roman space and topography, the nature of the "arena" experience, and the network of connections among the satirist, the gladiator, and the editor-or producer-of Colosseum entertainments. The Arena of Satire also offers a new definition of "Juvenalian satire" as a particular form arising from the intersection of the body and the urban landscape-a form whose defining features survive in the works of several later satirists, from Jonathan Swift and Evelyn Waugh to contemporary writers such as Russian novelist Victor Pelevin and Irish dramatist Martin McDonagh.

The Spanish invasion of Mexico in 1519, which led to the end of the Aztec Empire, was one of the most influential events in the history of the modern Atlantic world. But equally consequential, as this volume makes clear, were the ways the Conquest was portrayed.In essays spanning five centuries and three continents, The Conquest of Mexico: 500 Years of Reinventions explores how politicians, writers, artists, activists, and others have strategically reimagined the Conquest to influence and manipulate perceptions within a wide variety of controversies and debates, including those touching on indigeneity, nationalism, imperialism, modernity, and multiculturalism. Writing from a range of perspectives and disciplines, the authors demonstrate that the Conquest of Mexico, whose significance has ever been marked by fundamental ambiguity, has consistently influenced how people across the modern Atlantic world conceptualize themselves and their societies.After considering the looming, ubiquitous role of the Conquest in Mexican thought and discourse since the sixteenth century, the contributors go farther afield to examine the symbolic relevance of the Conquest in contexts as diverse as Tudor England, Bourbon France, postimperial Spain, modern Latin America, and even contemporary Hollywood. Highlighting the extent to which the Spanish-Aztec conflict inspired historical reimaginings, these essays reveal how the Conquest became such an iconic event-and a perennial medium by which both Europe and the Americas have, for centuries, endeavored to understand themselves as well as their relationship to others.A valuable contribution to ongoing efforts to demythologize and properly memorialize the Spanish-Aztec War of 1519-21, this volume also aptly illustrates how we make history of the past and how that history-making shapes our present-and possibly our future.

When it adopted a new constitution in 1969, the Seminole Nation was the first of the Five Tribes in Oklahoma to formally reorganize its government. In the face of an American legal system that sought either to destroy its nationhood or to impede its self-government, the Seminole Nation tenaciously retained its internal autonomy, cultural vitality, and economic subsistence. Here, L. Susan Work draws on her experience as a tribal attorney to present the first legal history of the twentieth-century Seminole Nation.Work traces the Seminoles' story from their removal to Indian Territory from Florida in the late nineteenth century to the new challenges of the twenty-first century. She also places the history of the Seminole Nation within the context of general Indian law and policy, thereby revealing common threads in the legal struggles and achievements of the Five Tribes, including their evolving relationships with both federal and state governments.As Work amply demonstrates, the history of the Seminole Nation is one of survival and rebirth. It is a dramatic story of an Indian nation overcoming formidable obstacles to move forward into the twenty-first century as a thriving sovereign nation.

Today, as this book reveals, the apple industry continues to evolve in response to shifting consumer demands and accelerating climate change. Yet, through it all, the Washington apple maintains its iconic status as Washington's most valuable agricultural crop.

Euripides' Hippolytus is a fascinating play about passion, innocence, rejection, betrayal, and the tragic breakdown of a family. This commentary, designed for intermediate and advanced students of ancient Greek, helps readers understand and fully appreciate this classic tragedy in all its rich complexity.

This timely study of how the Supreme Court building shapes Washington as a space and a place for political action and meaning yields a multidimensional view, and a deeper appreciation, of the ways that our physical surroundings manifest who we are as a people, and what we value as a society.

When the Vietnam War punctured the myth of American military invincibility, Hollywood needed a new kind of war movie. The familiar triumphal narrative was relegated to history and, with it, the heroic legacy that had passed from one generation to the next for more than two hundred years.How Hollywood helped create and instill the American myth of heroic continuity, and how films revised that myth after the Vietnam War, is what Armando José Prats explores in Hollywood's Imperial Wars. The book offers a new way of understanding the cultural and historical significance of Vietnam in relation to Hollywood's earlier representations of Americans at war, from the mythic heroism of a film like Sands of Iwo Jima to the rupture of that myth in films such as The Deer Hunter, Apocalypse Now, and Platoon.As early as the mid-1940s, Prats suggests, fears aroused by the Cold War were stirring anxieties about sustaining the heroic myth-anxieties reflected in the insistent, aggressive patriotism in films of the period. In this context, Prats considers the immeasurable cultural importance of John Wayne, the cinematic apotheosis of wartime valor and righteousness, whose patriotism was nonetheless deeply compromised by his not having served in World War II. Prats reveals how historical and cultural anxieties emerge in well-known Vietnam movies, in which characters inspired by the heroes of the Second World War are denied the heroic legacy of their fathers. American war movies, in Prats's analysis, were forever altered by the loss in Vietnam. Even movies like American Sniper that exalt war heroes are marked as much by the failure of the heroic tropes of old Hollywood war movies as by the tragic turn of actual historical events.Tracing what Prats calls the "anxiety of legacy" through the films of the World War II and post-Vietnam War periods, this book offers a new way of looking at both the Hollywood war movie and the profound cultural shifts it reflects and refracts.

"A dual biography of George Harrison and Muhammad Ali, two complex icons of the 1960s, culminating in 1974, when both men reemerged in their respective professions. These men displayed that tenacity of the rebellious spirit of a vanishing era that challenged the cultural and political hegemony of the West and American military dominance"---

As the United States once again finds itself embroiled in heated disputes over women's bodily autonomy--disputes in which adoption plays a central role--Wellington's book offers a unique and much-needed frame of reference.

Whether visiting ghost towns or small towns that still draw on the power of rural resilience to survive and even thrive, Here Today offers a rare chance to travel through the state's history before its remnants may be gone tomorrow. Representing the extraordinary extent of Schmidt's research, legwork, and mining of archives and data sources, the book preserves for all time a vanishing vision of Oklahoma.

Totkv Mocvse/New Fire presents the work of Earnest Gouge, an important early Creek (Muskogee) author, and makes available for the first time-in Creel and English--the myths and legends of a major American Indian tribe. In 1915, Earnest Gouge was encouraged by ethnographer John Reed Swanton to record Creek legends and myths. Gouge's manuscript lay in the National Anthropological Archives for eighty-five years until two Creek-speaking sisters, Margaret McKane Mauldin and Juanita McGirt, and linguist Jack B. Martin, began translating and editing the document. In Totkv Mocvse/New Fire, Gouge's stories appear in parallel format, with the Creek text alongside the English translation. The stories cover many themes, from the humorous allegories of Rabbit, Wolf, and other personified animals, to hunting stories designed to frighten a nighttime audience in the woods. An insightful foreword by Craig Womack and Jack Martin's introduction frame the stories within Creek literature and history. Martin and Mauldin also provide brief introductions to each story, highlighting key elements of Creek culture.

The California gold rush of 1849 created fortunes for San Francisco merchants, whose wealth depended on control of the city's docks. But ownership of waterfront property was hotly contested. In an 1856 dispute over land titles, a county official shot an outspoken newspaperman, prompting a group of merchants to organize the San Francisco Committee of Vigilance. The committee, which met in secret, fed biased stories to the newspapers, depicting itself as a necessary substitute for incompetent law enforcement. But its actual purpose was quite different. In Dirty Deeds, historian Nancy J. Taniguchi draws on the 1856 Committee's minutes--long lost until she unearthed them--to present the first clear picture of its actions and motivations. San Francisco's real estate comprised a patchwork of land grants left from the Spanish and Mexican governments--grants that had been appropriated and sold over and over. Even after the establishment of a federal board in 1851 to settle the complicated California claims, land titles remained confused, and most of the land in the city belonged to no one. The acquisition of key waterfront properties in San Francisco by an ambitious politician motivated the thirty-odd merchants who called themselves "the Executives" of the Vigilance Committee to go directly after these parcels. Despite the organization's assertion of working on behalf of law and order, its tactics--kidnapping, forced deportations, and even murder--went far beyond the bounds of law. For more than a century, scholars have accepted the vigilantes' self-serving claims to honorable motives. Dirty Deeds tells the real story, in which a band of men took over a city in an attempt to control the most valuable land on the West Coast. Ranging far beyond San Francisco, the 1856 Vigilance Committee's activities affected events on the East Coast, in Central America, and in courts throughout the United States even after the Civil War.

The history of indigenous peoples in North America is long and complex. Many scholarly accounts now rely on statistical data to reconstruct this past, but amid all the facts and figures, it is easy to lose sight of the human side of the story. How did Native people express their thoughts and feelings, and what sources of strength did they rely on to persevere through centuries of change? In this engaging narrative, acclaimed historian R. David Edmunds combines careful research with creative storytelling to give voice to indigenous individuals and families and to illustrate the impact of pivotal events on their lives. A nonfiction account accompanies each narrative to provide necessary historical and cultural context. Voices in the Drum features nine stories, each of which focuses on a fictional character who is a composite, or representation, of historical people. This series of portrayals takes the reader on an epic journey through time, beginning in the early 1400s with the Mound Builder cultures and ending with the modern-day urbanization of Native people. Along the way, we observe fictional characters interacting with real historical figures, such as Anthony Wayne, Tecumseh, and John Sutter, and taking part in actual events, such as the Battle of Fallen Timbers, the Trail of Tears, the California gold rush, and the forced removal of Native children to off-reservation boarding schools. The people portrayed in these pages belong to various tribes, including Potawatomis, Lakotas, Oneidas, and Cherokees. Their individual stories, ranging from humorous to tragic, give readers a palpable sense of how tribal peoples reacted to the disruptive changes forced on them by European colonizers and U.S. government policies. Both entertaining and insightful, the stories in this volume traverse a range of time periods, events, themes, and genres. As such, they reverberate like voices in the drum, inviting readers of all backgrounds to engage anew with the rich history and cultures of indigenous peoples.

One of America's unique contributions to world culture, the cowboy has captured the imagination of people everywhere. In The Cowboy: Six-Shooters, Songs, and Sex, eight renowned western writers report on what the cowboys really were like and what they are like today. Contributors detail how the cowboys lived, loved, and died, how they fared when ranchers switched from running cattle to entertaining dudes, and how the media have depicted the cowboy.

These letters, collected and transcribed by Captain Robert Goldthwaite Carter in the 1870s, are among the finest primary sources on the daily life of the Union soldier in the Civil War. Robert and his three brothers all saw action with the Army of the Potomac under its various commanders, Generals McClellan, Burnside, Hooker, Meade, and Grant. At times in pairs but often in neighboring units, they fought on the battlefields of Bull Run, Antietam, Fredericksburg, Chancellorsville, Gettysburg, the Wilderness, and Petersburg.

In the 140 years since the defeat of George Armstrong Custer and his troops at the Battle of the Little Big Horn, scholars and other visitors have combed the site of today's Little Bighorn Battlefield National Monument for evidence that might clarify the controversial events of June 1876. In Photographing Custer's Battlefield, Sandy Barnard, an expert on Custer and the Little Big Horn, presents the work of the site's most dedicated photographer, U.S. Fish and Game agent Kenneth F. Roahen (1888-1976), revealing further mysteries of the battlefield and showing how it has changed. Barnard opens by introducing readers to Roahen, who spent the last phase of his career and his retirement years in Montana, where he made it his personal mission from the 1930s to the 1970s to photograph what was then called Custer Battlefield. Among Roahen's most useful images are his photographs of the Crow's Nest, the Morass, and Girard's Knoll--places whose precise locations have long been debated. He also made a series of pioneering aerial photographs of the Little Big Horn and its surrounding landscape. When paired with Barnard's modern-day photographs, maps, and thorough analysis, Roahen's images provide valuable information for visitors to the monument as well as for historians, biologists, engineers, and other government employees who interpret, preserve, and protect the battlefield and its surrounding terrain. In addition to showing sites associated with the fighting, Roahen's photographs depict mid-twentieth-century roadwork, archaeological surveys and restorations, and construction of the visitor center, park housing, and maintenance facilities. Barnard's matching photographs, taken in 2012 and 2013, help to identify additional subtle but significant landscape modifications. The numerous debates surrounding the Battle of the Little Big Horn have made on-the-ground evidence especially important. Roahen's photographic legacy, explored here in more than 300 historic and contemporary images, offers fresh insight into the battlefield's ever-changing landscape, helping visitors old and new to better understand the history beneath their feet.

Theophilus F. Rodenbough served as an officer with the Second Dragoons (still in operation today as the Second Armored Cavalry). Supplementing his account with personal recollections of other officers, he relates the history of the unit, beginning with operations in the Everglades against the Seminoles. He then follows Zachary Taylor and Winfield Scott during the Mexican War, recounting engagements at Buena Vista, Cerro Gordo, and Molino del Rey, as well as the siege of Mexico City.Returning from expeditions to California and Utah, Rodenbough and his fellow officers next plunged into the Civil War, with the unit redesignated as the second Cavalry. They fought at Bull Run, Brandy Station, Gettysburg, Yellow Tavern, Trevilian Station, Winchester, and Cedar Creek. In the post-Civil War period on the western frontier, the Second Cavalry accompanied expeditions against the Sioux, Piegan, and Arapaho Indians, suffering its most grievous losses in the Fetterman Massacre of 1866.

For the past twenty-five years, our country's last Indian war has been raging in the Joint Use Area around Big Mountain and Coal Mine Mesa, Arizona. There Navajos are pitted against their Hopi neighbors--and against a United States government that has divided the land between the two tribes and then decreed that Indians living on the wrong side must move. With the narrative sweep and emotional veracity of a great novel, Emily Benedek recounts the tortuous progress of the Navajo-Hopi land dispute and portrays the lives it has consumed.

Even though the Civil War is among the best-documented wars in world history, the story of the individual soldier is not well documented. What is the story of the men in blue and gray? In The Fighting Men of the Civil War, William C. Davis shows us that for these soldiers the Civil War was far removed from politics, from the great question of slavery, even from the movement of armies. Shifting his focus from the officer to the men in the ranks, he begins with enlistment and training, follows with life in the camp and on the march, and concludes with experiences of combat, imprisonment, and sickness. Following the men through a wealth of anecdotes and firsthand accounts. Davis brings us the reality of war. Each branch of the service is highlighted, as are combatants such as sailors in both navies and the many African-American troops traditionally denied the limelight.Camp life, uniforms, weapons, and a host of personal items are featured in a series of specially commissioned photographs - together with illustrations of there arms, armament, and uniforms of both Confederate and Federal forces.