Bøger udgivet af University of Washington Press

Published on the occasion of the "Preoccupied: Indigenizing the Museum" initiative at the Baltimore Museum of Art, this book centers Native artist voices and challenges collective understandings of Native peoples' pivotal role in North American history. The written and visual contributions address and refute the oppressive and pervasive hierarchies of colonialism upon which museums are based. The book features essays by heather ahtone (Chickasaw / Choctaw), Paul Chaat Smith (Comanche), and John Lukavic; newly commissioned poetry by Heid E. Erdrich (Ojibwe); a comic conceived, written, and illustrated by Weyodi Old Bear (Comanche), Dale Deforest (Diné), and Lee Francis IV (Pueblo of Laguna); and transcripts of roundtable discussions with contemporary Native artists. Fifty plates spanning a range of media from monographic and thematic exhibitions showcase both historically significant works from the BMA's collection and the works of living artists, many of whom offer their perspectives in the catalog, including Julie Buffalohead (Ponca Tribe of Oklahoma), Dana Claxton (Lakota First Nations-Wood Mountain), Nicholas Galanin (Tlingit and Unangax̂), Duane Linklater (Omaskêko Ininiwak), Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, and Lakota / Three Affiliated Tribes of Fort Berthold), Alan Michelson (Mohawk / Six Nations of the Grand River), Caroline Monnet (Anishinaabe/French), Laura Ortman (White Mountain Apache), Kevin Pourier (Oglala Sioux), Rose B. Simpson (Santa Clara Pueblo), Kay WalkingStick (Cherokee Indian), and Dyani White Hawk (Sičáŋǧu Lakota). The work offers an important contribution to current global conversations around the decolonization of museums.

"The disappearance of China's naturally occurring forests is one of the most significant environmental shifts in the country's history, one often blamed on imperial demand for lumber. China's early modern forest history is typically viewed as a centuries-long process of environmental decline, culminating in a nineteenth-century social and ecological crisis. Pushing back against this narrative of deforestation, Ian Miller charts the rise of timber plantations between about 1000 and 1700, when natural forests were replaced with anthropogenic ones. Miller demonstrates that this form of forest management generally rested on private ownership under relatively distant state oversight and taxation. He further draws on in-depth case studies of shipbuilding and imperial logging to argue that this novel landscape was not created through simple extractive pressures, but by attempts to incorporate institutional and ecological complexity into a unified imperial state. Miller uses the emergence of anthropogenic forests in south China to rethink both temporal and spatial frameworks for Chinese history and the nature of Chinese empire. Because dominant European forestry models do not neatly overlap with the non-Western world, China's history is often left out of global conversations about them; Miller's work rectifies this omission, and suggests that in some ways, China's forest system may have worked better than the more familiar European institutions"--

In 1974, Judge George Boldt issued a ruling that affirmed the fishing rights and tribal sovereignty of Native nations in Washington State. The Boldt Decision transformed Indigenous law and resource management across the United States and beyond. Like Brown v. Board of Education, the case also brought about far-reaching societal changes, reinforcing tribal sovereignty and remedying decades of injustice.Eminent legal historian and tribal advocate Charles Wilkinson tells the dramatic story of the Boldt Decision against the backdrop of salmon's central place in the cultures and economies of the Pacific Northwest. In the 1960s, Native people reasserted their fishing rights as delineated in nineteenth-century treaties. In response, state officials worked with non-Indian commercial and sport fishing interests to forcefully-and often violently-oppose Native actions. These "fish wars" spurred twenty tribes and the US government to file suit in federal court. Moved by the testimony of tribal leaders and other experts, Boldt pointedly waited until Lincoln's birthday to hand down a decision recognizing the tribes' right to half of the state's fish. The case's long aftermath led from the Supreme Court's affirmation of Boldt's opinion to collaborative management of the harvest of salmon and other marine resources.Expert and compelling, Treaty Justice weaves personalities and local detail into the definitive account of one of the twentieth century's most important civil rights cases.

Housewives, hard hats, and an Ohio town's restoration of the radioactive wasteland in its backyardIn 1984, a uranium leak at Ohio's outdated Fernald Feed Materials Production Center highlighted the decades of harm inflicted on Cold War communities by negligent radioactive waste disposal. Casey A. Huegel tells the story of the unlikely partnership of grassroots activists, regulators, union workers, and politicians that responded to the event with a new kind of environmental movement.The community group Fernald Residents for Environmental Safety and Health (FRESH) drew on the expertise of national organizations while maintaining its autonomy and focus on Fernald. Leveraging local patriotism and employment concerns, FRESH recruited blue-collar allies into an innovative program that fought for both local jobs and a healthier environment. Fernald's transformation into a nature reserve with an on-site radioactive storage facility reflected the political compromises that left waste sites improved yet imperfect. At the same time, FRESH's outsized influence transformed how the government scaled down the Cold War weapons complex, enforced health and safety standards, and reckoned with the immense environmental legacy of the nuclear arms race.A compelling history of environmental mobilization, Cleaning Up the Bomb Factory details the diverse goals and mixed successes of a groundbreaking activist movement.

"A River Runs Through It and Other Stories" turned Norman Maclean into a late-in-life literary phenomenon and then a household name after the success of the Hollywood film based on the title story. Yet fewer know of Maclean's lifelong struggles to reconcile very different parts of himself: the revered teacher and writer in the intellectual hub of Chicago and the Montana man compelled by the wildness and traumas of his home state and family, including the tragic Mann Gulch fire and the murder of his brother. Rebecca McCarthy's intimate portrait of Maclean draws on her long friendship with the author from the time she became a student at the University of Chicago through the rest of his life. Irrepressible as a teacher, Maclean shared guidance, advice, campus and city rambles, and loyal friendship with generations of students. Behind the scenes, he honed an art as meditative and patient as his approach to fly fishing. McCarthy's experiences intertwine with stories from friends, family, colleagues, and others to detail an incredibly rich life that seemed destined to remain divided-until the creation of his classic American story"--

From ancient gameboards to Honor of Kings, games as cultural agentsGames as global and connected phenomena have been examined in the rising scholarly field of game studies, but relatively little has been published on the history of games and gaming in China. Weiqi (a.k.a. Go), one of the world's oldest board games, originated in China; a variety of Chinese card, dice, board, sport, and performance games have been developed over the millennia; and China is quickly becoming a major player in the contemporary digital game industry. In exploring games and practices of play across social and historical contexts, this volume examines representations of gender, class, materiality, and imaginations of the nation in Chinese and Sinophone contexts, while addressing ways in which games inhabit, represent, disrupt, or transform cultural and social practices. Both analog and computer games are represented in analyses that draw connections between the traditional and the modern and between local or regional and higher-order economic, cultural, and political structures. Among the topics explored are rock carvings of board games, weiqi cultures, scholars' and courtesans' games, gambling, games based on literature, video-game politics, and appropriation of Chinese culture in video games.The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

"Between the Tides in California is a highly accessible guidebook the rich and surprising ways that water and land interact to create seashore ecologies. This beautifully illustrated book is not your typical guidebook: leading marine scientists and scientific storytellers have collaborated to explain why different regions have developed distinctive characters and explore the dynamic forces that make the same beach a slightly different experience on each visit"--

An updated edition of an essential resource on the textile crafts of Sindh. The textile crafts of Sindh are amongst the oldest in South Asia. A kaleidoscope of color, mirrors, and embroidery, Sindhi textiles feature motifs of desert flowers, peacocks, scorpions, and sand dunes. The Flowering Desert explores the history, craftsmanship, styles, and stitches of textiles from Sindh in Pakistan, which, according to some scholars, was the crucible in which the textile traditions of Gujarat and Rajasthan were forged. It focuses on a spectacular private collection, parts of which have been exhibited at the Victoria & Albert Museum, London and the National Museums of Scotland. In addition to sumptuous photography of 120 remarkable objects--from tunics and turban sashes to dowry bags and animal adornments--the book includes essays on the history of the region, its ethnic groups, and their differing styles, as well as on the numerous stitches used in Sindhi embroidery. This is a revised second edition of the best-selling book which incorporates new and additional material as well as an expanded glossary, which will be of interest to both collectors and scholars.

"This publication presents the Eveillard Gift of drawings to the Morgan Library & Museum, featuring fully illustrated entries delving into the contents of the gift, originally from the holdings of the New York-based collectors Jean-Marie and Elizabeth Eveillard. Featuring an introduction by the Morgan's Drawings and Prints curators John Marciari and Jennifer Tonkovich, the book includes a catalogue compiled by drawing specialists exploring 28 rarely seen works from the seventeenth to the twentieth century, by such major artists as Rembrandt, Rubens, Delacroix, Câezanne, and Vuillard, among others. It also accompanies one of a series of exhibitions in 2024 celebrating the 100th year of the Morgan's founding, alongside other shows dedicated to promised gifts to the museum"--

Seattle's first black resident was a sailor named Manuel Lopes who arrived in 1858 and became the small community's first barber. He left in the early 1870s to seek economic prosperity elsewhere, but as Seattle transformed from a stopover town to a full-fledged city, African Americans began to stay and build a community. By the early twentieth century, black life in Seattle coalesced in the Central District, a four-square-mile section east of downtown. Black Seattle, however, was never a monolith. Through world wars, economic booms and busts, and the civil rights movement, black residents and leaders negotiated intragroup conflicts and had varied approaches to challenging racial inequity. Despite these differences, they nurtured a distinct African American culture and black urban community ethos. With a new foreword and afterword, this second edition of The Forging of a Black Community is essential to understanding the history and present of the largest black community in the Pacific Northwest.

The Gandhāran birch-bark scrolls preserve the earliest remains of Buddhist literature known today and provide unprecedented insights into the history of Buddhism. This volume presents three manuscripts from the Bajaur Collection (BC), a group of nineteen scrolls discovered at the end of the twentieth century and named after their findspot in northwestern Pakistan. The manuscripts, written in the Gāndhārī language and Kharoṣṭhī script, date to the second century CE. The three scrolls--BC 4, BC 6, and BC 11--contain treatises that focus on the Buddhist concept of non-attachment. This volume is the first in the Gandhāran Buddhist Texts series that is devoted to texts belonging to the Mahāyāna tradition.There are no known versions of these texts in other Buddhist traditions, and it is assumed that they are autographs. Andrea Schlosser provides an overview of the contents of the manuscripts and discusses their context, genre, possible authorship, physical layout, paleography, orthography, phonology, and morphology. Transliteration and translation of the texts are accompanied by notes on difficult terminology, photographs of the reconstructed scrolls, an index of Gāndhārī words with Sanskrit and Pali equivalents, and a preliminary transliteration of the scroll BC 19.The ebook edition of Three Early Mahāyāna Treatises of Gandhāra is openly available at DOI 10.6069/9780295750750.

Since 2017 the #MeToo movement has expanded cultural awareness of the pervasiveness of sexual assault and tacit support for rape culture in the United States and beyond. Despite its ubiquity, sexual assault is one of the most underreported crimes in the world in part because of the mistreatment and misunderstanding survivors often face from their communities and the legal system.Art, Activism, and Sexual Violence brings together creative work, in multiple genres, with analyses of the historical and cultural contexts of sexual violence from intersectional feminist perspectives. Together, contributors illuminate the power of artists--as victims, survivors, and allies--to combat sexual violence through creative expression in partnership with historians, anthropologists, sociologists, journalists, and gender scholars. Showcasing dance, textile arts, painting, new media images, drama, and other creative forms, this volume embraces artistic expression's transformative potential and inspires readers to action, mutual recognition, resistance, and resilience.

Photographs do not simply speak for themselves. Their meanings are built through interpretive frameworks that shift over time. Today, photographs of receding glaciers are one of the most well recognized visualizations of human-caused climate change. These images, captured through repeat photography, have become effective with an unambiguous message: global warming is happening, and it is happening now. But this wasn't always the case. The meaning and evidentiary value of repeat glacier photography has varied over time, reflecting not only evolving scientific norms but also social, cultural, and political influences.In Capturing Glaciers, Dani Inkpen historicizes the use of repeat glacier photographs, examining what they show, what they obscure, and how they influence public understanding of nature and climate change. Though convincing as a form of evidence, these images offer a limited and sometimes misleading representation of glaciers themselves. Furthermore, their use threatens to replicate problematic ideas baked into their history. With clear and compelling writing, Capturing Glaciers ultimately calls for a centering of climate justice and warns of the consequences of reducing the problem of global warming to one of distant wilderness.

Over the last five years, headlines have thrust campus police departments from relative obscurity into the national spotlight. Campus constituents have called for campus police, as a tangible manifestation of the War on Crime within the sphere of higher education, to be disarmed, defunded, and abolished. Using a multidisciplinary approach that draws from the fields of history, American studies, ethnic studies, criminology, higher education, and sociology, Cops on Campus provides critical perspectives on the organization and social consequences of campus policing. Chapters uncover details of the structure and culture of university police-some of the best-funded and largest private police forces in the nation-and examine the institution in relation to racialized and gendered violence, racial profiling, and the surveillance of marginalized communities on and off campus. The volume also features interviews with students, staff, and faculty activists to showcase efforts to redefine and reimagine campus safety and explore alternatives for the future.

From a cradle of Austronesian expansion to the dynamic economic powerhouse and successful democracy it is today, Taiwan is layered in colonial histories. In Taiwan Lives, Niki J. P. Alsford presents a comprehensive examination of the island nation's rich and complex past, told through the life stories of those who have lived it.A merchant, an exile, an activist, a pop star, a doctor, and a president are just some of the twenty-four individuals whose lives populate this people's history of Taiwan. Ranging across time, social strata, ethnicity, and political alliance, these tales offer snapshots of historical eras and illustrate the interwoven fabric of colonialism. Chapters can be read in sequence or individually. With clear and accessible prose, Taiwan Lives is ideal for undergraduate course use.

Data, perilous and powerful, is both a worldmaking and a dismantling force. The collection of data about queer lives and bodies, the consequences of data analysis for queer subjects, and considerations of privacy and consent often present ethical dilemmas even as queer data expands our understanding of who and what counts. The need for queer analyses and perspectives has taken on a new sense of urgency in light of hostile antiqueer policies by major technology companies, the security theater of airports, the disproportionate rates of policing queer people and people of color, digital surveillance in border security, and the proliferation of digital health records.Gathering wide-ranging interdisciplinary conversations into one rich volume, Queer Data Studies challenges readers to rethink how the extraction, circulation, modeling, governance, and use of data affects queer subjects and, at the same time, to consider how the power of data might be harnessed in the service of queer ethics. Contributors take a capacious approach to data, drawing from a range of sources, including stories, sounds, medical data, police data, maps, and algorithmic modeling. This anthology engages intersectional, decolonial, feminist, queer, and trans research, advancing ongoing dialogues about data across the social sciences, humanities, and applied sciences.

This catalogue accompanies "the first exhibition to explore the [guitar's] symbolism in American art from the early nineteenth century to the present day. Featuring approximately 130 works of art and 35 musical instruments, the exhibition demonstrates that guitars figure prominently in the visual stories Americans tell themselves about themselves: their histories, identities, and aspirations. The ... catalogue positions the guitar within a nexus of art, music, literature, and cultural histories"--Publisher's website.

"This interdisciplinary edited collection features historians, anthropologists, artists, and activists who explore a transpacific understanding of the legacies of the testing and use of nuclear weapons. Instead of limiting the focus of the nuclear humanities to Hiroshima and Nagasaki, these essays take readers from the New Mexican desert, to the islands of the Pacific Ocean, to small fishing villages on the island of Shikoku in Japan. They bring together different times and places as well as art historical analysis and academic essays. Focusing on themes of resistance, this collection illustrates the varied methods artists and activists can use to combat nuclear regimes through their aesthetic and political work. By putting activists and artists together, it demonstrates the overlaps and linkages between them as well as the different ways political and artistic expression can respond to nuclear threats and effect change. Through the personal testimonies of hibakushas, lawsuits filed to demand compensation for the medical treatment of affected fisherman, community education programs that raise historical awareness, and artistic projects that provide social commentary, this volume illustrates that nuclear resistance can come in many forms"--

Premodern archives from the Middle East show rich and diverse homoerotic worlds that were disrupted by the colonial imposition of Western models of sexuality. Andrew Gayed traces how contemporary Arab and Middle Eastern diasporic artists have remembered and reinvented these historical ways of being in their work in order to imagine a different present. Building on global art histories and transnational queer theory, Queer World Making illuminates contemporary understandings of queer sexuality in the Middle Eastern diaspora. The author focuses on the visual works of artists who create political art about queer identity, including Jamil Hellu, Ebrin Bagheri, 2Fik, Laurence Rasti, Nilbar Güres, and Alireza Shojaian. Through engaging with these artists, Gayed is seeking to articulate a Western and non-Western modernity that works beyond the dichotomy of sexual oppression, stereotypically associated with the Middle East, versus sexual acceptance, attributed to North American norms. Instead, Gayed traces how diasporic subjects create coming-out narratives and identities that provide alternatives to inscribed Western models. Queer World Making reframes Arab homosexualities in terms of desire and alternative gender norms rather than through Western notions of visibility and coming out, narratives that are not conducive to understanding how queer Arabs living in the West experience their sexuality.

The most famous firsthand account of the Kingdom of Angkor was left by the imperial Chinese envoy Zhou Daguan. But Zhou's was not the only portrait of Angkor and the kingdoms that came before it. The Empire Looks South draws on other sources to provide new and engrossing perspectives on early Cambodia up to and including the time of Angkor. These sources include accounts in official Chinese histories, descriptions by Buddhist monks, reflections of Daoists searching for immortality, and reports by Chinese merchants seeking perfumes and other exotic goods. The first kingdom of Cambodia, Funan, was centered on the lower Mekong. After its mysterious demise in the seventh century, Funan was succeeded by Zhenla, the Chinese name for Cambodia until the time of Zhou Daguan. Peter Harris provides details of the kingdom of Funan. He then describes the royal government and customs of Zhenla, while taking account of Cambodia's likely fragmentation at the time into several polities. The book concludes with accounts of Angkor in its final centuries, including an updated translation of Zhou Daguan's Record.

Who Cares? presents findings on the social protection response to the COVID-19 pandemic in six Southeast Asian countries: Indonesia, Malaysia, Singapore, the Philippines, Thailand, and Vietnam. After a regional overview, country-specific chapters narrate the pandemic's unfolding, public health measures taken to contain it, and economic impacts on different demographics and assesses the effectiveness of social welfare programs. Collectively, the research demonstrates that social protections have been a secondary concern in policy making and resource allocation. Moreover, program details disclose entrenched limitations and biases: privileges for civil servants and formal sector employees; inadequate or nonexistent allowances for the poor, informal and migrant workers, and those outside the labor market; and greater economic vulnerability among women and other marginalized groups.Ultimately, this work highlights the paradox that crises disproportionately affect the most socially deprived, yet they are the ones less socially protected. Tackling this issue demands change at the structural level--change that can only be brought about by acknowledging the socioeconomic and political values that shape societal systems.

A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siècle ParisBoth the Edo period (1603-1868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siècle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (1864-1901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21-December 3, 2023

"This edited collection examines the history, operations, and impact of campus policing in its role as a central manifestation of the symbiotic relationship between higher education and the carceral state. Using a multidisciplinary approach that draws from fields such as history, American studies, ethnic studies, criminology, higher education, and sociology, this volume both provides historical context and explores new directions in the burgeoning field of critical campus police studies"--