Bøger udgivet af University of Washington Press

An updated edition of an essential resource on the textile crafts of Sindh. The textile crafts of Sindh are amongst the oldest in South Asia. A kaleidoscope of color, mirrors, and embroidery, Sindhi textiles feature motifs of desert flowers, peacocks, scorpions, and sand dunes. The Flowering Desert explores the history, craftsmanship, styles, and stitches of textiles from Sindh in Pakistan, which, according to some scholars, was the crucible in which the textile traditions of Gujarat and Rajasthan were forged. It focuses on a spectacular private collection, parts of which have been exhibited at the Victoria & Albert Museum, London and the National Museums of Scotland. In addition to sumptuous photography of 120 remarkable objects--from tunics and turban sashes to dowry bags and animal adornments--the book includes essays on the history of the region, its ethnic groups, and their differing styles, as well as on the numerous stitches used in Sindhi embroidery. This is a revised second edition of the best-selling book which incorporates new and additional material as well as an expanded glossary, which will be of interest to both collectors and scholars.

"Published to accompany an exhibition at the Morgan Library & Museum, New York, June 7-September 15, 2024"--Colophon.

The Gandhāran birch-bark scrolls preserve the earliest remains of Buddhist literature known today and provide unprecedented insights into the history of Buddhism. This volume presents three manuscripts from the Bajaur Collection (BC), a group of nineteen scrolls discovered at the end of the twentieth century and named after their findspot in northwestern Pakistan. The manuscripts, written in the Gāndhārī language and Kharoṣṭhī script, date to the second century CE. The three scrolls--BC 4, BC 6, and BC 11--contain treatises that focus on the Buddhist concept of non-attachment. This volume is the first in the Gandhāran Buddhist Texts series that is devoted to texts belonging to the Mahāyāna tradition.There are no known versions of these texts in other Buddhist traditions, and it is assumed that they are autographs. Andrea Schlosser provides an overview of the contents of the manuscripts and discusses their context, genre, possible authorship, physical layout, paleography, orthography, phonology, and morphology. Transliteration and translation of the texts are accompanied by notes on difficult terminology, photographs of the reconstructed scrolls, an index of Gāndhārī words with Sanskrit and Pali equivalents, and a preliminary transliteration of the scroll BC 19.The ebook edition of Three Early Mahāyāna Treatises of Gandhāra is openly available at DOI 10.6069/9780295750750.

Since 2017 the #MeToo movement has expanded cultural awareness of the pervasiveness of sexual assault and tacit support for rape culture in the United States and beyond. Despite its ubiquity, sexual assault is one of the most underreported crimes in the world in part because of the mistreatment and misunderstanding survivors often face from their communities and the legal system.Art, Activism, and Sexual Violence brings together creative work, in multiple genres, with analyses of the historical and cultural contexts of sexual violence from intersectional feminist perspectives. Together, contributors illuminate the power of artists--as victims, survivors, and allies--to combat sexual violence through creative expression in partnership with historians, anthropologists, sociologists, journalists, and gender scholars. Showcasing dance, textile arts, painting, new media images, drama, and other creative forms, this volume embraces artistic expression's transformative potential and inspires readers to action, mutual recognition, resistance, and resilience.

Over the last five years, headlines have thrust campus police departments from relative obscurity into the national spotlight. Campus constituents have called for campus police, as a tangible manifestation of the War on Crime within the sphere of higher education, to be disarmed, defunded, and abolished. Using a multidisciplinary approach that draws from the fields of history, American studies, ethnic studies, criminology, higher education, and sociology, Cops on Campus provides critical perspectives on the organization and social consequences of campus policing. Chapters uncover details of the structure and culture of university police-some of the best-funded and largest private police forces in the nation-and examine the institution in relation to racialized and gendered violence, racial profiling, and the surveillance of marginalized communities on and off campus. The volume also features interviews with students, staff, and faculty activists to showcase efforts to redefine and reimagine campus safety and explore alternatives for the future.

From a cradle of Austronesian expansion to the dynamic economic powerhouse and successful democracy it is today, Taiwan is layered in colonial histories. In Taiwan Lives, Niki J. P. Alsford presents a comprehensive examination of the island nation's rich and complex past, told through the life stories of those who have lived it.A merchant, an exile, an activist, a pop star, a doctor, and a president are just some of the twenty-four individuals whose lives populate this people's history of Taiwan. Ranging across time, social strata, ethnicity, and political alliance, these tales offer snapshots of historical eras and illustrate the interwoven fabric of colonialism. Chapters can be read in sequence or individually. With clear and accessible prose, Taiwan Lives is ideal for undergraduate course use.

Data, perilous and powerful, is both a worldmaking and a dismantling force. The collection of data about queer lives and bodies, the consequences of data analysis for queer subjects, and considerations of privacy and consent often present ethical dilemmas even as queer data expands our understanding of who and what counts. The need for queer analyses and perspectives has taken on a new sense of urgency in light of hostile antiqueer policies by major technology companies, the security theater of airports, the disproportionate rates of policing queer people and people of color, digital surveillance in border security, and the proliferation of digital health records.Gathering wide-ranging interdisciplinary conversations into one rich volume, Queer Data Studies challenges readers to rethink how the extraction, circulation, modeling, governance, and use of data affects queer subjects and, at the same time, to consider how the power of data might be harnessed in the service of queer ethics. Contributors take a capacious approach to data, drawing from a range of sources, including stories, sounds, medical data, police data, maps, and algorithmic modeling. This anthology engages intersectional, decolonial, feminist, queer, and trans research, advancing ongoing dialogues about data across the social sciences, humanities, and applied sciences.

This catalogue accompanies "the first exhibition to explore the [guitar's] symbolism in American art from the early nineteenth century to the present day. Featuring approximately 130 works of art and 35 musical instruments, the exhibition demonstrates that guitars figure prominently in the visual stories Americans tell themselves about themselves: their histories, identities, and aspirations. The ... catalogue positions the guitar within a nexus of art, music, literature, and cultural histories"--Publisher's website.

"This interdisciplinary edited collection features historians, anthropologists, artists, and activists who explore a transpacific understanding of the legacies of the testing and use of nuclear weapons. Instead of limiting the focus of the nuclear humanities to Hiroshima and Nagasaki, these essays take readers from the New Mexican desert, to the islands of the Pacific Ocean, to small fishing villages on the island of Shikoku in Japan. They bring together different times and places as well as art historical analysis and academic essays. Focusing on themes of resistance, this collection illustrates the varied methods artists and activists can use to combat nuclear regimes through their aesthetic and political work. By putting activists and artists together, it demonstrates the overlaps and linkages between them as well as the different ways political and artistic expression can respond to nuclear threats and effect change. Through the personal testimonies of hibakushas, lawsuits filed to demand compensation for the medical treatment of affected fisherman, community education programs that raise historical awareness, and artistic projects that provide social commentary, this volume illustrates that nuclear resistance can come in many forms"--

Premodern archives from the Middle East show rich and diverse homoerotic worlds that were disrupted by the colonial imposition of Western models of sexuality. Andrew Gayed traces how contemporary Arab and Middle Eastern diasporic artists have remembered and reinvented these historical ways of being in their work in order to imagine a different present. Building on global art histories and transnational queer theory, Queer World Making illuminates contemporary understandings of queer sexuality in the Middle Eastern diaspora. The author focuses on the visual works of artists who create political art about queer identity, including Jamil Hellu, Ebrin Bagheri, 2Fik, Laurence Rasti, Nilbar Gèures, and Alireza Shojaian. 0Through engaging with these artists, Gayed is seeking to articulate a Western and non-Western modernity that works beyond the dichotomy of sexual oppression, stereotypically associated with the Middle East, versus sexual acceptance, attributed to North American norms. Instead, Gayed traces how diasporic subjects create coming-out narratives and identities that provide alternatives to inscribed Western models. Queer World Making reframes Arab homosexualities in terms of desire and alternative gender norms rather than through Western notions of visibility and coming out, narratives that are not conducive to understanding how queer Arabs living in the West experience their sexuality.

The most famous firsthand account of the Kingdom of Angkor was left by the imperial Chinese envoy Zhou Daguan. But Zhou's was not the only portrait of Angkor and the kingdoms that came before it. The Empire Looks South draws on other sources to provide new and engrossing perspectives on early Cambodia up to and including the time of Angkor. These sources include accounts in official Chinese histories, descriptions by Buddhist monks, reflections of Daoists searching for immortality, and reports by Chinese merchants seeking perfumes and other exotic goods. The first kingdom of Cambodia, Funan, was centered on the lower Mekong. After its mysterious demise in the seventh century, Funan was succeeded by Zhenla, the Chinese name for Cambodia until the time of Zhou Daguan. Peter Harris provides details of the kingdom of Funan. He then describes the royal government and customs of Zhenla, while taking account of Cambodia's likely fragmentation at the time into several polities. The book concludes with accounts of Angkor in its final centuries, including an updated translation of Zhou Daguan's Record.

Who Cares? presents findings on the social protection response to the COVID-19 pandemic in six Southeast Asian countries: Indonesia, Malaysia, Singapore, the Philippines, Thailand, and Vietnam. After a regional overview, country-specific chapters narrate the pandemic's unfolding, public health measures taken to contain it, and economic impacts on different demographics and assesses the effectiveness of social welfare programs. Collectively, the research demonstrates that social protections have been a secondary concern in policy making and resource allocation. Moreover, program details disclose entrenched limitations and biases: privileges for civil servants and formal sector employees; inadequate or nonexistent allowances for the poor, informal and migrant workers, and those outside the labor market; and greater economic vulnerability among women and other marginalized groups.Ultimately, this work highlights the paradox that crises disproportionately affect the most socially deprived, yet they are the ones less socially protected. Tackling this issue demands change at the structural level--change that can only be brought about by acknowledging the socioeconomic and political values that shape societal systems.

A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siècle ParisBoth the Edo period (1603-1868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siècle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (1864-1901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21-December 3, 2023

"Contrasting South Korea's historical situation to that in which Europe, the United States, and other developing countries industrialized, Yong-Chool Ha considers how a country can progress economically while relying on traditional social structures that usually fragment political and economic vitality. Instead of seeing neofamilism as a hindrance to growth or as a propagandistic tool, Ha demonstrates that the familial system was critical to Korea's economic transformation"--

"This book's examination of the surviving records of the Asia Foundation-an international development organization and one-time funding front-provides a unique view of the bureaucratic functioning of a poorly understood CIA Cold War covert operation"--

"This edited collection examines the history, operations, and impact of campus policing in its role as a central manifestation of the symbiotic relationship between higher education and the carceral state. Using a multidisciplinary approach that draws from fields such as history, American studies, ethnic studies, criminology, higher education, and sociology, this volume both provides historical context and explores new directions in the burgeoning field of critical campus police studies"--

Stories of migration, displacement, democratization, and transformationFrom a cradle of Austronesian expansion to the dynamic economic powerhouse and successful democracy it is today, Taiwan is layered in colonial histories. In Taiwan Lives, Niki J. P. Alsford presents a comprehensive examination of the island nation's rich and complex past, told through the life stories of those who have lived it.A merchant, an exile, an activist, a pop star, a doctor, and a president are just some of the twenty-four individuals whose lives populate this people's history of Taiwan. Ranging across time, social strata, ethnicity, and political alliance, these tales offer snapshots of historical eras and illustrate the interwoven fabric of colonialism. Chapters can be read in sequence or individually. With clear and accessible prose, Taiwan Lives is ideal for undergraduate course use.

A sapphic novel ahead of its time that delights in queer joy, love, and adventureDancer Dawkins is a swift-footed, weed-smoking football stud. Her lover, Jessica, left their place in Los Angeles to join a Napa Valley cult, where she believes she has found salvation. Willie Gutherie, the cigar-smoking, self-proclaimed California Kid, collides with Dancer in San Francisco, and the two join forces to liberate Jessica from the clutches of cult leader Fatin Satin Aspen. Willyce Kim's campy, women-centered Western novel is a celebration of queer joy. While her vibrant vignettes are filled with California whimsy through a kaleidoscope of food and sports metaphors, darker political undercurrents of the Vietnam War and the infamous Bohemian Grove inhabit this uncanny adventure. Buckle up for this wild, spunky, and unabashedly queer ride!

"Art, Activism, and Sexual Violence brings together creative work, in multiple genres, with analyses of the historical and cultural contexts that illuminate the issue of sexual violence from intersectional feminist perspectives. The volume invites readers to witness and experience public art across many genres and is designed to catalyze readers' perceptions of and attitudes about sexual violence"--

Photographs do not simply speak for themselves. Their meanings are built through interpretive frameworks that shift over time. Today, photographs of receding glaciers are one of the most well recognized visualizations of human-caused climate change. These images, captured through repeat photography, have become effective with an unambiguous message: global warming is happening, and it is happening now. But this wasn't always the case. The meaning and evidentiary value of repeat glacier photography has varied over time, reflecting not only evolving scientific norms but also social, cultural, and political influences.In Capturing Glaciers, Dani Inkpen historicizes the use of repeat glacier photographs, examining what they show, what they obscure, and how they influence public understanding of nature and climate change. Though convincing as a form of evidence, these images offer a limited and sometimes misleading representation of glaciers themselves. Furthermore, their use threatens to replicate problematic ideas baked into their history. With clear and compelling writing, Capturing Glaciers ultimately calls for a centering of climate justice and warns of the consequences of reducing the problem of global warming to one of distant wilderness.

"Island X delves into the compelling political lives of Taiwanese migrants who came to the United States as students from the 1960s through the 1980s. Often depicted as compliant model minorities, many were in fact deeply political, shaped by Taiwan's colonial history and influenced by the global social movements of their times. As activists, they fought to make Taiwanese people visible as subjects of injustice and deserving of self-determination. Under the distorting shadows of Cold War geopolitics, the Kuomintang regime and collaborators across U.S. campuses attempted to control Taiwanese in the diaspora through extralegal surveillance and violence, including harassment, blacklisting, imprisonment, and even murder. Drawing on interviews with student activists and extensive archival research, Wendy Cheng documents how Taiwanese Americans developed tight-knit social networks as infrastructures for identity formation, consciousness development, and anticolonial activism. They fought for Taiwanese independence, opposed state persecution and oppression, and participated in global political movements"--

With over 250 color illustrations, this companion volume to Claudia Brown's Great Qing: Painting in China, 1644-1911) (ISBN 9780295747231) covers an array of superbly crafted objects of art produced during China's last dynasty. It features ceramics, metalwork, textiles, lacquer, glass, jade, and works of bamboo selected from collections in North America, Europe, China, and Taiwan. Art historian Brown probes the materials, motivations, technologies, and skills of Qing period artists, along with trends in art patronage and collecting. She considers objects of private patronage, including snuff bottles and instruments for the scholar's desk, alongside imperial commissions, palace furnishings, and pieces made for export in the flourishing East-West trade market. Moving chronologically from one emperor's reign to the next, Glorious Qing offers a comprehensive survey of Qing decorative arts that will delight experts and novices alike, from collectors to students of art history.

Untangles how data shapes and is shaped by queer worldsData, perilous and powerful, is both a worldmaking and a dismantling force. The collection of data about queer lives and bodies, the consequences of data analysis for queer subjects, and considerations of privacy and consent often present ethical dilemmas even as queer data expands our understanding of who and what counts. The need for queer analyses and perspectives has taken on a new sense of urgency in light of hostile antiqueer policies by major technology companies, the security theater of airports, the disproportionate rates of policing queer people and people of color, digital surveillance in border security, and the proliferation of digital health records.Gathering wide-ranging interdisciplinary conversations into one rich volume, Queer Data Studies challenges readers to rethink how the extraction, circulation, modeling, governance, and use of data affects queer subjects and, at the same time, to consider how the power of data might be harnessed in the service of queer ethics. Contributors take a capacious approach to data, drawing from a range of sources, including stories, sounds, medical data, police data, maps, and algorithmic modeling. This anthology engages intersectional, decolonial, feminist, queer, and trans research, advancing ongoing dialogues about data across the social sciences, humanities, and applied sciences.

The Association of Southeast Asian Nations, or ASEAN, is a community of multiple identities. Over time, its citizens' loyalties were formed around national and transnational frameworks involving ethnic, religious, and ideological affinities. In the post-independence period, they were affected by decolonization, nation-building, the Cold War, globalization, and China's rise. As a result, the region is emerging as a confluence of competing and overlapping identities. In recent years, new collective imaginations about the region's future have appeared, committing member states to directions beyond the politico-economic realm. Yet there is a risk that more exclusive visions, based on national, religious, ethnic, or other allegiances, will hold sway.This book unpacks these competing identities. Rich in ethnographic and historical material, it examines identities shaped by generational markers, transnational linkages, and shared experiences of violence.

Campy and competitive, gay rodeo offers a community of refuge that straddles the urban and rural. Since the mid-1970s, gay rodeos have provided space to both embrace and challenge the idealized masculinity associated with the iconic cowboy of the US West. Slapping Leather traces the history and growth of gay rodeo over the decades, demonstrating how queer cowfolx have fought to build a community where LGBTQ+ people can escape discrimination in both mainstream rodeos and broader society. Yet not all LGBTQ+ groups have found full acceptance in gay rodeo. Originally formed by gay men for gay men, the rodeo has at times perpetuated historically problematic ideas about the US West, the iconic cowboy, and the meaning of masculinity. Despite the gay rodeo's credo of acceptance, its history reveals complicated relationships with straight rodeo, gender stereotypes, and women competitors. Drawing from multiple archives and over seventy oral history interviews, historians Elyssa Ford and Rebecca Scofield demonstrate how amid these tensions, participants, volunteers, and spectators continue to redefine the performance of the cowboy and national belonging.