Bøger udgivet af University of Washington Press

Southeast Asia's literature is a rich mine of creativity, and stories and poems are readily accessible to readers who wish to take a quick dip into the literature of their neighbors. This anthology is a regional collaboration between authors and publishers from Indonesia, Malaysia, the Philippines, Singapore, and Thailand, all nations that were founding members of the Association of Southeast Asian Nations (ASEAN), established in 1967. Together, the insightful and timely prose and poetry in this collection, a mix of original English-language and translations, expresses the contemporary Southeast Asian experience.

Interactions between people and animals are attracting overdue attention in diverse fields of scholarship, yet insects still creep within the shadows of more charismatic birds, fish, and mammals. Insect Histories of East Asia centers on bugs and creepy crawlies and the taxonomies in which they were embedded in China, Japan, and Korea to present a history of human and animal cocreation of habitats in ways that were both deliberate and unwitting. Using sources spanning from the earliest written records into the twentieth century, the contributors draw on a wide range of disciplines to explore the dynamic interaction between the notional insects that infested authors' imaginations and the six-legged creatures buzzing, hopping, and crawling around them.

"Environmental anthropology is at its best when firmly grounded in respectful and systematic ethnographic research and writing that spotlights uncommon perspectives on widely recognized issues confronting the world. Intentionally crafted for undergraduate course use in anthropology, geography, and environmental studies, Sustaining Natures showcases the best contemporary writing on nature and sustainability. With concise introductions and sample discussion questions, the editors guide readers through some of the field's most pressing themes and debates, including farming, alternative energy, extractive industries, environmental justice, multispecies relationships, and urban ecology. This timely reader foregrounds diverse voices, views, and experiences of nature, from US corporate boardrooms to urban waste disposal sites in China, and moves environmental anthropology in new theoretical, methodological, and applied terrains"--

"A multispecies history of the globalized United States, Bellwether Histories reveals how animals have been ensnared in colonialism, capitalism, and environmental destruction as human decisions created and perpetuated untenable and unequal interspecies relationships. The collection's authors explore how people misunderstood or ignored animal crises precipitated by habitat destruction and population declines, sudden dependence on human aid, shifts from freedom to captivity, or subjection to overextended management systems"--

Personal accounts help us understand notions of self, interpersonal relations, and historical events. Chinese Autobiographical Writing contains full translations of works by fifty individuals that illuminate the history and conventions of writing about oneself in the Chinese tradition. From poetry, letters, and diaries to statements in legal proceedings, these engaging and readable works draw us into the past and provide vivid details of life as it was lived from the pre-imperial period to the nineteenth century. Some focus on a person's entire life, others on a specific moment. Some have an element of humor, others are entirely serious. Taken together, these selections offer an intimate view of how Chinese men and women, both famous and obscure, reflected on their experiences as well as their personal struggles and innermost thoughts.With an introduction and list of additional readings for each selection, this volume is ideal for undergraduate courses on Chinese history, literature, religion, and women and family. Read individually, each piece illuminates a person, place, and moment. Read in chronological order, they highlight cultural change over time by showing how people explored new ways to represent themselves in writing.The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

"The world is well aware of the dramatic rise of markets and consumerism in China's post-Mao era of political and economic reform. By contrast, the Mao period (1949-1976)-rightly framed as a time of scarcity-initially appears to have had little material culture to speak of. But availability of fewer commodities does not mean a lack of material culture. A wide range of materials, objects, and practices comprised the fabric of everyday life in Maoist China, as industries were invented and reinvented at the level of material and products, from bamboo to bricks, and from pickles to wristwatches. People attributed great meaning to material and objects often precisely because they were rare and difficult to obtain. This first volume devoted to material culture of the period explores the paradox of consumption under Chinese Communist Party rule and illustrates how central materiality was to individual and collective desire, social and economic construction of the country, and projections of an imminent socialist utopia in reach of every man and woman, if only they worked hard enough. Chapters focus on materials, how things were produced, how they circulated, and how they were used. Together, they suggest that new understandings of material culture helped to shape the socialist subject, while also calling into question our standard definitions of what Maoist socialism was and how it was experienced"--

This volume features the work of six Indigenous artists whose craft speaks to the responsibility of honoring cultural traditions while shaping the future. Joe Feddersen (Arrow Lakes/Okanagan) is a printmaker, glass artist, and basket maker who creates geometric patterns sourced from everyday life. Multimedia artist Erica Lord (Athabascan/Iñupiat) crafts beaded burden straps and sled dog blankets with abstracted representations of diseases that disproportionately affect Native and other marginalized communities. Geo Neptune (Passamaquoddy) is a master basket maker, activist, and educator who uses colorful narrative to emphasize the honor and burden of keeping tradition alive. Sisters Lily Hope and Ursala Hudson (Tlingit) weave labor-intensive textiles that convey Tlingit values of reciprocity and balance, maintaining cultural integrity while experimenting with new forms and materials. Textile artist Maggie Thompson (Fond du Luc Ojibwe) creates large-scale works that explore the intersections of grief and trauma with honor, beauty, and healing.Exhibition dates: Renwick Gallery, May 26, 2023 ¿ March 31, 2024

Showcases work by dozens of extraordinary Northwest Coast artists from the 1950s to the presentSince the 1980s, Oregon-based art collectors George and Colleen Hoyt have amassed one of the finest private collections of Northwest Coast art in the United States. Transformations traces the history of contemporary Northwest Coast Native art since the 1950s. Included are works by some of the region's foremost Native artists of the past half century, including Robert Davidson, Doug Cranmer, Beau Dick, and Susan Point. The collection of over six hundred prints and carvings by over one hundred artists is a promised gift from George and Colleen Hoyt to the Hallie Ford Museum of Art. Richly illustrated with color photographs, the book features a foreword by John Olbrantz, an essay by Rebecca J. Dobkins, and artist biographies by Tasia Riley.Exhibition dates: Hallie Ford Museum of Art, September 17-December 17, 2022

Cultural creativity in China between 1796 and 1912 demonstrated extraordinary resilience in a time of warfare, land shortages, famine, and uprisings. Innovation can be seen in material culture (including print, painting, calligraphy, textiles, jewelry, ceramics, lacquer, arms and armor, and photography) during a century in which China's art, literature, crafts, and technology faced unprecedented exposure to global influences.Until recently the nineteenth century in China has been defined as an era of cultural stagnation. Built on new research, this book sets out a fresh understanding of this important period and creates a detailed visual account of responses to war, technology, urbanization, political transformations, and external influences. The narratives are brought to life and individualized through illustrated biographical accounts that highlight the diversity of voices and experiences contributing to this fascinating, turbulent period in Chinese history.Exhibition dates: British Museum, May-October 2023

In 1835 young Chinese scholar Cai Tinglan was caught in a typhoon while sailing across the Taiwan Strait. He and his shipmates spent a harrowing week at sea before drifting to the coast of central Vietnam. With an escort of Vietnamese soldiers, Cai traveled north along the famous "Mandarin Road," meeting governors-general of each province he passed through along his overland journey to Fujian Province in China. Cai documented his experiences in Miscellany of the South Seas (Hainan zazhu), a vivid account of clothing, food, religious practices, government affairs, and other aspects of daily life in early Nguy¿n dynasty Vietnam. Cai's encounters with diasporic Chinese show the Hokkien merchant community's penetration into Vietnamese society, while his warm embrace by Nguy¿n officials illustrates a shared elite world of classical culture across international borders. In this first English translation, Kathlene Baldanza and Zhao Lu provide a comprehensive introduction that puts Cai's account in social, political, and economic context, along with extensive annotation and a glossary.

A finalist for the Washington State Book AwardAffluent Seattle has one of the highest numbers of unhoused people in the United States. In 2021 an estimated 40,800 people experienced homelessness in Seattle and King County during the year, not counting the significant number of "hidden" homeless people doubled up with friends or living in and out of cheap hotels. In Skid Road Josephine Ensign uncovers the stories of overlooked and long-silenced people who have lived on the margins of society throughout Seattle's history. How, Ensign asks, has a large, socially progressive city like Seattle responded to the health and social needs of people marginalized by poverty, mental illness, addiction, racial/ethnic/sexual identities, and homelessness? Through extensive historical research, Ensign pieces together the lives and deaths of those not included in official histories of the city. Drawing on interviews, she also shares a diversity of voices within contemporary health and social care and public policy debates. Ensign explores the tensions between caregiving and oppression, as well as charity and solidarity, that polarize perspectives on homelessness throughout the country.A Michael J. Repass Book

"A multispecies history of the globalized United States, Bellwether Histories reveals how animals have been ensnared in colonialism, capitalism, and environmental destruction as human decisions created and perpetuated untenable and unequal interspecies relationships. The collection's authors explore how people misunderstood or ignored animal crises precipitated by habitat destruction and population declines, sudden dependence on human aid, shifts from freedom to captivity, or subjection to overextended management systems"--

"Environmental anthropology is at its best when firmly grounded in respectful and systematic ethnographic research and writing that spotlights uncommon perspectives on widely recognized issues confronting the world. Intentionally crafted for undergraduate course use in anthropology, geography, and environmental studies, Sustaining Natures showcases the best contemporary writing on nature and sustainability. With concise introductions and sample discussion questions, the editors guide readers through some of the field's most pressing themes and debates, including farming, alternative energy, extractive industries, environmental justice, multispecies relationships, and urban ecology. This timely reader foregrounds diverse voices, views, and experiences of nature, from US corporate boardrooms to urban waste disposal sites in China, and moves environmental anthropology in new theoretical, methodological, and applied terrains"--

"Following more than a decade of research on various kinds of inauthentic Native American art, Janet Berlo presents a series of cases that demonstrate the range and complexity of the issues at stake. From Native and non-Native artists commissioned by Native communities to make replicas of original Native artistic works to non-Natives creating Native style art for commercial gain to uses of pastiche and obfuscation in creating artistic objects for various purposes, Berlo looks at misrepresentation and replication in nuanced and careful detail"--

"In the early eighth century, frustrated with the authorities but still hoping to gain immortality through his future oeuvre, the Tang court historian Liu Zhiji set out to write Shitong, in which he would rigorously explore the tradition of historical writing in China. Liu scrutinized hundreds of texts from antiquity to the early Tang dynasty (618-907) and evaluated their authors according to what he deemed the three essential qualities for historians: talent, knowledge, and insight. Shitong is now generally considered the greatest work of traditional Chinese historiography. It preserves precious information on a host of lost ancient and medieval titles while advancing a critical view on history writing. This first translation of the work into a Western language provides textual criticism and annotation for the historical figures, events, and allusions that are crucial to appreciating the work, making it a must-read for students of historiography East and West"--