Bøger udgivet af University of Washington Press

A beautiful presentation of exquisite ancient bronzes from the Wadsworth Atheneum, accompanying a special exhibition at Bowdoin College. With a discerning eye and discriminating taste, J. Pierpont Morgan spent years acquiring superb works of art. Specifically, Morgan's Greek and Roman bronze collection captures his shrewdness, including pieces of males and females, gods and mortals, humans and animals, and even furniture embellishments. This gorgeously illustrated work presents highlights of Morgan's bronze collection, which is currently held in the Wadsworth Atheneum. Ancient Bronzes and its twin exhibition are the first to consider these pieces as a group. With high-resolution photography allowing readers to appreciate their intricate details, Ancient Bronzes also discusses research on these exceptional objects to help readers better understand how they were made and what they represented in an ancient context.

"Kenjiro Nomura, American Modernist: An Issei Artist's Journey features the Japanese American artist's work throughout his life from his early works focusing on Seattle's urban environment and rural Northwest landscapes, to paintings and drawings capturing his life in World War II internment camps, and post-war abstractions fully demonstrating Nomura's artistic stylistic and professional growth. Born in Japan in 1896, Kenjiro Nomura came to the United States with his parents at the age of ten. On his own by sixteen, painting became a constant throughout his life as he experienced not only major artistic recognition but also business success and failure, racism and wartime incarceration, and, at last, American citizenship. The peak of his artistic success was the 1930s, when his paintings represented the Northwest in New York, Washington, DC, and the Golden Gate International Exposition in San Francisco. Incarcerated during World War II along with 120,000 people of Japanese ancestry on the West Coast, he continued to paint, leaving a record of his experience in more than one hundred paintings and drawings from his time in the Puyallup detention facility and Minidoka confinement camp. Despite crippling challenges after World War II including the suicide of his wife, he resumed painting, developed a new abstract artistic style, and once again gained recognition--the only one of his prewar colleagues to do so. He fulfilled a long-held goal to become a citizen after a federal law barring citizenship to Asian immigrants was voided." -- from Cascadia Art Museum.

The richness and diversity of Dutch contributions to the built environment of South Africa remain little-known in the study of twentieth-century architectural history. Between 1902 and 1961 more than seventy Dutch-born émigré architects were active from the Cape to the Highveld, both in major towns and remote areas, and they designed hundreds of buildings and neighborhoods.A sequel to the acclaimed Eclectic ZA Wilhelmiens: A Shared Dutch Built Heritage in South Africa, Common Ground reveals the great variety of styles and building types from this period, ranging from buildings for communities, religious practice, banking, industry, and civil infrastructure to the evolution of the Pretoria dwelling and low-cost housing. These contributions are also contentious as they relate to the time of the entrenchment of apartheid. Yet these architects? extant work is an undeniable part of South Africa today and often still in daily service.

In Architecture from the Indonesian Past, Obbe H. Norbruis tells the story of a celebrated Dutch architecture firm, its unique buildings, and their designers. Fermont-Cuypers designed many buildings significant in Indonesia's history beginning in 1927 when an uprising broke out against the Dutch in the colony. In the early 1930s, the firm drew up plans for many schools, churches, villas, and offices. At the end of the 1930s the firm began to design hospitals, head offices, hotels, and even a passenger terminal in Tanjung Priok. The expected tourism boom never materialized due to the German invasion of the Netherlands, and World War II soon had an impact on the region. After Indonesian independence, Fermont-Cuypers experienced a resurgence through 1958, designing many buildings that still exist today in cities such as Jakarta, Surabaya, Medan, Bandung, Makassar, and Palembang.

Published in conjunction with the exhibition Poetic Imagination in Japanese Art: Selections from the Collection of Mary and Cheney Cowles, organized by the Portland Art Museum, Oct. 13, 2018-Jan. 13, 2019.

Of the many resources available to the First Nations of the Northwest Coast, the most vital was fish. The people devised ingenious ways of catching the different species of fish, creating a technology vastly different from that of today's industrial world. With attention to clarity and detail, Hilary Stewart illustrates their hooks, lines, sinkers, lures, floats, clubs, spears, harpoons, nets, traps, rakes and gaffs, showing how these were made and used--in over 450 drawings and 75 photographs.

Full Spectrum: Paintings by Raimonds Staprans is the most extensive survey of the figures, landscapes and still lifes of Latvian-American painter Raimonds Staprans (born 1926). Published by the Crocker Art Museum in Sacramento, the book accompanies the museum's exhibition of the same name. Elegant design and superb reproductions reveal Staprans as a master of composition, color and existential nuance. Essayists include Scott A. Shields, Crocker Art Museum Associate Director and Chief Curator; Paul J. Karlstrom, art historian and former West Coast regional director of the Smithsonian Archives of American Art; David Pagel, art critic for the Los Angeles Times and Professor of Art Theory and History at Claremont Graduate University; Nancy Princenthal, author and former senior editor at Art in America; Ed Schad, Associate Curator at The Broad; and John Yau, art critic and poet.

"Smart Water Harvesting" describes a number of creative solutions in situations where there seems to be no water. It shows practical efforts to create water, especially in drought prone areas. It does not limit itself to the act of harvesting, but includes capturing water during periods of rain, so that it is available for periods of drought. Many of the technologies highlighted in this booklet are traditional, but neglected in the modern world, as people try to become less dependent on the wiles of nature. There is an increasing awareness that rather than fighting against nature, people should co-operate with it. That is what water harvesting tries to do.

This field guide sets a new standard for insect identification, making it an indispensable resource to naturalists, educators, gardeners, and others. Engaging and accessible, Pacific Northwest Insects features detailed species accounts, each with a vivid photograph of a living adult, along with information for distinguishing similar species, allowing the reader to identify more than 3,000 species found from southern British Columbia to northern California, and as far east as Montana. The book features most of the commonly encountered insects, spiders, scorpions, millipedes, centipedes, and kin in the Pacific Northwest, as well as representatives of an amazing variety of unusual and interesting insects living in the area. After more than a decade of research, reviewing hundreds of thousands of museum specimens and scouring the technical entomological literature, Merrill Peterson has brought together for the first time in a single volume a wealth of information on the region's insect life. Detailed identifying information on over 3,000 species Complete description of 1,200 species Organized by insect group for easy identification Up-to-date taxonomy 1,725 color photos, 50 line drawings, and 2 maps.

Hardcover published 2017 by Bloomsbury USA.

"...the rich history of the Pacific is explored through specific objects, each one beautifully illustrated, from the earliest human engagement with the Pacific through to the modern day. Entries cover mapping, trade, whaling, flora and fauna, and the myriad vessels used to traverse the ocean."--

Curaçao's historic plantation houses showcase unique architecture that resulted from the use of European, especially Dutch, building styles adapted to local tropical construction methods and available building materials. With the arrival of the oil industry at the start of the last century, the socioeconomic structure of Curaçao changed drastically in just a few decades, and only 78 of the more than 150 original plantation houses remain. Fortunately, a number of them have been preserved. Some have become magnificent residences while others have been given adaptive reuse as restaurants, boutique hotels, office spaces, museums, and art galleries. Plantation Houses of Curaçao is published in collaboration with the Curaçao Style Foundation, whose objective is to expand the cultural heritage of the island as widely as possible. The collaborative expertise of the writers and photographers of this volume offers a comprehensive overview, in words and images, of all the plantation houses that have been preserved as jewels of the past.

Reveals the rich heritage of LGBTQ artists in the Pacific NorthwestThe first study of how gay and lesbian artists influenced and established a regional cultural identity in the first half of the twentieth century, this groundbreaking publication chronicles and contextualizes pioneering gay and lesbian artists from the pre-Stonewall era. Looking back as far as the 1910s, museum curator David F. Martin has unearthed astonishing works by both lesser-known and internationally famous artists.Created primarily from original research drawn from the artists' unpublished archival materials, and produced in conjunction with a previous exhibition at the Cascadia Art Museum, The Lavender Palette consists of three essays as well as individual biographies of thirteen artists. Generously illustrated with artwork and personal photographs, The Lavender Palette sheds light on significant contributions from a marginalized and understudied group. Throughout, Martin aims to amend the formerly pejorative use of the colors lavender and purple in association with homosexuality as signs of weakness and frivolity, and to establish the effect these artists had in defining a regional aesthetic that remains to this day.This publication is distributed for the Cascadia Art Museum.

The Flora and Fauna of the Pacific Northwest Coast is an extensive, easy-to-follow resource guide to the plant and animal life of the vast and diverse bioregion stretching from Juneau, Alaska, south to coastal British Columbia, Washington, Oregon, and down to California's San Francisco Bay. Encompassing over eight hundred native and invasive species, and including more than two thousand color photos, this is the most complete book of its kind on the market. The book is divided into flora and fauna, with detailed subsections for flowering plants, berries, ferns, shrubs and bushes, trees, fungi, birds, mammals, amphibians, reptiles, and insects. Each species (identified by common and scientific name) is illustrated by a close-up photograph and a concise description of its appearance, biology, and habitat, as well as its traditional use and medicinal properties (where applicable). The book also contains detailed maps, a glossary, and a complete index of species.

"In Southeast Asia reversals of earlier agrarian reforms have rolled back "land-to-the-tiller" policies created in the wake of Cold War-era revolutions. This trend, marked by increased land concentration and the promotion of export-oriented agribusiness at the expense of smallholder farmers, exposes the convergence of capitalist relations and state agendas that expand territorial control within and across national borders. Through the lens of land capitalization, Turning Land into Capital examines the contradictions produced by superimposing twenty-first-century neoliberal projects onto diverse landscapes etched by decades of war and state socialism. Chapters in the book explore geopolitics, legacies of colonialism, ideologies of development, and strategies to achieve land justice in Cambodia, Laos, Myanmar, Thailand, and Vietnam. The resulting picture reveals the place-specific interactions of state and market ideologies, regional geopolitics, and local elites in concentrating control over land"--

Issued in connection with three distinct, related shows, November 10, 2012 through February 10, 2013, at the Timken Museum of Art, San Diego Museum of Art, and Museum of Contemporary Art San Diego.

The collection of ancient Chinese bronzes at the Minneapolis Institute of Art is exceptional in its depth and rarity. It is generally considered to be one of the most important in the United States. The works span millennia, from the Shang through the Han dynasties (1600 BCE to 220 CE), illustrating the evolving function of ritual bronzes in Chinese society.This luxuriously illustrated catalog, with essays contributed by renowned scholars and hundreds of thorough entries, is the first major study of the collection since the 1950s. The book features over one thousand rich, full-color illustrations, ink rubbings, and line drawings to showcase the elaborate motifs and unique details of these pieces and related works in order to facilitate a deeper understanding of the artistry of the collection. Dating, production, and provenance are reconsidered in relation to the large-scale archeological finds of recent decades and through an analysis of the inscriptions. In addition to correcting narrow aesthetic interpretations by situating the objects in their original cultural context, many entries include technical studies using methods such as X-rays and CT scans to give fresh insights into the casting technology that was used to produce these vessels.By discussing the ritual, political, and technical aspects of ritual bronzes, this fresh analysis provides a unique window into ancient Chinese culture. Students of history and archaeology with an interest in early civilizations will find this book to be one of the most up-to-date and wide-ranging studies of archaic Chinese bronzes now in print.Exhibition dates: Minneapolis Institute of Art, February 18-May 7, 2023