Bøger udgivet af University of Washington Press

From December 1933 to February 1943, as part of a sprawling economic stimulus package, four federal programs hired artists to create public artworks and provide art-making opportunities to millions of Americans. When this initiative abruptly ended shortly after the US entry into World War II, information and artworks were lost or scattered, long obscuring the story of what had happened in the Northwest.This groundbreaking volume (which accompanies an exhibition at the Tacoma Art Museum) offers the first comprehensive survey of the impact of federal arts projects in the Pacific Northwest. Revealing the striking scope and variety of New Deal regional work--paintings, prints, murals, ceramics, and textiles, and the iconic and influential Timberline Lodge on Mount Hood--this lavishly illustrated exploration will be invaluable to scholars and art lovers alike.Exhibition dates: Tacoma Art Museum, February 22-August 16, 2020

"... Kent Monkman: Life & Work is the first comprehensive book about the celebrated Monkman (b.1965). It is the only publication to trace the arc of his career, from his early abstract paintings to his rise to fame creating works that re-visit and reinterpret historic paintings to offer a powerful commentary on Indigenous resistance, remembrance, and the re-thinking of history..."--Inside dust jacket.

Features an account of the 19th century conquests of the highest and most imposing of Pacific Northwest mountains, Mt. Rainier. This is the history of organized mountaineering in the Northwest as well as of Mt. Rainier and those who accepted its challenge. It carries those stories when Mt. Rainier achieved the status of a national park.

Art Fallen from Heaven offers a new perspective on the origin of modern Balinese sculpture in the 1930s and an overview of its evolution from 1932 to 1973. Thoroughly illustrated with photos of traditional and modern sculpture as well as historic photos, this exhibition volume provides an overview of the artists association Pita Maha (1936-39) and many of its members.After Bali was subjugated by Dutch colonial rule, patronage shifted from the ruling monarchs to tourists and the Western art market. This new patronage, bringing with it the concept of "art for art's sake," ushered Balinese woodcarvers into the world of contemporary artistic endeavors. Koos van Brakel examines the important role Pita Maha played in positioning the previously unknown woodcarvers as artists. He also discusses key developments in the postwar era, 1950-2020.

This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States.

Ng'ambo is the lesser known "other side" of Zanzibar Town. During the British Protectorate the area was designated as the Native Quarters; today it is set to become the new city center of Zanzibar's capital. Local and international perceptions of the cultural and historical importance of Ng'ambo have for a long time remained overshadowed by the social and cultural divisions created during colonial times. One thing is certain: despite its limited international fame and lack of recognition of its importance, Ng'ambo has played and continues to play a vital role in shaping the urban environment of Zanzibar Town. This atlas presents over hundred years of Ng'ambo's history and urban development through maps, plans, surveys and images, and provides insights into its present-day cultural landscape.

Step into Chinese history through the accounts of those who lived itPersonal accounts help us understand notions of self, interpersonal relations, and historical events. Chinese Autobiographical Writing contains full translations of works by fifty individuals that illuminate the history and conventions of writing about oneself in the Chinese tradition. From poetry, letters, and diaries to statements in legal proceedings, these engaging and readable works draw us into the past and provide vivid details of life as it was lived from the pre-imperial period to the nineteenth century. Some focus on a person's entire life, others on a specific moment. Some have an element of humor, others are entirely serious. Taken together, these selections offer an intimate view of how Chinese men and women, both famous and obscure, reflected on their experiences as well as their personal struggles and innermost thoughts. With an introduction and list of additional readings for each selection, this volume is ideal for undergraduate courses on Chinese history, literature, religion, and women and family. Read individually, each piece illuminates a person, place, and moment. Read in chronological order, they highlight cultural change over time by showing how people explored new ways to represent themselves in writing. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

"This book-a completely overhauled and updated version of Michelle Yeh's Modern Chinese Poetry, (Yale University Press, 1992)-aims to be the most comprehensive anthology of modern Chinese poetry in English translation. It spans the entire history of modern Chinese poetry from 1917 to the present, and contains the work of 83 poets from mainland China, Taiwan, Hong Kong, and Southeast Asia (Malaysia and Singapore), who are represented by nearly 270 poems"--

"In the twenty-first century, debates on the history and future of the book and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this burst of artistic and cultural activity, there has been little scrutiny of book arts in South Asia, and their peculiar ontologies, histories, and genealogies. Why has the book form been a crucial medium for the visual arts? How do we theorize this form in a region where orality is valued, literacy remains low, printing was adopted relatively late, and books are venerated in homes and places of worship? What is the relationship of books to calligraphy, manuscripts, and paintings? In devotional contexts and outside of them, the book-like painting-was and is a catalyst for history and memory, and subject to reading, recitation, reiteration, and revision. This volume addresses the role of art books and book arts by contrast to existing scholarship on book history in South Asia, which has focused on textuality, the printing press, nation-state, modern city, and print capitalism. It traces a history of illustrated books in South Asia from 1100 C.E. to the present, emphasizing their visual, material, aesthetic, and phenomenological dimensions, and showing how the book is a living form and practice, arguing against the death of books in a digital age. Contributors highlight aspects of the book from the medieval through modern periods in South Asia, considering its visual, material, aesthetic, and phenomenological dimensions and identifying particular uses of the book in relation to the muraqqa (album), pat chitra (scroll), bhandar (storehouse), and kalam (pen, style, school). Collectively, they bring together recent developments in art history, literary studies, anthropology, and history to present the book as practice and process rather than thing: a dynamic form, network, and method. Against narratives of the death of books in a digital age, this volume argues for the book as a vital form and dynamic practice. Written in a lucid and lively style, it will be of interest to scholars, curators, artists, critics, undergraduate students, museum visitors, and readers of contemporary graphic novels and comic books"--

"Early in 1892, more than seventeen Haida artists were commissioned to carve a model of their village of Skidegate on Haida Gwaii. The model, displayed at the 1893 World's Columbian Exposition in Chicago, is the only North American example of an aboriginal village systematically documented by its own nineteenth-century residents. It originally featured twenty-nine house and forty-three totem pole models; after the exposition, the model was dispersed and many pieces were lost over time. However, ten house and twenty-two totem pole models remain in Chicago in the collection of the Field Museum of Natural History, and two additional model houses with seven totem poles have been located in other collections. In this highly collaborative research project, Wright combines interviews with members of the Skidegate community today with close study of the extant parts of the model along with a review of the documentation collected in 1892 to bring both the model and the village and community it documents into full view. The community engaged research and resulting book offers valuable insights into Northwest Coast art history and will be a significant cultural resource for the Haida Nation"--

"Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from being mere illustrators of manuscripts and albums to mediating imperial visionary experience, assuming novel roles as imperial intimates. In Agents of Insight, Yael Rice traces this shift, demonstrating how royal artists created a new visual economy that featured highly naturalistic royal portraits, depictions of the emperors' dreams, and close, documentary studies of courtly gifts and rarities"--

"In 1771, the artist Luo Ping (1733-1799) left his native Yangzhou to relocate to the burgeoning hub of Beijing's Southern City. Over several decades, he became the favored artist of a cosmopolitan community of scholars and officials who were at the forefront of the empire's artistic life. Luo Ping's late production-a dazzling sequence of portraits, landscapes, views of the city and its social rituals-captured the pleasures and concerns of a changing world. As the last and youngest of the "Eight Eccentrics of Yangzhou," he is prominent in modern histories of late-imperial painting, where he often stands for the entire artistic world of the mid-Qing period: a commercially successful artist who, thanks to a vivid imagination and a versatile hand, created an eclectic array of pictures for an audience of aspiring urbanites. His painting In the Realm of Ghosts is one of the greatest paintings of the eighteenth century and of the late imperial period altogether. This study takes the reader into the vibrant artistic and literary cultures of Beijing outside the court and to the networks of scholars, artists, and entertainers that turned the Southern City into a place like no other in the Qing empire. At the center of this narrative lie Luo Ping's layered reflections on the medium of painting, its histories, and formal conventions. Close reading of the work of Luo Ping and his contemporaries reveals how this generation of experimental artists sought to reform literati painting, paving the way to developments in the nineteenth and twentieth centuries. Drawing on a vast range of textual and visual sources, The Ghost in the City offers a novel understanding of literati painting's involvement with the modern world"--

"The exquisite ceramic ware produced at the Imperial Porcelain Manufactory at Jingdezhen in southern China functioned as a kind of visual propaganda for the Qing dynasty (1644-1911) court. Through a detailed study of porcelain manufacture loosely structured around the career of the Manchu bannerman Tang Ying, who supervised ceramic production for the emperor, this volume considers the role of specialist officials in producing the technological knowledge and distinctive artistic forms that were essential to cultural policies of the Chinese state. Through fiscal management, technical experimentation, and design, these imperial technocrats facilitated rationalized manufacturing in precapitalist and preindustrial society. The volume draws on first-hand archaeological evidence from Jingdezhen, the foremost site of porcelain manufacture, as well as the voluminous Archive of the Imperial Handicraft Workshops to investigate a regional factory, the imperial design system, technological treatises, experiments deployed in porcelain manufacture, and court regulations. Grounded in methods for studying science and technology in society, as well as literary and art history, it contributes to scholarship on global empires and on the history of science and technology in China. In describing how the imperial state's intervention in industry has left a lingering imprint on modern China through its labor-intensive modes of production, the division of domestic and foreign markets, and a technocratic culture of centralization, it provides a new perspective for understanding the technology behind goods "made in China.""--

The creation of Seattle and the displacement of those who built itFrom the origins of the city in the mid-nineteenth century to the beginning of World War II, Seattle's urban workforce consisted overwhelmingly of migrant laborers who powered the seasonal, extractive economy of the Pacific Northwest. Though the city benefitted from this mobile labor forceconsisting largely of Indigenous peoples and Asian migrantsmunicipal authorities, elites, and reformers continually depicted these workers and the spaces they inhabited as troublesome and as impediments to urban progress. Today the physical landscape bears little evidence of their historical presence in the city.Tracing histories from unheralded sites such as labor camps, lumber towns, lodging houses, and so-called slums,Seattle from the Marginsshows how migrant laborers worked alongside each other, competed over jobs, and forged unexpected alliances within the marine and coastal spaces of the Puget Sound. By uncovering the historical presence of marginalized groups and asserting their significanceinthe development of the city, Megan Asaka offers a deeper understanding of Seattle'scomplex past.

A compact, full-colour field guide to the growing number of invasive plant species spreading across coastal BC and the Pacific Northwest, highlighting their hazards and uses.The spread of invasive plant species is a growing concern across the coastal Pacific Northwest. Invasive plants compete for space with native plants, alter the natural habitat, and even interfere with the diet of local wildlife. Hundreds of these species are so commonly seen in our backyards, forests, and roadsides, that many people do not even realize that these plants are not native to this region.Designed for amateur naturalists, gardeners, and foragers, Invasive Flora of the West Coast is a clear, concise, full-colour guide to identifying and demystifying more than 200 invasive plant species in our midst, from Scotch broom to Evening Primrose. Featuring colour photography, origin and etymology, safety tips and warnings, as well as common uses, this book is practical, user-friendly, and portable for easy, on-the-go identification.

Ying Zheng, founder of the Qin empire, is recognized as a pivotal figure in world history, alongside other notable conquerors such as Alexander the Great, Genghis Khan, and Julius Caesar. His accomplishments include conquest of the warring states of ancient China, creation of an imperial system that endured for two millennia, and unification of Chinese culture through the promotion of a single writing system.Only one biased historical account, written a century after his death in 210 BCE, narrates his biography. Recently, however, archaeologists have revealed the lavish pits associated with his tomb and documents that demonstrate how his dynasty functioned. Debates about the First Emperor have raged since shortly after his demise, making him an ideological slate upon which politicians, revolutionaries, poets, painters, archaeologists, and movie directors have written their own biases, fears, and fantasies.This book is neither a standard biography nor a dynastic history. Rather, it looks historically at interpretations of the First Emperor in history, literature, archaeology, and popular culture as a way to understand the interpreters as much as the subject of their interpretation.

"In Southeast Asia reversals of earlier agrarian reforms have rolled back "land-to-the-tiller" policies created in the wake of Cold War-era revolutions. This trend, marked by increased land concentration and the promotion of export-oriented agribusiness at the expense of smallholder farmers, exposes the convergence of capitalist relations and state agendas that expand territorial control within and across national borders. Through the lens of land capitalization, Turning Land into Capital examines the contradictions produced by superimposing twenty-first-century neoliberal projects onto diverse landscapes etched by decades of war and state socialism. Chapters in the book explore geopolitics, legacies of colonialism, ideologies of development, and strategies to achieve land justice in Cambodia, Laos, Myanmar, Thailand, and Vietnam. The resulting picture reveals the place-specific interactions of state and market ideologies, regional geopolitics, and local elites in concentrating control over land"--

This study of the everyday religious practice of pious women within Kuala Lumpur's affluent Malay middle class reveals that women play an active part in the Islamization process by organizing and participating in public programs of religious education, transforming the traditionally male-dominated space of the mosque and breaking men's monopoly over positions of religious authority.Sylva Frisk is a lecturer in the School of Global Studies at Gothenburg University, Sweden.