Bøger udgivet af Vehicule Press

National Animal, Derek Webster's second book of poetry, inhabits a wider public space than his acclaimed debut Mockingbird. In poems that extend beyond the biographical toward the political, Webster's quiet, sharp-eyed narrator-- a man " tripping / my way forward, trying to lead my own life" -- watches history being erased in favour of more socially palatable ideas and comforting self-portraits. Uncompromising and substantial, National Animal explores our " civic moment" where "birds sing oblivion / estranged from all things," and meditates, in a final image-rich sequence, on our place in a science-based cosmos.

" If I can impart one final message, beyond the usual declarative to read poetry and buy poetry books," writes Evan Jones in his introduction to The Civilizing Discourse, " it is to listen to poets. The real ones offer wisdom and a perspective at odds with prevalent visions." In a series of passionate, enlightening, frank, engaging, and sometimes astonishing conversations, thirteen poets-- many acknowledged masters-- open up about their writing processes, their childhoods and marriages, their regrets, as well as their hopes for and frustration with poetry. From Norm Sibum describing his affinity with a waitresses and cabbies to Nyla Matuk's wrenching investigations into the Palestinian side of her family; from Don Coles's obsession with alternative universes to Robyn Sarah's praise for discarded things; from Elise Partridge describing her shift in priorities after a cancer diagnosis to Steven Heighton's interest in remaining childlike, The Civilizing Discourse is not only a highly readable record of the literary scene today, but, in its celebration of language, will appeal to poetry readers and poets alike.

There are parades and then there is Montreal's St. Patrick's parade, which has marched through the streets of the city and into Canadian history for 200 years. The street carnival has outlived the Patriote Rebellion of 1837, Fenian infiltration, Orange animosity, strained relationships among Roman Catholic priests who wanted it cancelled, two world wars, two Quebec independence referendums, and two centuries of howling March winds and chilling sub zero temperatures. With One Long Line of Marvel veteran journalist Alan Hustak has dug up untold nuggets about the parade and nested them with historical certainty and an imaginative flourish in the setting of a Montreal that he knows. Although the author is not a son of Erin, he is considered an honorary Irishman and in 2006 walked the parade route as Chief Reviewing Officer. With this book he continues to honour Montreal's Irish community by celebrating its personalities and by telling its stories. One Long Line of Marvel enlightens, entertains, amuses and perhaps above all superbly chronicles a long and worthwhile tradition in Montreal's history.

Talking to Strangers is a book of bracing encounters. Throughout her four decades as poet, Rhea Tregebov has displayed an uncommon eye for the mysteries of ordinary life-- moments where, as she writes, " [t]he simplest things / elude me." This gift is brought to brilliant effect in her eighth book of poetry and most charged to date. In gorgeous arias of recollection and evocation, of elegy and heartbreak, Tregebov mourns, praises, prays, regrets, summons, celebrates, and bears witness with formidable artistry and tenderness (" You wouldn't think the inanimate would get tired /but it does." ) Direct, never forced, keenly observant, and marked by scrupulous craft, these new poems unfold in beguiling, often breathtaking ways. They confirm Tregebov's place among the most significant poets of her generation.

From the author of Modern Home Winemaking and Techniques in Home Winemaking, Daniel Pambianchi' s The Beginner's Guide to Making Wine from Juice and Grapes is for novices keen in making their own wine at home. It guides aspiring winemakers through the process, from crush to bottle, with step-by-step instructions using simple, modern techniques to craft consistently great wine. The book includes many illustrations, tables and examples to highlight the use of equipment and tools, and a comprehensive chapter dedicated to solving common winemaking problems.

A TONI DAMIANO MYSTERY Ten years ago, the prestigious suburban community of Beaconsfield, Quebec was shaken by the discovery of the bodies of an ordinary couple in their home. What appeared to be a common murder-suicide-- husband kills wife and takes his own life-- has baffled two previous investigations. At one point, the son, who had a tumultuous relationship with his father, was considered a suspect. Lieutenant Detective Toni Damiano and her partner, Detective Pierre Matte, attached to the newly-created Cold Case Unit, have reopened the case with their usual confidence and grit. They are met with unexpected challenges and a reality they've never had to face.

Featuring an introduction by Kaie Kellough and a new afterword by the author. First published in Canada in 1993, Spirits in the Dark is a pioneering intersectional novel of the LGBTQ+ and Caribbean-Canadian experience that was far ahead of its times. In his powerful debut novel, H. Nigel Thomas writes with compelling honesty about the confusing maze of societal pressures that paralyze Jerome Quashee while growing up in the Caribbean, and later on in his adult life. Jerome's intelligence at first promises him a gateway out of the poverty his parents have known, but he must compete with privileged White boys for scholarships in a racist, classist culture. He represses his emerging homosexuality, fearing that it will bring his family disgrace, as he wrestles with the guilt of knowing so little about his African heritage and the pressure to let go his ties to Black culture. Under the spiritual guidance of Pointer Francis, he undergoes a religious ritual to block all sensory links to the outside world in order to see clearly into his past and face his demons.

Quebec City crime reporter Mary Roberts is about to leave her desk for the day when she receives word that a woman has been struck down in the centre of town. The victim is Renée Brancourt. A former pin-up, she'd once been a big star, treading the boards at the Comédie-Française, until her lover, Robert Marchand, plunged over Montmorency Falls. Renée's inability to accept his death led her to be institutionalized.?Now on her deathbed at the Hôtel-Dieu Hospital, the faded vedette tells Mary that Robert's death was no accident. She points an accusing finger at Albert Frédéric, the most respected lawyer in the city, thus setting the young reporter on a trail that will ultimately imperil her own life.? Whispering City began as a 1947 Canadian feature shot in both English and French (La Forteresse). Predating Alfred Hitchcock's I Confess by six years, it is the earliest film noir set in Canada. In his novelization, Horace Brown improves upon the film, altering the dialogue, shedding its weaknesses, providing backstory, and giving flesh to its characters. The result brings tension and is a much darker noir.First issued in 1947 by Global Publishing of Pickering, Ontario. Whispering City has since become one of the most sought-after Canadian pulp novels. This Ricochet Books edition marks a return to print after seventy-six years.

States of Emergency is a book-length poem about the apocalyptic present, written in a language whose meaning is liquid and full of slippage, always spilling out from its container. In Yoyo Comay's hands, words roil, churn, and surge. By taking on different mood and modes, from the prophetic to the colloquial, he has created a form that is a constant unravelling-a leap of faith into intuitive meaning, a letting go into ongoingness. "I am catapulted into where I am," he writes, "and the air concusses around me." Comay sees poetry as a visceral experience: a state of immanence, embodiment, emergence, emergency. This is poetry as diary and seismograph, an infinite scroll for the end of days. It is a debut like no other.

In his third collection of verse, Quicker Than The Eye, Joe Fiorito continues to craft short, sharp poems that define the harder edges of urban life. His principal tools are a photographer's eye for detail, and a musician's ear for the sound of the human voice. Now, in Quicker Than The Eye, Canada's poet of the streets turns his gaze inward, writing about the influences of early love, family tragedy, and the search for meaning in a world where "the desolate things are mine." A master of spare, razor-sharp language, Fiorito manages to strip sentiment from memory in order to find tenderness and enduring truth on the margins of the city. He has never written more austerely or more beautifully.

"The past decade has seen a rise in documentaries, memoirs and podcasts that revisit the legacies of women wronged by pop culture. With movements like #MeToo and #TimesUp challenging long-standing narratives around female celebrities, it's no surprise so many believe the representation of women in the media has improved. In her scathingly witty collection of essays, Girls, Interrupted: How Pop Culture is Failing Women, Lisa Whittington-Hill argues otherwise. Pop culture's treatment of women, writes Whittington-Hill, is still marked by misogyny and misunderstanding. From the gender bias in celebrity memoir coverage to problematic portrayals of middle-aged women and the sexist pressure on female pop stars to constantly reinvent themselves, Girls, Interrupted critically examines how mainstream media keeps failing women and explores what we can do to fix it. A work of searing relevance, this candid and often cathartic debut marks Whittington-Hill as a cultural critic of the first rank."--

Cathedral/Grove, Susan Glickman's brilliant new collection, comes to terms with the question of legacy-what we leave behind as a species, as citizens, and as parents. Marked by the lucidity and precision she has been celebrated for, the poems encompass the monuments of Western civilization, a climate in decline and the pandemic. The title is inspired by the fire that ravaged Notre Dame Cathedral in 2019, destroying the wooden roof-frame known as La Forêt; it also alludes to "Cathedral Grove," otherwise known as MacMillan Provincial Park, one of the last old growth stands on Vancouver Island. In poems of praise and lament for our fractured world-"Everything is becoming more itself / or something else," she writes-Glickman has tapped into a magnificent vein of lyric richness.

In her first-ever collection of essays, poet and novelist Lorna Goodison interweaves the personal and political to explore themes that have occupied her working life: her love of poetry and the arts, colonialism and its legacy, racism and social justice, authenticity, and the enduring power of friendship. Taking its title from one of Kingston's oldest markets, Redemption Ground introduces us to a vivid cast of characters and remembers moments of epiphany-in a cinema in Jamaica, at New York's Bottom Line club, and as she searched for a Black hairdresser in Paris and drank tea in London's Marylebone High Street. Enlightening and entertaining, these essays explore not only daily challenges but also the compassion that enables us to rise above them. They confirm her as a major figure in world literature.

"In this sweeping, allusive novel, the celebrated poet, dervish, and oral storyteller Tawhida Tanya Evanson comes to terms with what it means to stand on one's own two feet in an uncertain world. The acclaimed Antiguan-Canadian artist traces a global journey from Vancouver to the United States, Caribbean, Paris, and Morocco. As a relationship with her lover and travel partner disintegrates, she finds herself on a path toward personal discovery and spiritual fulfillment that leads her deep into the North African landscape."--

"Complicated histories that parents pass on to their children."--

In 1966, Réjean Ducharme, then a 24-year-old unknown, published L'Avalée des avalés, this debut novel that would go on to serve as a zeitgeist for several generations of French-Canadian readers. Over the last fifty years, it has become a cornerstone for a culture, taught in high schools and universities as the foundation of the modern Québécois literature. Astoundingly, an English-language edition of the book hasn't been in print since 1968, and has never before been available in Canada.At nine years old, Berenice feels trapped by home, family, and dogmas both real and invented. Precocious and over-intelligent, she despises her dysfunctional parents too viciously, loves her brother Christian too passionately, and follows the logical pirouettes of her imagination to conclusions too dangerous. She lives on a secluded island, where she hatches plans to run away with Christian and escape her mother's needy overtures for affection. When on the cusp of puberty Berenice becomes too wild for even her parents to control, she's sent to live in New York with her father's ultra-religious relatives where, pushed to confine her impulses, she instead forces herself forward to new extremes.Gripping and hallucinatory, Swallowed is every bit as shocking and relevant today as it was upon first publication in 1966.

"Lorna Goodison's first poetry collection to be published in Canada in over nine years, Mother Muse heralds the return of a major voice. The poems in Goodison's new book move boldly and range widely; here are praise songs alongside laments; autobiography shares pages with the collective past. In her exquisitely lyrical evocations of Jamaican lore and tradition, Goodison has always shown another side of history. While celebrating a wide cross-section of women--from Mahalia Jackson to Sandra Bland--Mother Muse focuses on two under-regarded "mothers" in Jamaican music: Sister Mary Ignatius, who nurtured many of Jamaica's most gifted musicians, and celebrated dancer Anita "Margarita" Mahfood. These important figures lead a collection of formidable scope and intelligence, one that seamlessly blends the personal and the political."--

"Infinity Network completes Jim Johnstone's ambitious trilogy which began with Dog Ear (2014) and continued with The Chemical Life (2017). Central to each volume is the struggle with identity at a time of great social change. Justifiably acclaimed for his exquisite rendering of acute states of mind, Johnstone explores pressing questions about the ubiquity of surveillance and social media, and evokes, with a powerful intelligence, the neurosis of living in a consumerism-obsessed era. Infinity Network not only attempts to capture the changing ideas of personhood, but also tries to create a new kind of verse to track it--a complex, bold, stark style able to give uncanny interiority to our digital dreads."--

After Realism: 24 Stories for the 21st Century is the first anthology to represent the generation of millennial writers now making their mark. Diverse, sophisticated, and ambitious in scope, the short stories in this ground-breaking book are an essential starting point for anyone interested in daring alternatives to the realist tradition that dominated 20th century English-language fiction. After Realism offers twenty-five distinctive talents who are pushing against the boundaries of the "real" in aesthetically and politically charged ways-forging their styles from influences that range from myth to autofiction, sci-fi to fairy tale, documentary to surrealism. Even those who continue to work in the realist tradition are doing so critically, with an eye to renovation. The selection is accompanied by comprehensive and provocative essay by editor André Forget that explains the themes, tendencies and concerns of this group. In bearing witness to an extraordinary flowering of contemporary fiction, After Realism will supply a new standard for Canadian writing.Contributors include: Jean-Marc Ah Sen, Carleigh Baker, Paige Cooper, David Huebert, Jessica Johns, Cody Klippenstein, Julie Mannell, Sofia Mostaghimi, Téa Mutonji, Fawn Parker, Casey Plett, Rudrapriya Rathore, Naben Ruthnum, John Elizabeth Stintzi, and Gavin Thomson.

Drug-runners threaten the West Coast!A semi-conscious man looks about a boat's cabin as a woman presses a wet cloth to his forehead. She's young, her nails are short, and her small hands are calloused. When another man tries to enter, she grabs a gun: "If you come down here, Joe, I'll shoot you."For a moment, the intruder doesn't move. "I don't want your damn' old hulk," he tells her. When the woman threatens a second time, he leaves. "You'd better too," he says. "She's near sunk."So begins the story of Clint, a reform school runaway, and Devvy, an orphaned farm girl saddled with a deceitful drunk of a stepmother. Clint and Devvy are pushed together as they struggle against the corrupt, criminal, violent adults trying to exert control over their lives. Perilous Passage first appeared in 1949 as a serial in the Saturday Evening Post. It has since been published in hardcover, paperback, and in Swedish translation. This Ricochet Books edition marks the first new edition since 1952.

Born in 1968 in The Hague, Erik Lindner is one of the Netherland's most acclaimed poets. Admired for a style that fuses simplicity with strangeness, Lindner builds his poems through a montage of descriptive images that, by fending off closure, generate extraordinary visionary power. Gathering together new work with a selection from his previous six collections, Words are the Worst offers a range of pleasures that have made him celebrated in his home country: an austere eloquence; a hard, unsparing precision; a restless and idiosyncratic eye. Best of all is how his intensely filmic observations transform haunted landscapes of windmills, birds, dogs and houseboats on canals into, as one critic put it, "Lindner-like" moments. Brilliantly translated by Francis R. Jones, with an introduction by Canadian poet David O'Meara, Words are the Worst introduces a leading Dutch voice to English readers.

A fusion of biography and history, art and politics, told through the lives branching off one family tree.In Fear the Mirror, Cora Siré brings together thirteen stories of moments that have marked the dark intersections within her own history. A feminist mother who fled Estonia. A father who arrived in Canada with nothing but a violin. A Catalan boy whose parent is dying. A love triangle among novelists. Bodies stolen in the night and never found. Blending essay, memoir, and fiction, the Montréal author draws on her encounters in Latin America and elsewhere to compose loving and conflicted portraits - of family members, writers, filmmakers, and gravediggers - culminating in the persistent legacies and strange alchemies that haunt the person she sees in the mirror. In this masterful fifth book, Siré has written her most urgent, beguiling, and personal work to date.

In Dominoes at the Crossroads Kaie Kellough maps an alternate nation-one populated by Caribbean Canadians who hopscotch across the country. The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.From the cobblestones of Montreal's Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montréal during the October Crisis; Kellough's fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.

Founded in 2010, the Montreal International Poetry Prize has established itself as a major event in contemporary poetry, both in Canada and around the world. The Montreal Prize Anthology 2020 explodes with talent, combining radiant vision with striking invention in form. The loss of a father finds equivalence in a tornado''s blowing an apartment open to the night sky. Sacred and profane images of a mother pile up in couplets, making a heap of gold. Family memory stirs in the dreamy measures of a sestina. Racial injustice is defied and reversed in the unflinching mirror of a palindromic poem. A doctor confesses her life work to be a striving to right the wrong done her father. These poems, a handful of the thousands submitted to the 2020 competition, were chosen for the lone virtue of their speaking directly to the reader, with conviction and with art. In 2019, the founder of the Montreal Prize, Asa Boxer, transferred it to the Department of English at McGill University. A team of dedicated faculty and graduate students recruited a distinguished international jury, headed by Pulitzer-prize-winner Yusef Komunyakaa , to judge the entries. This book is the result.

Twenty-eight-year-old Will, a teacher living in Montreal, has spent the last few months recovering from a breakup with his first serious boyfriend, Max. He has resumed his search for companionship, but has he truly moved on? Will's mother Katherine - one of the few people, perhaps the only one, who loves him unconditionally - is also in recovery, from a bout with colon cancer that haunts her body and mind with the possibility of relapse. Having experienced heartbreak, and fearful of tragedy, Will must come to terms with the rule of impermanence: to see past lost treasures and unwanted returns, to find hope and solace in the absolute certainty of change. In The Geography of Pluto, Christopher DiRaddo perfectly captures the ebb and flow of life through the insightful, exciting, and often playful story of a young man's day-to-day struggle with uncertainty.

"Medrie Purdham's Little Housewolf delves deeply into the world of domestic miniatures, a realm where thimbles, baby teeth, push pins, keyholes, teacups, and wedding rings become meticulously realized scale models of one's terrors and joys. Purdham uses the fine-grained signatures of her poetry--close observation, exact detail, precise sounds--not only to examine childhood and its fascination with size and scale, but also to measure herself against the larger, untamed landscapes she feels increasingly alienated from"--

"Memory--how we retrieve and replenish it--is at the heart of Nectarine, Chad Campbell's visionary second collection. Figures, cities, and landscapes from the author's life shift in and out of these dreamlike poems that explore the "unaccountable, uncountable" ways in which our past keeps speaking to us: through objects, through paintings, through colours, and through the spectre of places that map themselves over the places we live in. Subtle, unsettling, compressed, and full of incandescently beautiful language, Nectarine is about lost things, stranded moments, and traces preserved in time like "a glass of frozen nectarine halves / on a table made of ice.""--