Bøger udgivet af Wilfrid Laurier University Press

This book explores contemporary German and Austrian cinema  and the trend away from "cinema of consensus" toward a more heterogeneous and critical cinema culture.  Functioning both as a product and as an agent of globalizing processes, this new cinema mediates and influences important political and social debates.

Canadian Methodist women, like women of all religious traditions, have expressed their faith in accordance with their denominational heritage. Canadian Methodist Women, 1766-1925: Marys, Marthas, Mothers in Israel analyzes the spiritual life and the varied activities of women whose faith helped shape the life of the Methodist Church and of Canadian society from the latter half of the eighteenth century until church union in 1925. Based on extensive readings of periodicals, biographies, autobiographies, and the records of many women's groups across Canada, as well as early histories of Methodism, Marilyn Fÿrdig Whiteley tells the story of ordinary women who provided hospitality for itinerant preachers, taught Sunday school, played the melodeon, selected and supported women missionaries, and taught sewing to immigrant girls, thus expressing their faith according to their opportunities. In performing these tasks they sometimes expanded women's roles well beyond their initial boundaries. Focusing on religious practices, Canadian Methodist Women, 1766-1925 provides a broad perspective on the Methodist movement that helped shape nineteenth- and early-twentieth-century Canadian society. The use and interpretation of many new or little-used sources will interest those wishing to learn more about the history of women in religion and in Canadian society.

Chronicles the rise and decline of Ontario universities from the halcyon 1960s to the Common Sense Revolution through the history of its planning association, the Council of Ontario Universities. Collective Autonomy: A History of the Council of Ontario Universities, 1962-2000 is the first full-length account of an organization that has played a major role in the development of the university system in Ontario. Edward J. Monahan served as the council's chief executive officer for over fifteen years. This is his insider's account, enhanced by archival material, of the key role the universities played in planning the high academic quality of the Ontario provincial university system. Collective Autonomy traces the evolution of Ontario universities over a period of forty years, from the halcyon days of the 1960s, during which massive injections of public funds transformed these institutions from ivory towers to public utilities, through the 1970s and '80s when universities were downgraded as a government spending priority and problems began to develop. It concludes by looking at the problems created by the "Common Sense Revolution" and the resulting severe cutbacks in government grants to universities. It chronicles the efforts of the universities to preserve their autonomy while expanding their service to the common good, and their efforts to maintain the delicate balance between university autonomy and public accountability.

The author traces and evaluates the possible influences of Celtic tradition on the Anglo-Saxon epic poem Beowulf. He discusses theories of the origins of the poem, draws parallels between elements in Beowulf and in Celtic literary tradition, and suggests that the central plot of the poem, the conflict with Grendel and his mother, is "fundamentally indebted to Celtic folktale elements." The study is well documented and rich in references to Celtic literature, legend, and folklore.

This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-) and György Kurtág (1926-), composers of Hungarian origin whose careers followed radically different paths.

This collection of essays explores how women from a variety of religious and cultural communities have contributed to the richly textured, pluralistic society of Canada. Focusing on women's religiosity, it examines the ways in which they have carried and conserved, and brought forward and transformed their cultures-old and new-in modern Canada.

Revised versions of papers presented at the Nickle Conference, held in the Nickle Arts Museum of the University of Calgary, Oct. 19-23, 1981.

The eight papers in this volume were originally presented at the centennial conference on Franz Kafka held at the University of Calgary in October 1983. As diverse in approach and methodology as these papers are "the general drift of the volume is away from Germanistik towards 'state-of-the-art' methods."The opening articles by Charles Bernheimer and James Rolleston both deal with the similarities and contrasts between Kafka and Flaubert, with Bernheimer focusing on the "I" and the dilemma of narration in Kafka's early story, "Wedding Preparation in the Country," and Rolleston on the time-dimensions in the Kafka's work that link him to the Romantics. Other articles in the volume deal with the complex interrelationships between author and narrator, and implied author and implied reader; with Kafka's place in the European fable tradition and in classic and Romantic religious traditions; with Kafka's diaries; and with his female protagonists.

Although the infant has been a consistent figure in literature (and, for many people, a significant figure in personal life), there's been little attention focused on infants, or on their place in Canadian fiction, until now. In this book, Sandra Sabatini examines Canadian fiction to trace the ideological charge behind the represented infant. Examining writers from L.M. Montgomery and Frederick Philip Grove to Thomas King and Terry Griggs, Sabatini compares women's writing about babies with the way infants appear in texts by men over the course of a century. She discovers a range of changing attitudes toward babies. After being seen as a source of financial burden, social shame, or sentimental fantasy, infants have increasingly become a source of value and meaning. The book challenges the perception of babies as passive objects of care and argues for a reading of the infant as a subject in itself. It also reflects upon how the representations of infancy in Canadian literature offer an intriguing portrait of how we imagine ourselves.

George Lindbeck once characterized postliberalism, which received its initial structure from his book The Nature of Doctrine, as an attempt to recover pre-modern scriptural interpretation in contemporary form. In Lord, Giver of Life: Toward a Pneumatological Complement to George Lindbeck's Theory of Doctrine, Jane Barter Moulaison explores the success of that effort through a close examination of Lindbeck's own theological contributions. Taking seriously the ecumenical promises of Lindbeck's writing (he was instrumental in advancing Lutheran and Roman Catholic dialogue throughout the 1960s, '70s, and '80s), this book brings Lindbeck's famous cultural-linguistic model of religion into dialogue with Christianity's theological forbearers: specifically, the Eastern progenitors of orthodox confession. This constellation of theological voices-Lindbeck, his supporters and detractors, along with patristic theologians-is meant not only to test the viability of a religious model but, more importantly, to advance Lindbeck's project in ways that have not yet been pursued. Among the critical questions engaged are: to what degree can the excesses of modern theology be overcome by a return to premodern sources? What are the implications of a constructive pneumatology to the cultural-linguistic model? Does this complement address the critiques of postliberalism, particularly those that consider the role of human agency, rationality, and autonomy? While Lindbeck recovers significant and forgotten elements of pre-modern biblical interpretation, the very formalism of his project sometimes obscures the theological underpinnings of premodern insights and practices. Through specific attention to Eastern Trinitarian theologies of the fourth century, this book exposes a rather persistent oversight within Lindbeck's recovery: namely, that alongside the regulative function of canon and doctrine, early biblical interpretation recognizes the role of the Holy Spirit in the appropriation of scripture, in the mission of the church, and in the defence of the gospel within the context of an unbelieving world. This book attends to these insights from the early churchs doctrine of the Holy Spirit in appreciative service to the cultural-linguistic model of religion.

Provides a new understanding of the relationship between Church and State in 20th-century Costa Rica. Understanding the relationship between religion and social justice in Costa Rica involves piecing together the complex interrelationships between Church and State - between priests, popes, politics, and the people. This book does just that. Dana Sawchuk chronicles the fortunes of the country's two competing forms of labour organizations during the 1980s and demonstrates how different factions within the Church came to support either the union movement or Costa Rica's home-grown Solidarity movement. Challenging the conventional understanding of Costa Rica as a wholly peaceful and prosperous nation, and traditional interpretations of Catholic Social Teaching, this book introduces readers to a Church largely unknown outside Costa Rica. Sawchuk has carefully analyzed material from a multitude of sources - interviews, newspapers, books, and articles, as well as official Church documents, editorials, and statements by Church representativesto provide a firmly rooted socio-economic history of the experiences of workers, and the Catholic Church's responses to workers in Costa Rica.

Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists? Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European languages, religion, and currents of thought. Dayananda was an itinerant Gujarati ascetic who did not speak English and was not integrated into the culture of the colonizers. Salmond's examination of Dayananda after Rammohun complicates the easy assumption that nineteenth-century Hindu iconoclasm is simply a case of borrowing an attitude from Muslim or Protestant traditions. Salmond examines the origins of these reformers' ideas by considering the process of diffusion and independent invention-that is, whether ideas are borrowed from other cultures, or arise spontaneously and without influence from external sources. Examining their writings from multiple perspectives, Salmond suggests that Hindu iconoclasm was a complex movement whose attitudes may have arisen from independent invention and were then reinforced by diffusion. Although idolatry became the symbolic marker of their reformist programs, Rammohun's and Dayananda's agendas were broader than the elimination of image-worship. These Hindu reformers perceived a link between image-rejection in religion and the unification and modernization of society, part of a process that Max Weber called the "disenchantment of the world." Focusing on idolatry in nineteenth-century India, Hindu Iconoclasts investigates the encounter of civilizations, an encounter that continues to resonate today.

What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical "pre-texts" of this tradition. From Rousseau's invocation of the cot-less Carib to Coleridge's reception of his Porlockian caller, Romanticisms encounters with the "strange" remind us that the hospitable relation between subject and Other is invariably fraught with problems. Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic hospitality (including those of Rousseau, Kant, Coleridge, and Mary Shelley) are often troubled by the subject's failure to welcome the Other without also exposing the stranger to some form of hostility or violence. Far from convincing Romantic writers to abandon the figure of hospitality, this failure invites them instead to articulate and theorize a paradoxical imperative governing the subject's encounters with strangers: if the obligation to welcome the Other is ultimately impossible to fulfill, then it is also impossible to ignore. This paradox is precisely what makes Romantic hospitality an act of responsibility. Romantic Hospitality and the Resistance to Accommodation brings together the wide-ranging interests of hospitality theory, diet studies, and literary ethics within a single investigation of visitation and accommodation in the Romantic period. As re-visionary as it is interdisciplinary, the book demonstrates not only the extent to which we continue to be influenced by Romantic views of the stranger but also, more importantly, what Romanticism has to teach us about our own hospitable obligations within this heritage.

In early Christianity, many people were inspired to write gospels, treatises, letters, and stories celebrating the new faith, but not all of these writings are found in the New Testament. One such story from an unknown author is the Coptic, gnostic Apocalypse of Paul, a tale of the apostle Paul's ascent to the heavens that was lost for millennia and rediscovered at Nag Hammadi in 1945. In Flora Tells a Story, Michael Kaler discusses the Apocalypse of Paul and how it was shaped by its literary environment. The book takes a behind the scenes look at early Christian literary production, analyzing the ways in which various literary traditions-such as apocalyptic writings, gnostic thought, and understandings of Paul-influenced the author of the Apocalypse of Paul and helped to shape the text. It also includes a new annotated English translation of the Apocalypse of Paul and a fictional account of how it might have come to be written. This work is the most in-depth study of the Apocalypse of Paul to date and the only full-length discussion of it in English. It provides a detailed but accessible account of the literary environment in which its author worked and integrates this little-known work into the broader stream of early Christian writings. This book will be of interest to specialists in Nag Hammadi and gnostic studies and early Christian literature, but will also appeal to the general reader interested in Christianity, mysticism, and gnosticism.

This book works through the conflicting and contradictory positions, both Aboriginal and non-Aboriginal, on indigenous rights in Canada.

Appel: A Canadian in the French Foreign Legion is the first-hand account of the author's six years as a professional soldier during the 1990s, and his experience in the Legion's elite Groupe des?Commandos Parachutistes (GCP). Joel Struthers recounts the dangers and demands of military life, from the rigours of recruitment and operational training in the rugged mountains of France, to face-to-face combat in the grasslands of some of Africa's most troubled nations. Told through the eyes of a soldier, and interspersed with humorous anecdotes, Appel is a fascinating story that debunks myths about the French Foreign Legion and shows it more accurately as a professional arm of the French military. Struthers provides insight into the rigorous discipline that the Legion instills in its young recruits, - who trade their identities as individuals for a life of adventure and a role in a unified fighting force whose motto is "Honour and Loyalty." Foreword by Col. Benoit Desmeulles, former commanding officer of the Legions 2e R?giment ?tranger Parachutistes.

Soundin' Canaan refers to the code name often used for Canada during the Black migration. The book focuses on intersections between music and poetry as border-crossing practices that expand how we think about citizenship. It demonstrates how music in Black Canadian poetry is a form of social, ethical, and political expression.

Who gets to write poetry? Whose voices are made public? Whose voices are heeded? These are the questions at the heart of Erasing Frankenstein. This book tells the story of a public humanities project involving federally incarcerated women and university students in which participants collaboratively created a long erasure poem using Mary Shelley's Frankenstein as source text. What happens when we remake the monster?

Both a visitor's guide to the Elora Gorge on the Upper Grand River in southwestern Ontario and a thorough yet accessible introduction to its history, from the origins of its bedrock some 430 million years ago in prehistoric tropical seas, to contemporary natural and human processes affecting this fascinating example of rivers in rock.

An experimental and radical commentary on the publishing industry, the centrepiece of this book is an autoethnographic comic erotic thriller about the Frankfurt Book Fair, self-published under the pseudonym Blaire Squiscoll. The critical edition enriches the novella with essays, annotations, and creative assemblages.

Quiet Rebels tells the stories of 187 women who were called to the Ontario bar between 1897 and 1957, identifying gendered patterns of exclusion. It also explores women lawyers' experiences in later decades, when many more women entered the legal profession, assessing the extent of "changes" or "continuities" for some women lawyers.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing. Since the 1970s non-Indigenous scholars have perpetrated the notion that Indigenous people were disinclined to talk about their lives and underscored the assumption that autobiography is a European invention. Deanna Reder challenges such long held assumptions by calling attention to longstanding autobiographical practices that are engrained in Cree and M tis, or n hiyawak, culture and examining a series of examples of Indigenous life writing. Blended with family stories and drawing on original historical research, Reder examines censored and suppressed writing by n hiyawak intellectuals such as Maria Campbell, Edward Ahenakew, and James Brady. Grounded in n hiyawak ontologies and epistemologies that consider life stories to be an intergenerational conduit to pass on knowledge about a shared world, this study encourages a widespread re-evaluation of past and present engagement with Indigenous storytelling forms across scholarly disciplines

The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book s synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls. Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.

A study of the performance and circulation of the figure of Salome as it shaped the modern business of skin-baring dance in imperial Europe and settler colonial North America at the end of the 19th century and the beginning of the 20th.

This is more than a literary critique - it is a work of perception, of analysis that reveals a portrait of Kundera the novelist as one of the greatest demystifiers of our time. This significant work deals with all of Milan Kundera's novels up to his most recent work, Slowness, which marks the beginning of a new phase of his writing. It is the first work that studies Kundera as a novelist, rather than a philosopher or intellectual guide, and the only one that diverges from the beaten path in examining and in reflecting on the composition and style of these novels, to discern the underlying humanity and originality of the work as a whole and to finally establish the connections and correlation within and between the novels - connections that conventional criticism can never reveal.

The history of the concept of "religion" in Western tradition has intrigued scholars for years. This important collection of eighteen essays brings further light to the ongoing debate. Three of the invited participants, W.C. Smith, M. Despland and E. Feil, has each previously written impressive books treating this subject; the last two acknowledged the impact and continuing influence of Smith's work, The Meaning and End of Religion. An introduction and a recapitulation of Smith's contribution as a scholar set the stage for a retrospective look at the published literature. Contributors then examine the transformation of words (the classical religio to the modern religion), particularities of religion in nineteenth-century France, Troeltsch's concept of religion, the study of religion from an Asian point of view and the categorization of "World Religions." The concluding essays elaborate contemporary anthropological, cross-disciplinary, semiological, deconstructive and psychoanalytical methodological approaches to the concept and study of "religion." Exploring critically different aspects of the concept and study of religion, these provocative essays typically reflect the methodological pluralism currently existing in the field of Religious Studies. Of interest to scholars and students alike, this collection also contains a complete bibliography of W.C. Smith's publications.

The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.