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Gluck - Amy de La Haye - Bog

- Art and Identity

Bag om Gluck

"Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck'slife and work, examining, among other things, the artist'snumerous personal relationships and contemporary notions of gender and social history. Gluck'spaintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artistis known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. "--

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780300230482
  • Indbinding:
  • Hardback
  • Sideantal:
  • 208
  • Udgivet:
  • 7. november 2017
  • Størrelse:
  • 186x261x23 mm.
  • Vægt:
  • 976 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK WEEK

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Gluck

"Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck'slife and work, examining, among other things, the artist'snumerous personal relationships and contemporary notions of gender and social history. Gluck'spaintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artistis known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. "--

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