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Hard Times - Charles Dickens - Bog

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Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based upon 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped its publication in instalments would boost circulation - as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as F. R. Leavis, George Bernard Shaw, and Thomas Macaulay have mainly focusing on Dickens's treatment of trade unions and his post-Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781494752002
  • Indbinding:
  • Paperback
  • Sideantal:
  • 268
  • Udgivet:
  • 20. december 2013
  • Størrelse:
  • 152x229x14 mm.
  • Vægt:
  • 363 g.
  • 2-3 uger.
  • 12. november 2024
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Beskrivelse af Hard Times

Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based upon 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped its publication in instalments would boost circulation - as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as F. R. Leavis, George Bernard Shaw, and Thomas Macaulay have mainly focusing on Dickens's treatment of trade unions and his post-Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era.

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