Harmony - Ebenezer Prout - Bog

CONTENTS
Introduction
Key, or Tonality
The General Laws of Part-Writing
The Diatonic Triads of the Major Key
The Inversions of the Triads of a Major Key
The Minor Key: Its Diatonic Triads and Their Inversions
The Chord of the Dominant Seventh
Key Relationship -- Modulation to Nearly Related Keys -- False Relation
Unessential Discords -- Auxiliary Notes, Passing Notes, and Anticipations
Unessential Discords -- Suspensions
The Chord of the Dominant Ninth
The Chord of the Dominant Eleventh
The Chord of the Dominant Thirteenth
Chromatic Triads -- The Chromatic Scale
Chromatic Cords of the Seventh
Chromatic Cords of the Ninth -- False Notation -- Enharmonic Modulation
Chromatic Cords of the Eleventh and Thirteenth
The Chord of the Augmented Sixth
Pedals
Harmony in Fewer and More than Four Parts
Appendix A. The Ecclesiastical Modes
Appendix B. The Harmonic Series