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Horror Vacui af Karen Grøn

Horror Vacui - Bog

- Morten Løbner Espersen

Bag om Horror Vacui

Horror Vacui is a collection of new works by the internationally acclaimed ceramic artist Morten Løbner Espersen. It is also the title of his 2012 solo exhibition at Trapholt Art Museum – a monumental presentation creating a dialogue between four series of works: vessels, cylinders, glazed clay tablets and drawings.Horror vacui – the fear of empty space – was originally the name of a style of a classical Greek vase from around 1000 B.C. with intricate decorations covering its entire surface. Morten Løbner Espersen's new series, inspired by the forms of antiquity, marks a shift from the strict geometry that has previously characterised his works. Here his dramatic glazes are met with an expressive answer from the clay.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9788772459776
  • Indbinding:
  • Indbundet
  • Sideantal:
  • 80
  • Udgivet:
  • 25. Juni 2012
  • Udgave:
  • 1
  • Størrelse:
  • 304x230x15 mm.
  • Vægt:
  • 753 g.
  • 145,95 kr.
  • 39,95 kr.
Betal med Dankort på Tales.dkBetal med Visa eller Visa Electron på Tales.dkBetal med Mastercard på Tales.dkBetal med MobilePay på Tales.dk
  • 1-3 hverdage
  • 21. April 2021
Eller spar samlet 33% som medlem
  • 121,95 kr.
  • 39,95 kr.

Forudsætter medlemskab (ingen binding)
1. uge gratis, herefter 79 kr./md. og kan opsiges når du vil.
Beskrivelse af Horror Vacui
Horror Vacui is a collection of new works by the internationally acclaimed ceramic artist Morten Løbner Espersen. It is also the title of his 2012 solo exhibition at Trapholt Art Museum – a monumental presentation creating a dialogue between four series of works: vessels, cylinders, glazed clay tablets and drawings.Horror vacui – the fear of empty space – was originally the name of a style of a classical Greek vase from around 1000 B.C. with intricate decorations covering its entire surface. Morten Løbner Espersen's new series, inspired by the forms of antiquity, marks a shift from the strict geometry that has previously characterised his works. Here his dramatic glazes are met with an expressive answer from the clay.
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