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How To Do Things With Tears - Paul Delnero - Bog

- Ritual Lamenting in Ancient Mesopotamia

Bag om How To Do Things With Tears

In contrast to other traditions, cultic laments in Mesopotamia were not performed in response to a tragic event, such as a death or a disaster, but instead as a preemptive ritual to avert possible catastrophes. Mesopotamian laments provide a unique insight into the relationship between humankind and the gods, and their study sheds light on the nature of collective rituals within a crosscultural context. Cultic laments were performed in Mesopotamia for nearly 3000 years. This book provides a comprehensive overview of this important ritual practice in the early 2nd millennium BCE, the period during which Sumerian laments were first put in writing. It also includes a new translation and critical edition of Uruamairabi ('That city, which has been plundered'), one of the most widely performed compositions of its genre.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781501519468
  • Indbinding:
  • Hardback
  • Sideantal:
  • 676
  • Udgivet:
  • 10. august 2020
  • Vægt:
  • 1114 g.
  • 8-11 hverdage.
  • 6. december 2024

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  • BLACK NOVEMBER

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af How To Do Things With Tears

In contrast to other traditions, cultic laments in Mesopotamia were not performed in response to a tragic event, such as a death or a disaster, but instead as a preemptive ritual to avert possible catastrophes. Mesopotamian laments provide a unique insight into the relationship between humankind and the gods, and their study sheds light on the nature of collective rituals within a crosscultural context. Cultic laments were performed in Mesopotamia for nearly 3000 years. This book provides a comprehensive overview of this important ritual practice in the early 2nd millennium BCE, the period during which Sumerian laments were first put in writing. It also includes a new translation and critical edition of Uruamairabi ('That city, which has been plundered'), one of the most widely performed compositions of its genre.

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