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Illusion of Sun - John Fraser - Bog

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An Illusion of Sun is the first of John Fraser's 14 novels (12 published, two forthcoming). 'I wanted to do a novel that smelled of fascism (I hope not a fascist novel!) -' Fraser says '- the slaughterhouse, the canals, the fruit - every kind of South and Central European fascism, from Franco to Tiso and Dolfuss, its impregnation of other discourses, from "democracy" to "socialism". It was intended to show how that virus had penetrated the bourgeoisie, its philosophy and its theorists, the ornamental style itself the modesty veil thrown over.' The novel is located in a Slavonic Venice, a city in a state of decline. Perrina attempts to salvage her decaying palazzo both from the depradations of time and the ambiguous bureaucrats who seem to have designs on her as well as on the mansion. Torgano establishes a difficult and masochistic relation with Perrina, her concerns - and the city itself. A liberation seems to lie in leaving her and the city, but will this resolve anything? Of Fraser's unique writing, the distinguished poet John Fuller has commented: 'In Fraser's fiction the reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection Fraser bestows upon them; they move with shrugging self-assurance through circumstances as richly detailed and as without reliable compass-points as a Chinese scroll.'

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780956909831
  • Indbinding:
  • Hardback
  • Sideantal:
  • 220
  • Udgivet:
  • 1. november 2011
  • Størrelse:
  • 216x140x15 mm.
  • Vægt:
  • 416 g.
  • 2-4 uger.
  • 3. april 2025

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Illusion of Sun

An Illusion of Sun is the first of John Fraser's 14 novels (12 published, two forthcoming). 'I wanted to do a novel that smelled of fascism (I hope not a fascist novel!) -' Fraser says '- the slaughterhouse, the canals, the fruit - every kind of South and Central European fascism, from Franco to Tiso and Dolfuss, its impregnation of other discourses, from "democracy" to "socialism". It was intended to show how that virus had penetrated the bourgeoisie, its philosophy and its theorists, the ornamental style itself the modesty veil thrown over.'
The novel is located in a Slavonic Venice, a city in a state of decline. Perrina attempts to salvage her decaying palazzo both from the depradations of time and the ambiguous bureaucrats who seem to have designs on her as well as on the mansion. Torgano establishes a difficult and masochistic relation with Perrina, her concerns - and the city itself. A liberation seems to lie in leaving her and the city, but will this resolve anything?
Of Fraser's unique writing, the distinguished poet John Fuller has commented: 'In Fraser's fiction the reader rides as on a switchback or luge of impetuous attention, with effects flashing by at virtuoso speeds. The characters seem to be unwitting agents of chaos, however much wise reflection Fraser bestows upon them; they move with shrugging self-assurance through circumstances as richly detailed and as without reliable compass-points as a Chinese scroll.'

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