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Image and Performance, Agency and Ideology - Lisa Brundle - Bog

- Representations of the Human Figure in Funerary Contexts in Anglo-Saxon Art, AD 400-680

Bag om Image and Performance, Agency and Ideology

This book investigates the topic of human imagery and hybrid human imagery rendered on metalwork of early Anglo-Saxon date recovered within eastern England (Cambridgeshire, Lincolnshire, Suffolk and Norfolk), AD 400-680. It presents the first definitive catalogue of its kind for this region and timeframe. Taking inspiration from recent transitions in thinking on early medieval mortuary archaeology and art, the author considers such topics as the interrelationship between image, object and the user, the changing portrayal of human representation and the social implications of such developments and the emergence of new bodily gestures in representational art. These key themes may provide an understanding of how and why human imagery changed as it did, how and by whom it was deployed in life and death and the role that this type of imagery performed in the construction and presentation of social identity.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781407316512
  • Indbinding:
  • Paperback
  • Sideantal:
  • 288
  • Udgivet:
  • 28. januar 2019
  • Størrelse:
  • 213x297x25 mm.
  • Vægt:
  • 1002 g.
  • 8-11 hverdage.
  • 30. november 2024

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Image and Performance, Agency and Ideology

This book investigates the topic of human imagery and hybrid human imagery rendered on metalwork of early Anglo-Saxon date recovered within eastern England (Cambridgeshire, Lincolnshire, Suffolk and Norfolk), AD 400-680. It presents the first definitive catalogue of its kind for this region and timeframe. Taking inspiration from recent transitions in thinking on early medieval mortuary archaeology and art, the author considers such topics as the interrelationship between image, object and the user, the changing portrayal of human representation and the social implications of such developments and the emergence of new bodily gestures in representational art. These key themes may provide an understanding of how and why human imagery changed as it did, how and by whom it was deployed in life and death and the role that this type of imagery performed in the construction and presentation of social identity.

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