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Images of Apartheid - Calum Waddell - Bog

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Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe. Calum Waddell is a lecturer in film at the University of Lincoln

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781474450034
  • Indbinding:
  • Paperback
  • Sideantal:
  • 192
  • Udgivet:
  • 31. august 2023
  • Størrelse:
  • 157x235x15 mm.
  • Vægt:
  • 454 g.
  • 2-3 uger.
  • 21. januar 2025
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Forlænget returret til d. 31. januar 2025
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Beskrivelse af Images of Apartheid

Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe. Calum Waddell is a lecturer in film at the University of Lincoln

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