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Lodore, Vol. 2 (Esprios Classics) - Mary Shelley - Bog

Bag om Lodore, Vol. 2 (Esprios Classics)

Lodore, also published under the title The Beautiful Widow, is the penultimate novel by Romantic novelist Mary Shelley, completed in 1833 and published in 1835. In Lodore, Shelley focused her theme of power and responsibility on the microcosm of the family. The central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two "heroines" to negotiate. Mary Shelley places female characters at the centre of the ensuing narratives: Lodore's daughter, Ethel, raised to be over-dependent on paternal control; his estranged wife, Cornelia, preoccupied with the norms and appearances of aristocratic society; and the intellectual and independent Fanny Derham, with whom both are contrasted.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9798210212962
  • Indbinding:
  • Paperback
  • Sideantal:
  • 130
  • Udgivet:
  • 11. april 2022
  • Størrelse:
  • 152x7x229 mm.
  • Vægt:
  • 201 g.
  • 2-3 uger.
  • 9. december 2024
På lager

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Lodore, Vol. 2 (Esprios Classics)

Lodore, also published under the title The Beautiful Widow, is the penultimate novel by Romantic novelist Mary Shelley, completed in 1833 and published in 1835. In Lodore, Shelley focused her theme of power and responsibility on the microcosm of the family. The central story follows the fortunes of the wife and daughter of the title character, Lord Lodore, who is killed in a duel at the end of the first volume, leaving a trail of legal, financial, and familial obstacles for the two "heroines" to negotiate. Mary Shelley places female characters at the centre of the ensuing narratives: Lodore's daughter, Ethel, raised to be over-dependent on paternal control; his estranged wife, Cornelia, preoccupied with the norms and appearances of aristocratic society; and the intellectual and independent Fanny Derham, with whom both are contrasted.

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