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Mathias Poledna: Substance - Amy Knight Powell - Bog

Bag om Mathias Poledna: Substance

In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museum's centennial, it marked the final show in the institution's first hundred years. For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallery's ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalog--featuring a cover designed by artist Peter Downsbrough--documents the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780941548670
  • Indbinding:
  • Paperback
  • Sideantal:
  • 132
  • Udgivet:
  • 1. marts 2019
  • Størrelse:
  • 315x238x16 mm.
  • Vægt:
  • 920 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK NOVEMBER

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Mathias Poledna: Substance

In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museum's centennial, it marked the final show in the institution's first hundred years. For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallery's ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalog--featuring a cover designed by artist Peter Downsbrough--documents the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society.

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