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Multiple Elementary - Hannah Jickling - Bog

Bag om Multiple Elementary

Multiple Elementary explores the elementary school classroom as a site of invention and reception of contemporary art practices. Part exhibition catalogue, part artists’ book and part corner store advertisement, the book reflects on the making of an artwork by Hannah Jickling and Helen Reed, in collaboration with a class of grade six students in Toronto. Begun as a riff on the Ontario social studies curriculum “Canada and It’s Trading Partners”, the engagement with students evolved as a series of field trips, extended research and finally, the making of 28 chocolates, each as an edition of ten. Explorations of trade, exchange and labour took shape as exercises in public engagement, curatorial experimentation and institutional translation. Beyond socially engaged practices and expressions of art-as-pedagogy, this book explores aesthetic and representative possibilities for process-based and publicly oriented artworks, especially amidst the complications and contradictions inherent to collaborations with children.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781910433614
  • Indbinding:
  • Paperback
  • Sideantal:
  • 64
  • Udgivet:
  • 7. august 2018
  • Ukendt - mangler pt..

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Multiple Elementary

Multiple Elementary explores the elementary school classroom as a site of invention and reception of contemporary art practices. Part exhibition catalogue, part artists’ book and part corner store advertisement, the book reflects on the making of an artwork by Hannah Jickling and Helen Reed, in collaboration with a class of grade six students in Toronto.
Begun as a riff on the Ontario social studies curriculum “Canada and It’s Trading Partners”, the engagement with students evolved as a series of field trips, extended research and finally, the making of 28 chocolates, each as an edition of ten. Explorations of trade, exchange and labour took shape as exercises in public engagement, curatorial experimentation and institutional translation. Beyond socially engaged practices and expressions of art-as-pedagogy, this book explores aesthetic and representative possibilities for process-based and publicly oriented artworks, especially amidst the complications and contradictions inherent to collaborations with children.

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