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Patronage (1814). NOVEL By - Maria Edgeworth - Bog

- Maria Edgeworth (Volume III). Original Version: Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814.

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Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814. It is one of her later books, after such successes as Castle Rackrent (1800), Belinda (1801), Leonora (1806) and The Absentee in 1812, to name a few. The novel is a long and ambitious one which she began writing in 1809. It is the longest of her novels. Patronage as a book is path-making; it was among the first novels with a thesis and as such, it opened the way for Sir Walter Scott's historical novels. In the novel, Edgeworth focuses on and scrupulously explores the various types of patronage and the many forms it takes in all strata of English society. Despite the rigor of her analysis, Edgeworth obtains a sense of subtlety through her ingenious use of variations in characterizatons and a well diversified plot. The plot is made up of many incidents, great and small, that take the reader through a wide range of situations. Much like her contemporary, Jane Austen, Edgeworth had a gift for conveying social conventions through brilliant dialogue and acute moral observations. However, unlike Austen, Edgeworth's writing diverges into essay and an overemphasis on ideas (of which she has a large number) and veers once or twice into the didactic. The literary scholar Alastair Fowler notes her "flawless ear for speech" and ability to produce "brilliant dialogue", as well as the way her various subplots are linked by chains of causation that rest ultimately on a trivial plot element, much as Austen later was able to do so superbly. Edgeworth was eldest daughter of Richard Lovell Edgeworth, the Anglo-Irish politician, writer and inventor who had 21 other children with four wives. This book received the imprimatur of her famous father when published. .................. Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Early life: Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives) and Anna Maria Edgeworth; Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, until her mother's death when Maria was five. When her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland.............

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781976073595
  • Indbinding:
  • Paperback
  • Sideantal:
  • 110
  • Udgivet:
  • 4. september 2017
  • Størrelse:
  • 203x254x6 mm.
  • Vægt:
  • 236 g.
Leveringstid: 8-11 hverdage
Forventet levering: 16. december 2024
Forlænget returret til d. 31. januar 2025

Beskrivelse af Patronage (1814). NOVEL By

Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814. It is one of her later books, after such successes as Castle Rackrent (1800), Belinda (1801), Leonora (1806) and The Absentee in 1812, to name a few. The novel is a long and ambitious one which she began writing in 1809. It is the longest of her novels. Patronage as a book is path-making; it was among the first novels with a thesis and as such, it opened the way for Sir Walter Scott's historical novels. In the novel, Edgeworth focuses on and scrupulously explores the various types of patronage and the many forms it takes in all strata of English society. Despite the rigor of her analysis, Edgeworth obtains a sense of subtlety through her ingenious use of variations in characterizatons and a well diversified plot. The plot is made up of many incidents, great and small, that take the reader through a wide range of situations. Much like her contemporary, Jane Austen, Edgeworth had a gift for conveying social conventions through brilliant dialogue and acute moral observations. However, unlike Austen, Edgeworth's writing diverges into essay and an overemphasis on ideas (of which she has a large number) and veers once or twice into the didactic. The literary scholar Alastair Fowler notes her "flawless ear for speech" and ability to produce "brilliant dialogue", as well as the way her various subplots are linked by chains of causation that rest ultimately on a trivial plot element, much as Austen later was able to do so superbly. Edgeworth was eldest daughter of Richard Lovell Edgeworth, the Anglo-Irish politician, writer and inventor who had 21 other children with four wives. This book received the imprimatur of her famous father when published. .................. Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Early life: Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives) and Anna Maria Edgeworth; Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, until her mother's death when Maria was five. When her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland.............

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