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Queen of the Fays - Catherine Bernard - Bog

Bag om Queen of the Fays

Stories by Catherine Bernard, François Fénelon, Louis de Mailly and Jean de Préchac. This volume includes three tales by Catherine Bernard (1662-1712), one of the originators of contes de fées, that deliberately subvert not merely their narrative strategy, but also their entire mythology; two enigmatic allegories of French history as seen through the prism of faerie by Jean de Préchac (1647-1720); four stories by François Fénelon (1651-1715), and The Illustrious Fays, a collection of tales by Chevalier de Mailly (1657-1724), which shows how the contes de fées quickly became suited to very different narrative purposes. The variety embraced by these stories is a striking illustration of the versatility of a format that seemed, at first, to be rather narrow. If some of stories seem more stereotyped and less ambitious, the spectrum they display is not lacking in color and variety, and the more flamboyant of them make significant additions to the imagery assembled by the core writers of the original school.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781612278148
  • Indbinding:
  • Paperback
  • Sideantal:
  • 368
  • Udgivet:
  • 1. december 2018
  • Størrelse:
  • 203x127x21 mm.
  • Vægt:
  • 399 g.
  • 8-11 hverdage.
  • 28. november 2024

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Queen of the Fays

Stories by Catherine Bernard, François Fénelon, Louis de Mailly and Jean de Préchac.

This volume includes three tales by Catherine Bernard (1662-1712), one of the originators of contes de fées, that deliberately subvert not merely their narrative strategy, but also their entire mythology; two enigmatic allegories of French history as seen through the prism of faerie by Jean de Préchac (1647-1720); four stories by François Fénelon (1651-1715), and The Illustrious Fays, a collection of tales by Chevalier de Mailly (1657-1724), which shows how the contes de fées quickly became suited to very different narrative purposes.

The variety embraced by these stories is a striking illustration of the versatility of a format that seemed, at first, to be rather narrow. If some of stories seem more stereotyped and less ambitious, the spectrum they display is not lacking in color and variety, and the more flamboyant of them make significant additions to the imagery assembled by the core writers of the original school.

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