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Sabine Moritz: Lobeda - Sabine Moritz - Bog

Bag om Sabine Moritz: Lobeda

Sketched memories of modernist architecture from the artist's childhoodIn Lobeda, first published in 2010, Sabine Moritz (born 1969) remembers her childhood in a prefab housing estate near Jena in 95 pencil drawings.The Neulobeda district is a densely populated area characterised by high-rise concrete buildings and modernist urban planning. This urban landscape was to have a profound effect on the young Moritz, which would later manifest itself in her work. While studying at the Offenbach University of Art and Design, Moritz began drawing her memories of Lobeda. The first body of her drawings from the early 1990s is published here.The pencil drawings show a gentle sense of detachment matched by an unrelenting formal curiosity into qualities such as line, shape, form, perspective and space. Moritz captures a harmonious balance of geometric shapes with an emphasis on functionality that echoes a bygone era through intimate reminiscences of her past.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781912122462
  • Indbinding:
  • Paperback
  • Sideantal:
  • 302
  • Udgivet:
  • 7. juni 2022
  • Størrelse:
  • 209x29x295 mm.
  • Vægt:
  • 1472 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Sabine Moritz: Lobeda

Sketched memories of modernist architecture from the artist's childhoodIn Lobeda, first published in 2010, Sabine Moritz (born 1969) remembers her childhood in a prefab housing estate near Jena in 95 pencil drawings.The Neulobeda district is a densely populated area characterised by high-rise concrete buildings and modernist urban planning. This urban landscape was to have a profound effect on the young Moritz, which would later manifest itself in her work. While studying at the Offenbach University of Art and Design, Moritz began drawing her memories of Lobeda. The first body of her drawings from the early 1990s is published here.The pencil drawings show a gentle sense of detachment matched by an unrelenting formal curiosity into qualities such as line, shape, form, perspective and space. Moritz captures a harmonious balance of geometric shapes with an emphasis on functionality that echoes a bygone era through intimate reminiscences of her past.

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