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That This - Susan (State University of New York Howe - Bog

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"What treasures of knowledge we cluster around." That This is a collection in three pieces. "Disappearance Approach," an essay about Howe's husband's sudden death-"land of darkness or darkness itself you shadow mouth"-begins the book with paintings by Poussin, an autopsy, Sarah Edwards and her sister-in-law Hannah, phantoms, and elusive remnants. "Frolic Architecture," the second section-inspired by visits to the vast 18th-century Jonathan Edwards archives at the Beinecke and accompanied by six photograms by James Welling-presents hauntingly lovely, oblique type-collages of Hannah Edwards Wetmore's diary entries that Howe (with scissors, "invisible" Scotch Tape, and a Canon copier) has twisted, flattened, and snipped into inscapes of force. The final section, "That This," delivers beautiful short squares of verse that might look at home in a hymnal, with their orderly appearance packing startling power:      That this book is a history of      a shadow that is a shadow of      Me mystically one in another      another another to subserve.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780811219181
  • Indbinding:
  • Paperback
  • Sideantal:
  • 112
  • Udgivet:
  • 26. juli 2011
  • Størrelse:
  • 155x230x9 mm.
  • Vægt:
  • 184 g.
  • Ukendt - mangler pt..

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  • BLACK NOVEMBER

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af That This

"What treasures of knowledge we cluster around." That This is a collection in three pieces. "Disappearance Approach," an essay about Howe's husband's sudden death-"land of darkness or darkness itself you shadow mouth"-begins the book with paintings by Poussin, an autopsy, Sarah Edwards and her sister-in-law Hannah, phantoms, and elusive remnants. "Frolic Architecture," the second section-inspired by visits to the vast 18th-century Jonathan Edwards archives at the Beinecke and accompanied by six photograms by James Welling-presents hauntingly lovely, oblique type-collages of Hannah Edwards Wetmore's diary entries that Howe (with scissors, "invisible" Scotch Tape, and a Canon copier) has twisted, flattened, and snipped into inscapes of force. The final section, "That This," delivers beautiful short squares of verse that might look at home in a hymnal, with their orderly appearance packing startling power:

     That this book is a history of
     a shadow that is a shadow of

     Me mystically one in another
     another another to subserve.

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