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The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies - Peter Gouzouasis - Bog

The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studiesaf Peter Gouzouasis
Bag om The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies

The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies represents a substantial contribution to the field of writing self-reflexively about an individual's practice within music studies. In six sections, 34 original chapters by a diverse set of contributors consider writing about personal activities from the points of view of performance, composition, musicology, and pedagogy, drawing on a range of traditions from Western art-music to popular music to ethnomusicology. A robust critical framework is presented, with coverage of: - Historical and critical perspectives - different methodologies and their ascendancy within the academy - leading debates, issues and approaches - future directions. The Companion cultivates new modes of engagement in music research, enabling scholars and practitioners at all levels to identify and articulate their relationship to the wider sociocultural contexts in which they operate.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780367351472
  • Indbinding:
  • Hardback
  • Udgivet:
  • 26. august 2024
  • Kan forudbestilles.
Forlænget returret til d. 31. januar 2025

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies

The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies represents a substantial contribution to the field of writing self-reflexively about an individual's practice within music studies. In six sections, 34 original chapters by a diverse set of contributors consider writing about personal activities from the points of view of performance, composition, musicology, and pedagogy, drawing on a range of traditions from Western art-music to popular music to ethnomusicology. A robust critical framework is presented, with coverage of:
- Historical and critical perspectives
- different methodologies and their ascendancy within the academy
- leading debates, issues and approaches
- future directions.
The Companion cultivates new modes of engagement in music research, enabling scholars and practitioners at all levels to identify and articulate their relationship to the wider sociocultural contexts in which they operate.

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