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The Shovel and the Loom - Carl Friedman - Bog

Bag om The Shovel and the Loom

Chaya, the daughter of Holocaust survivors, lives in the old Jewish quarter of Antwerp, Belgium. Twenty years old, a philosophy student (and nonbeliever), she takes care of the children of an Hasidic family by day. At night she stays up reading - Nietzsche, Einstein, the Baal Shem Tov. The more she reads, the less she seems to understand. Does God exist? What does it mean to be a Jew? Chaya questions the reasons for anti-Semitism, the role of women in Judaism, the reasons for suffering. Mr. Apfelschnitt, an old friend of her father, tells Chaya that Creation is a masterpiece, that Science can't replace God or the Torah. But her father advises her to study physics. Then he goes back to his old maps of Antwerp, looking for the spot to dig, to recover the two suitcases he buried during the war. Trying to put her Auschwitz past behind her, Chaya's mother obsesses over baking, tea, and weaving. Her advice to Chaya: go out dancing. Finally, it is Chaya's love for Simeha, the three-year-old boy in her care, that provides the key. She clashes with his tradition-bound father, then propelled by a tragic accident, learns just how much she is tied to her people and her faith.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780892554089
  • Indbinding:
  • Hardback
  • Sideantal:
  • 176
  • Udgivet:
  • 1. januar 1996
  • Størrelse:
  • 140x14x216 mm.
  • Vægt:
  • 372 g.
  • 2-3 uger.
  • 10. december 2024
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Beskrivelse af The Shovel and the Loom

Chaya, the daughter of Holocaust survivors, lives in the old Jewish quarter of Antwerp, Belgium. Twenty years old, a philosophy student (and nonbeliever), she takes care of the children of an Hasidic family by day. At night she stays up reading - Nietzsche, Einstein, the Baal Shem Tov. The more she reads, the less she seems to understand. Does God exist? What does it mean to be a Jew? Chaya questions the reasons for anti-Semitism, the role of women in Judaism, the reasons for suffering. Mr. Apfelschnitt, an old friend of her father, tells Chaya that Creation is a masterpiece, that Science can't replace God or the Torah. But her father advises her to study physics. Then he goes back to his old maps of Antwerp, looking for the spot to dig, to recover the two suitcases he buried during the war. Trying to put her Auschwitz past behind her, Chaya's mother obsesses over baking, tea, and weaving. Her advice to Chaya: go out dancing. Finally, it is Chaya's love for Simeha, the three-year-old boy in her care, that provides the key. She clashes with his tradition-bound father, then propelled by a tragic accident, learns just how much she is tied to her people and her faith.

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