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These Possible Lives - Fleur (New Directions) Jaeggy - Bog

Bag om These Possible Lives

New Directions is proud to present Fleur Jaeggy's strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist ofhyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey's early nineteenth-century world we hear of the habits of writers: Charles Lamb "spoke of 'Lilliputian rabbits' when eating frog fricassse"; Henry Fuseli "ate a diet of raw meat in order to obtain splendid dreams"; "Hazlitt was perceptive about musculature and boxers"; and "Wordsworth used a buttery knife to cut the pages of a first-edition Burke." In a book of "blue devils" and night visions, the Keats essay opens: "In 1803, the guillotine was a common child's toy." And poor Schwob's end comes as he feels "like a 'dog cut open alive'": "His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief." Fleur Jaeggy's essays-or are they prose poems?-smoke of necessity: the pages are on fire.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780811226875
  • Indbinding:
  • Paperback
  • Sideantal:
  • 64
  • Udgivet:
  • 20. juni 2017
  • Størrelse:
  • 178x129x8 mm.
  • Vægt:
  • 72 g.
Leveringstid: Ukendt - mangler pt.
Forlænget returret til d. 31. januar 2025
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Beskrivelse af These Possible Lives

New Directions is proud to present Fleur Jaeggy's strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist ofhyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey's early nineteenth-century world we hear of the habits of writers: Charles Lamb "spoke of 'Lilliputian rabbits' when eating frog fricassse"; Henry Fuseli "ate a diet of raw meat in order to obtain splendid dreams"; "Hazlitt was perceptive about musculature and boxers"; and "Wordsworth used a buttery knife to cut the pages of a first-edition Burke." In a book of "blue devils" and night visions, the Keats essay opens: "In 1803, the guillotine was a common child's toy." And poor Schwob's end comes as he feels "like a 'dog cut open alive'": "His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief." Fleur Jaeggy's essays-or are they prose poems?-smoke of necessity: the pages are on fire.

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