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Unexpected Pleasures - Lauryl Tucker - Bog

- Parody, Queerness, and Genre in 20th-Century British Fiction

Unexpected Pleasuresaf Lauryl Tucker
Bag om Unexpected Pleasures

What are the sources--and the effects--of the pleasurable feeling of power that genre gives us? What happens to that power when conventionality tips into parody? In this book, Lauryl Tucker explores the connection between genre parody and queerness in twentieth-century British fiction. Teasing out the parodic sensibility of writers including Virginia Woolf, Elizabeth Bowen, Sam Selvon, Dorothy Sayers, Stella Gibbons, and Zadie Smith, Unexpected Pleasures offers an innovative reading of works that seem to excessively obey the rules of genre. By oversupplying the pleasurable sense of knowledge and the illusion of predictive power that genre confers, these works play with readerly expectation in order to expose and queer a broader set of assumptions about desire, resolution, and futurity. Unexpected Pleasures expands on a burgeoning critical interest in genre as an interpretive tool, and further diversifies the archive and methodology of queer critique. Gathering a surprising group of writers together, it reveals new throughlines between middlebrow and highbrow, and among modernist, mid-century, and contemporary literature. This book will interest scholars of modernist and contemporary British literature, as well as readers interested in narrative and queer theory.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781835538807
  • Indbinding:
  • Paperback
  • Udgivet:
  • 28. januar 2025
  • 8-11 hverdage efter udgivelsesdato.
  • 11. februar 2025
  • 28. januar 2025
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Forlænget returret til d. 31. januar 2025
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Beskrivelse af Unexpected Pleasures

What are the sources--and the effects--of the pleasurable feeling of power that genre gives us? What happens to that power when conventionality tips into parody? In this book, Lauryl Tucker explores the connection between genre parody and queerness in twentieth-century British fiction. Teasing out the parodic sensibility of writers including Virginia Woolf, Elizabeth Bowen, Sam Selvon, Dorothy Sayers, Stella Gibbons, and Zadie Smith, Unexpected Pleasures offers an innovative reading of works that seem to excessively obey the rules of genre. By oversupplying the pleasurable sense of knowledge and the illusion of predictive power that genre confers, these works play with readerly expectation in order to expose and queer a broader set of assumptions
about desire, resolution, and futurity. Unexpected Pleasures expands on a burgeoning critical interest in genre as an interpretive tool, and further diversifies the archive and methodology of queer critique. Gathering a surprising group of writers together, it reveals new throughlines between middlebrow and highbrow, and among modernist, mid-century, and contemporary literature. This book will interest scholars of
modernist and contemporary British literature, as well as readers interested in narrative and queer theory.

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