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Victims of Betrayal - Fortune Nwaiwu - Bog

Victims of Betrayalaf Fortune Nwaiwu
Bag om Victims of Betrayal

The mood of this work is almost pulsating with energy; there is such a sense of foreboding that the tension of the author¿s writing feels like a pressure that is sure to blow. Yet this is a welcome pressure, as the reader is aware that they are caught up in a profound conflict-- faith, betrayal, and what it means when there is not just friction but collision can be no less than momentous¿and the author captures this in all its visceral evocativeness. There is a lyricism to the violence that simply cannot be overlooked¿evidenced in a sentence such as ¿Young man, hear it now, I am not afraid of death, Old men go to death but death comes to young men.¿ The form is reminiscent of parable, sermon, and the diasporic work of a writer like Chinua Achebe. While this F.E.C. Nwaiwüs work is clearly a unique voice, and the experience he is reflecting is likely to feel profoundly singular, his incorporation of multiple ¿voices¿ through Biblical, literary, poetic, and lyrical references ensures a multi-textured feels that almost begs for numerous points of interpretation¿providing a welcome opening for the engaged reader. Equally so, he very much hit his stride in terms of dialogue (and dialect) in sentences such as: ¿*Officer I no de carry kidnappers and no drugs de inside my bus.¿Cole Gustafson, New York.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9786200493804
  • Indbinding:
  • Paperback
  • Sideantal:
  • 132
  • Udgivet:
  • 24. august 2020
  • Størrelse:
  • 150x8x220 mm.
  • Vægt:
  • 215 g.
  • 2-3 uger.
  • 17. december 2024
På lager
Forlænget returret til d. 31. januar 2025

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Victims of Betrayal

The mood of this work is almost pulsating with energy; there is such a sense of foreboding that the tension of the author¿s writing feels like a pressure that is sure to blow. Yet this is a welcome pressure, as the reader is aware that they are caught up in a profound conflict-- faith, betrayal, and what it means when there is not just friction but collision can be no less than momentous¿and the author captures this in all its visceral evocativeness. There is a lyricism to the violence that simply cannot be overlooked¿evidenced in a sentence such as ¿Young man, hear it now, I am not afraid of death, Old men go to death but death comes to young men.¿ The form is reminiscent of parable, sermon, and the diasporic work of a writer like Chinua Achebe. While this F.E.C. Nwaiwüs work is clearly a unique voice, and the experience he is reflecting is likely to feel profoundly singular, his incorporation of multiple ¿voices¿ through Biblical, literary, poetic, and lyrical references ensures a multi-textured feels that almost begs for numerous points of interpretation¿providing a welcome opening for the engaged reader. Equally so, he very much hit his stride in terms of dialogue (and dialect) in sentences such as: ¿*Officer I no de carry kidnappers and no drugs de inside my bus.¿Cole Gustafson, New York.

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