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Wild Beads of Africa - Billy Steinberg - Bog

- Old Powderglass Beads from the Collection of Billy Steinberg

Bag om Wild Beads of Africa

These rare and mysterious beads, made in Ghana and used by the Krobo and Ashanti peoples, are regarded as magical and are worn proudly as a symbol of prestige and wealth.This is the first book dedicated to African powderglass beads, with over 180 photographs of gorgeous pieces from a collection assembled by songwriter Billy Steinberg (co-writer of Madonna's "Like a Virgin"). Most of the pieces showcased in this handsomely designed volume are West African beads often referred to as Bodom or Akoso, and were made by Ashanti and Ewe people in Ghana and Togo during the 19th century using finely ground glass sourced from broken bottles, windows or other beads, creating brightly colorful pieces in shiny colors with a handmade textural quality. Highly detailed photography by Fredrik Nilsen provides a comprehensive look at the collection, along with texts by scholar Jamey D. Allen about the history, classification and glassmaking technologies employed in the varieties of beads covered in the book. A glossary provided by Allen also makes this a useful reference title.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780692907108
  • Indbinding:
  • Hardback
  • Sideantal:
  • 216
  • Udgivet:
  • 21. maj 2019
  • Størrelse:
  • 247x286x26 mm.
  • Vægt:
  • 1202 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
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Beskrivelse af Wild Beads of Africa

These rare and mysterious beads, made in Ghana and used by the Krobo and Ashanti peoples, are regarded as magical and are worn proudly as a symbol of prestige and wealth.This is the first book dedicated to African powderglass beads, with over 180 photographs of gorgeous pieces from a collection assembled by songwriter Billy Steinberg (co-writer of Madonna's "Like a Virgin"). Most of the pieces showcased in this handsomely designed volume are West African beads often referred to as Bodom or Akoso, and were made by Ashanti and Ewe people in Ghana and Togo during the 19th century using finely ground glass sourced from broken bottles, windows or other beads, creating brightly colorful pieces in shiny colors with a handmade textural quality. Highly detailed photography by Fredrik Nilsen provides a comprehensive look at the collection, along with texts by scholar Jamey D. Allen about the history, classification and glassmaking technologies employed in the varieties of beads covered in the book. A glossary provided by Allen also makes this a useful reference title.

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