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Arts and Crafts in Iron Age East Yorkshire - Helen Chittock - Bog

- A holistic approach to pattern and purpose, c. 400BC-AD100

Bag om Arts and Crafts in Iron Age East Yorkshire

This volume presents a new approach to decorative practices in Iron Age Britain and beyond. It aims to collapse the historic distinction between art and craft during the period 400BC-AD100 by examining the purposeful nature of decoration on varied Iron Age objects, not just those traditionally considered art. A case study from East Yorkshire (UK), a region well known for its elaborate Iron Age metalwork, is presented. This study takes a holistic approach to the finds from a sample of 30 sites, comparing pattern and plainness on objects of a wide range of materials. The analysis focuses on the factors that led makers to decorate certain objects in certain ways and the uses of different patterns in different social contexts. A concentrated study on evidence for use-wear, damage, repair and modification then draws on primary research and uses assemblage theory to better understand the uses and functions of decorated objects and the ways these developed over time.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781407356976
  • Indbinding:
  • Paperback
  • Sideantal:
  • 148
  • Udgivet:
  • 25. Februar 2021
  • Størrelse:
  • 295x209x17 mm.
  • Vægt:
  • 514 g.
  • 2-3 uger.
  • 24. Juli 2024
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Beskrivelse af Arts and Crafts in Iron Age East Yorkshire

This volume presents a new approach to decorative practices in Iron Age Britain and beyond. It aims to collapse the historic distinction between art and craft during the period 400BC-AD100 by examining the purposeful nature of decoration on varied Iron Age objects, not just those traditionally considered art. A case study from East Yorkshire (UK), a region well known for its elaborate Iron Age metalwork, is presented. This study takes a holistic approach to the finds from a sample of 30 sites, comparing pattern and plainness on objects of a wide range of materials. The analysis focuses on the factors that led makers to decorate certain objects in certain ways and the uses of different patterns in different social contexts. A concentrated study on evidence for use-wear, damage, repair and modification then draws on primary research and uses assemblage theory to better understand the uses and functions of decorated objects and the ways these developed over time.

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