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as mornings and mossgreen I. Step to the window - Alexander Booth - Bog

Bag om as mornings and mossgreen I. Step to the window

Poetic prose meditations translated superbly into English.   Austrian poet Friederike Mayröcker is widely considered one of the most important European poets of the twentieth and twenty-first centuries. The last book of hers to be published during her lifetime, as mornings and moosgreen I. Step to the window is an elliptical and, if at times cryptic, deeply personal, playful, and highly poetic collection of experiences, memories, dreams, desires, fears, visions, observations, and peregrinations through landscapes both real and imagined. The volume bears witness to her unique late lyrical style of pyrotechnical cut-up. Among many others, her beloved Derrida, Duchamp, Hölderlin, and Jean-Paul all appear, almost like guides, as Mayröcker bravely makes her way through infirmity, old age, and loneliness, prolonging her time as a prolific writer as much as possible.

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  • Sprog:
  • Ukendt
  • ISBN:
  • 9781803091426
  • Indbinding:
  • Hardback
  • Sideantal:
  • 200
  • Udgivet:
  • 4. maj 2023
  • Størrelse:
  • 128x19x220 mm.
  • Vægt:
  • 348 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af as mornings and mossgreen I. Step to the window

Poetic prose meditations translated superbly into English.   Austrian poet Friederike Mayröcker is widely considered one of the most important European poets of the twentieth and twenty-first centuries. The last book of hers to be published during her lifetime, as mornings and moosgreen I. Step to the window is an elliptical and, if at times cryptic, deeply personal, playful, and highly poetic collection of experiences, memories, dreams, desires, fears, visions, observations, and peregrinations through landscapes both real and imagined. The volume bears witness to her unique late lyrical style of pyrotechnical cut-up. Among many others, her beloved Derrida, Duchamp, Hölderlin, and Jean-Paul all appear, almost like guides, as Mayröcker bravely makes her way through infirmity, old age, and loneliness, prolonging her time as a prolific writer as much as possible.

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