Kunstnere, kunstmonografier

Dennis Scholl uses repetition. Though he does not always paint the same picture, he repeatedly returns to the same point. The terrain he passes through could be a dream landscape from a night twenty years ago. 'Landscape' is suggestive of nature, but the reality portrayed here seems fake. It is more of a park, in which nature has been replicated. And Scholl is not alone here. There are others whom he encounters over and over. But they are no ordinary passers-by; their faces seem like masks - indeed, some of them do wear masks. Are these creatures without expression? My impression is that there are certain arrangements in place within this loose community. Few things are self-evident here. For the most part, there seems to be more of a skirting around the edges of what is directly obvious. The fingers I would use to point at it would need to have more digits than I have on my hand. (Hans-Christian Dany)

Now in paperback, a collection of interviews with a French cinematic titan—covering subjects such as adaptation, the effects of capitalism on art, and the importance of intuition—selected from a period of four decades.Robert Bresson, the director of such cinematic masterpieces as Pickpocket, A Man Escaped, Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work.Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”

Art Is Magic is a captivating masterpiece by the renowned author, Jeremy Deller. Published in 2023 by Profile Books Ltd, this book is a must-read for enthusiasts of the genre. Deller, with his unique and insightful perspective, takes the reader on a journey through the mystical and enchanting world of art, revealing its magical aspects. Art Is Magic is not just a book, it's an exploration of the creative spirit and a tribute to the transformative power of art. This book is a testament to Deller's profound understanding of art and its impact on our lives. Published by Profile Books Ltd, Art Is Magic is a testament to their commitment to bringing high-quality literature to readers. Don't miss out on this magical journey through the world of art.

This landmark monograph is the first comprehensive survey of Walter De Maria’s exceptionally diverse and visionary art practice, providing an in-depth look at more than 200 works and presenting the first detailed chronology ever published.Although best known as a creator of seminal works of Land art, Walter De Maria also maintained an extensive and highly original practice as a sculptor, painter, draftsman, writer, filmmaker, and composer. This expansive publication presents more than 200 works created or envisioned by the artist from 1960 until his death in 2013. Each work is fully illustrated and accompanied by detailed text entries written by Elizabeth and Michael Childress, supplemented by archival images, many of which have never been published before.Essays by Michael Govan, Christine Mehring, and Lars Nittve provide detailed overviews and analyses of the early, middle, and later periods of De Maria’s production. The monograph also includes an introduction by Donna De Salvo; the first detailed, thoroughly documented, and illustrated chronology of De Maria’s life and work, written by Dagny Corcoran; and an exhibition history and bibliography.

Occasionally, when something seems very familiar you lose sight of what makes it so special: Flemish Masters. From van Eyck to Bruegel sets out to counteract this effect and opens our eyes once again to the revolution that took place in the Low Countries in the 15th and 16th centuries that shaped the course of European art. In 48 lavishly illustrated analyses, Matthias Depoorter explores how painters such as Van Eyck, Van der Weiden, Massys, Bosch, and Bruegel reached unprecedented heights, and are rightfully considered innovators to this day.The defining factor was their perfecting and mastery of the oil painting technique as well as their groundbreaking attention to optical lighting effects. The new technical possibilities offered a different way of looking at the world and ultimately a new way of painting. No less innovative was the level of detail. These painters were thoroughly acquainted with each other's work-this volume shows the fundamental artistic cross-fertilization. A must-read for anyone who wants to fall in love with the old master- pieces anew.MATTHIAS DEPOORTER (*1980) is a writer and an art historian. He was one of the curators of the seminal exhibition Van Eyck: An Optical Revolution at the Museum of Fine Arts in Ghent and coordinated the accompanying scholarly publication.

What does it mean to create, not in "a room of one's own" but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms and Alice Neel, who once, to finish a painting, was said to have left her baby on the fire escape of her New York apartment. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary women's lives.

Marlon Brando warf sich 1953 in eine schwarzlederne Perfecto-Biker-Jacke, hautenge Jeans und Chopper-Stiefel, setzte sich eine Fliegermütze auf und spielte in Der Wilde Johnny, den höhnischen Anführer des Black Rebel Motorcycle Club. Im Jahr darauf verzichtete Tom of Finland in seinen Kunstwerken auf braunes Leder und schuf sich seine eigenen Wilden: muskulöse, hypermaskuline Rebellen , nun in schwarzes Leder gepresst und natürlich mit ordentlich PS zwischen den Beinen. Diesen Look übernahm noch im gleichen Jahr der Satyrs Motorcycle Club, der erste Club schwuler Biker - und ließ auf diese Weise Toms Fantasiewelt Wirklichkeit werden. Tom wäre natürlich nicht Tom gewesen, hätte er seinen neuen Schwulen-Ikonen keine eigene Note verliehen, indem er ihnen lederne Reithosen, kniehohe Stiefel und dazu Ledermützen verpasste und jedem Motorrad den Markennamen "Tom" auf den Tank schrieb. Toms Biker erschienen im Winter 1968 erstmals als zwei "Motorradburschen" in Physique Pictorial . Ein weiterer schaffte es auf die Titelseite der April-Ausgabe von 1960. Von da an beherrschten Biker den Inhalt von PP , sowohl in Würdigung seiner amerikanischen Leserschaft als auch infolge seiner eigenen wachsenden Besessenheit. Als er nach einer durchgängigen Figur suchte, seinem persönlichen Alter ego, erfand er 1968 Kake, den Inbegriff des Bikers in Lederkluft , und erzählte dessen wilde Geschichten in jeweils 26 Einzelbildern. Tom kleidete sich schließlich selbst wie Kake und trat bis zu seinem Lebensende in schwarzer Lederjacke, weißem T-Shirt, Jeans und hohen Stiefeln auf. The Little Book of Tom: Bikers enthält Toms früheste Werke für Physique Pictorial , Kake im Biker-Outfit und knisternd heiße Bikerbilder auf kompakten 192 Seiten - voll von harten Kerlen , die sich mit anderen harten Typen in schwarzem Leder verlustieren. Und zwar, ja, auf Motorrädern.

Denne bog illustrerer, hvordan kunstnere verden over på hver deres måde forsøger at bidrage til løsningen af den globale økologiske krise. Ralph Sanne (f. 1946) er cand.scient. i biologi, geografi og geologi.

An illuminating biography of one of the most famous--and most famously unfinished--buildings in the world, the Sagrada Familia of Barcelona.The scaffolding-cloaked spires of Antoni Gaudí's masterpiece, the Sagrada Familia, dominate the Barcelona skyline and draw in millions of visitors every year. More than a century after the first stone was laid in 1882, the Sagrada Familia remains unfinished, a testament to Gaudí's quixotic ambition, his religious devotion, and the sensuous eccentricity of his design. It has defied the critics, the penny-pinching accountants, the conservative town-planners, and the devotees of sterile modernism. It has enchanted and frustrated the citizens of Barcelona. And it has passed through the landmark changes of twentieth-century Spain, surviving two World Wars, the ravages of the Spanish Civil War, and the "Hunger Years" of Franco's rule.Gijs van Hensbergen's The Sagrada Familia explores the evolution of this remarkable building, working through the decades right up to the present day before looking beyond to the final stretch of its construction. Rich in detail and vast in scope, this is a revelatory chronicle of an iconic structure, its place in history, and the wild genius that created it.

En ny spændende og rigt illustreret bog om Storm Ps bibliotek. Essays om Storm P og tre tekster af Storm P selv.

The extraordinary work of one of the most important artists of the 20th century Hardly any artist is as relevant to decisive socio-political debates of the present as Jean-Michel Basquiat. His highly symbolic paintings often took up political themes, criticizing racism, social injustice, and consumer capitalism. His diverse oeuvre reflects how Basquiat set his powerful compositions against hierarchies and rules. The publication will provide new insights into the artist's unique visual language and decode the idiosyncrasy of his artistic ideas.

Catalog of an exhibition held at the Pirelli Hangar Bicocca, Milan, Italy, September 15, 2022-February 26, 2023.

A comprehensive look at the artist's work on the symbology of art in the context of Hindu- Buddhism, art history, religion, faith and philosophy, in English and Thai

This is the first comprehensive overview of the career to date of British-born Jamaican artist Hurvin Anderson (b. 1965). Anderson is known for painting lush and loosely rendered observations of scenes and spaces loaded with personal meaning.Turner Prize-nominated artist Hurvin Anderson is best known for his brightly painted, densely detailed landscapes and interior scenes—particularly those relating to his upbringing in the Afro-Caribbean community in the Midlands of England, as well as more recent trips to the Caribbean. Anderson’s luscious paintings have hybridity at their heart. A tug-of-war plays out between abstraction and figuration, nature versus the manmade, beauty and menace, and his British and Jamaican heritage.Born in the United Kingdom as a member of the Jamaican diaspora, Anderson relates to the Caribbean as both insider and outsider, aware of the mythmaking that the idea of lost or future paradise generates. This book, Anderson’s first major monograph, has been carefully curated by the artist himself and includes paintings, sketches, source material and ephemera, and studio shots. The volume also features a foreword by Courtney J. Martin, an in-depth and deeply considered essay by art historian Catherine Lampert, poems by Roger Robinson, and an illustrated chronology.

Shara Hughes (geb. 1981 in Atlanta, lebt und arbeitet in New York) bezeichnet ihre Bilder und Zeichnungen als psychologische oder erfundene Landschaften. Ihre Steilküsten, Flussläufe, Sonnenuntergänge und üppigen Gärten, die oft von abstrakten Mustern eingerahmt werden, zeugen von märchenhaften Orten und paradiesischen Stimmungen. Die Gemälde nutzen, wie der New Yorker schrieb, "alle möglichen Tricks, um zu verführen, und schaffen es dennoch, als arglose Visionen von gar nicht so fernen Welten zu erscheinen". Mit Ölfarbe, Pinsel, Spachtel und Spray zelebriert die Künstlerin die Malerei an sich und zitiert dabei nicht selten die Meister anderer Kunstepochen.

Discover the captivating world of 'JoJo 6251', an extraordinary masterpiece penned by the renowned author, Hirohiko Araki. Published in 2023 by Viz Media, a subsidiary of Shogakukan Inc, this book marks a significant milestone in the literary scene. Delving into the genre of manga, Araki intricately weaves a tale that leaves readers on the edge of their seats, eagerly turning pages to unravel the unfolding mystery. 'JoJo 6251' encapsulates Araki's unique storytelling prowess, beautifully brought to life through his vivid illustrations. This book is a must-have addition to any manga enthusiast's collection, promising an unforgettable journey that transcends the boundaries of imagination. Experience the thrill and excitement of 'JoJo 6251', a testament to Hirohiko Araki's genius, brought to you by Viz Media, Subs. of Shogakukan Inc.

The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in AmericaSurveying 30 years of Henry Taylor's work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor's portraits and allegorical tableaux-populated by friends, family members, strangers on the street, athletic stars and entertainers-display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist's installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism's appropriations of African or African American culture. Taken together, the various strands of Taylor's practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular. Raised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.

"In Livin' Loud, Public Enemy founder, hip-hop pioneer and revolutionary activist, Chuck D, presents a body of art, each piece reflective of the man behind the music, alongside a biographical commentary tracing his musical and artistic trajectory. From his early roots and the central figures that critically shaped him and his voice, to the formation of Public Enemy, from his Rock 'n' Roll Hall of Fame induction through to his time with Prophets of Rage and current day world affairs. Chuck D has been creating musical and cultural observations that challenge public opinion since 1985 and his visual compositions continue to interpret and question the world around us. Chuck D pays homage to his musical influences and peers from James Brown and Woody Guthrie to Def Jam labelmates Run-DMC and Beastie Boys; a host of the most influential hip-hop artists from Ice Cube to Run the Jewels; his twin passions of baseball and basketball; creating a collection of landscapes on tour with Prophets of Rage, and a range of sociopolitical pieces that explore the issues continuing to shape our culture. With a foreword by Rage Against the Machine's Tom Morello and featuring over 250 of Chuck D's paintings, sketches and drawings, Livin' Loud includes a commentary of over 13,000 words in which he offers unprecedented insight into his life and work."--Back cover.

National Best Seller From the National Book Award-winning author of Just Kids: an unforgettable odyssey of a legendary artist, told through the prism of the cafés and haunts she has worked in around the world. It is a book Patti Smith has described as "a roadmap to my life." M Train begins in the tiny Greenwich Village café where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. Through prose that shifts fluidly between dreams and reality, past and present, and across a landscape of creative aspirations and inspirations, we travel to Frida Kahlo's Casa Azul in Mexico; to a meeting of an Arctic explorer's society in Berlin; to a ramshackle seaside bungalow in New York's Far Rockaway that Smith acquires just before Hurricane Sandy hits; and to the graves of Genet, Plath, Rimbaud, and Mishima. Woven throughout are reflections on the writer's craft and on artistic creation. Here, too, are singular memories of Smith's life in Michigan and the irremediable loss of her husband, Fred Sonic Smith. Braiding despair with hope and consolation, illustrated with her signature Polaroids, M Train is a meditation on travel, detective shows, literature, and coffee. It is a powerful, deeply moving book by one of the most remarkable multiplatform artists at work today.

Immediately when Bård Breivik got the diagnosis of a terminal cancer he startetd digging up the battle axe. He decided not only to fight back, but to create an extended art project to fight his own war. Craftsman as he was, he shaped his personal tomahawk and with a strong belief in unconditional resistance he drew up a canning plan to make the disease into art. He fearlessly stared at death in white eye without a blink.

"Men ved du, hvordan det, der foregår i en, viser sig udadtil? Det er som et sort ildsted i ens sjæl, og ingen kommer nogen sinde for at varme sig derved, og de, der går forbi, ser kun lidt røg fra skorstenen, og så går de videre."Vincent van Gogh var ikke bare en uforlignelig kunstner. Også i sine breve formåede han at give udtryk for sine inderste tanker og følelser i farver og billeder, så ordene giver genklang i læserens hjerte. Den danske forfatter og musik- og kunstkritiker Kai Flor har udvalgt og oversat et væld af de smukkeste og mest sigende af den lidenskabelige kunstners mest personlige breve, som til sammen tegner et spændende portræt af en af kunsthistoriens største talenter.Den hollandske maler Vincent van Gogh (1853-1890) er en af de største kunstnere i den europæiske kunsthistorie, og hans bidrag til postimpressionismen og ekspressionismen kan ikke overdrives. Foruden hundredvis af maleriske mesterværker efterlod van Gogh sig et væld af breve, som tegner et spændende billede af en lidenskabelig kunstner, der hele livet igennem sloges med psykisk sygdom.

Albert Mertz’ produktion har i de seneste år været genstand for fornyet interesse. Monografien vil for første gang præsentere en samlet skildring af hans liv og praksis for et bredere publikum og dermed bidrage væsentligt til dansk kunsthistorieskrivning. Til trods for, at Mertz i dag primært er kendt af en snæver kreds, er han med sin konceptuelle og eksperimenterende praksis en af de helt centrale skikkelser i dansk kunsthistorie. Hos Mertz optræder kunsten som en særlig udtryksform, der på sin helt egen måde forsøger at besvare spørgsmålet om, hvad der er kunst, og hvad der er virkelighed. Læseren bliver præsenteret for et bredt udsnit af kunstnerens virke. Fra hans tidlige malerier og arbejdet med eksperimentalfilm i 1940’erne og 50’erne, over hans engagement i Linien II, hans selvvalgte eksil i Frankrig 1963-76, hvor han udvikler den karakteristiske rød+blå proposition, og frem til hans professorat på Kunstakademiet fra 1979-90. Monografien har et særligt blik for Mertz’ nybrydende installatoriske udstillingspraksis, der knytter an til nyere performativitetsteori, ligesom den stiller skarpt på de mange internationale forbindelser, der prægede hans virke.

Lyset, landskabet og de maleriske motiver har i generationer magnetisk trukket kunstnere til Skagen. I slutningen af 1800-tallet endda i et omfang, så man talte om en koloni af malere. De fik følgeskab af komponister, sangere, musikere, arkitekter, billedhuggere og forfattere. Nogle blev fastboende, medens andre lejede sig ind på hoteller, i pensionater og hos fiskerne. Drachmanns Hus og Michael & Anna Anchers Hus er idag kendte eksempler på kunstnerboliger, men på en vandring fra Grenen til Skiveren vil man møde mange andre bygninger, hvor der bor eller har boet kunstneriske sjæle. Bogen fortæller om de enkelte huse, om deres beboere og de værker de skabte.