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Gerry's Awakening: A Play In Three Acts is a dramatic work written by Frances Pusey Gooch and first published in 1916. The play follows the story of Gerry, a young woman who is struggling to find her place in the world. Gerry is torn between her desire to conform to societal expectations and her own inner yearnings for independence and self-discovery. Throughout the play, Gerry is confronted with a series of challenges that force her to confront her own fears and limitations. As she navigates these challenges, Gerry gradually begins to awaken to her own inner strength and sense of purpose. The play is a powerful exploration of the human psyche and the struggle for self-realization, and is sure to captivate readers with its compelling characters and thought-provoking themes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Drawing from performance and educational environments, this ground-breaking collection brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis.

Become the actor you must be to turn your dreams into reality.For over 25 years, Bernard Hiller’s revolutionary techniques and exercises have produced unprecedented success for actors, artists, and performers all around the world.Acting is always evolving, and in The Revolutionary Guide to Acting Bernard shares the latest methods to help you gain vital skills for success in this competitive industry.  Set yourself apart at your next audition by using Bernard’s unique techniques, and uncover the secrets to delivering unforgettable performances. Acting is a journey to self-awareness that will lead you to discover your true authenticity, empowering you to become unstoppable in show business. Cultivate the tools you will need for a long-lasting career and, ultimately, a more accomplished and happier life.

""Any Girl, A Play For Camp Fire Girls: Prologue And Three Acts"" is a play written by Ella Lounsbury in 1914. The play centers around a group of Camp Fire Girls and their experiences as they navigate the challenges of growing up. The prologue sets the scene for the play, introducing the characters and their backgrounds. The three acts follow the girls as they learn important life lessons, such as the value of hard work, the importance of friendship, and the power of forgiveness. Along the way, they encounter obstacles and setbacks, but ultimately emerge stronger and more resilient. This play is a timeless classic that continues to inspire and entertain audiences today.With Contributions By Esther Morton Smith And Helen Fuchs.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Underneath Jim Piddock's lighthearted, irreverent romp through the worlds of film, television, theatre lie the deeper reflections of an ordinary man who has led an extraordinary life.

How You Can Work As A Background Actor(Extra) inMovies, Commercials, and Television.Have you ever wanted to be on TV or in the movies but lackedacting experience? Background acting takes zero experienceand you do not even need any Hollywood connections(otherthan me)! Background acting is also great for actors who havetrouble fi nding regular acting jobs. Background acting is wheremany actors get started and how they pay the bills until theiracting career takes off. It is also how many average peoplefi nd a little excitement by participating in the entertainmentindustry.I will reveal the world of the Movie Extra to you.I worked as a background actor(also called an Extra) for overthree years. A small sample of the jobs I worked are listed in theappendix along with some famous people I met in the industry.This book documents almost everything I learned and in it Ireveal the secrets that will help you succeed in Hollywood.Now, let's get you started in the movie business.

As a casting director for twenty-three years, Holly Powell witnessed the casting world from three different points of view: As an independent casting director, as Head of Casting for a Studio, and as a Network Casting Executive. From this unique perspective, she formed Holly Powell Studios, with her mission being to demystify the audition process for actors. Through using her "The 6 Audition Tools Method," actors are guided into adopting the mental focus of the athlete and learn to control sabotaging thoughts that can derail an audition. THE AUDITION BIBLE: Secrets Every Actor Needs To Know, originally written as a companion piece to Holly's audition workshops, covers not only audition techniques and tools but answers many common questions about audition protocol. Anecdotal audition stories exemplify what works and what doesn't during the casting process. Part 1: The Audition is a handbook for any actor auditioning for any venue, be it television, film, theater, a commercial or a webisode. The actor travels through waiting in the lobby, walking into the audition room, the audition itself, the people he encounters in the room, and finally exiting the audition room. Part 2: Auditioning For A Series-Regular Role guides the actor through the four steps it typically takes to book a series-regular role on a network television series: The Pre-Read with the Casting Director, The Callback for Producers, Reading for Studio Executives, and Testing at the Network. Even though the format in Part 2 is specifically geared toward auditioning for television, all actors in every medium will find invaluable information here that will apply to their individual audition circumstances. An audition is an audition is an audition.

2022 Facsimile of the 1936 Edition. This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself. Contents: The first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious.

2014 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "A wealth of material on the theory and practice of acting ... a book which may be read, re-read and absorbed by everyone who assumes the directing of actors or that most difficult task, the teaching of acting." --Quarterly Journal of Speech. Contains early contributions on the craft by Stanislavski, I. Rapoport, M.A. Chekhov, Vakhtangov, Giatsintova, Pudovkin, Zakhava and others. Also includes 25 illustrations related to the stage and the art of acting. Contents include:Introduction / Lee Strasberg -- The actor's responsibility / Constantin Stanislavski -- Direction and acting / Constantin Stanislavski -- The work of the actor / I. Rapoport -- The creative process / I. Sudakov -- Stanislavski's method of acting / M.A. Chekhov -- Preparing for the role: from the diary of E. Vakhtangov / E. Vakhtangov -- Case history of a role / A.S. Giatsintova -- From the production plan of Othello / Constantin Stanislavski -- Film acting: two phases / V.I. Pudovkin -- Principles of directing / B.E. Zakhava -- To his players at the first rehearsal of The blue bird / Constantin Stanislavski.