Teater: instruktion og produktion

Bustle Fashions 1885-1887 contains a wide selection of high-quality women's clothing patterns from the height of the bustle era. This book contains practical patterns for undergarments and nightgowns; wrappers and tea gowns; bodices, skirts, and overskirts; complete ensembles for street and house wear; and outer jackets, coats, dolmans, and cloaks. The patterns are drawn from rare original issues of the magazine The Voice of Fashion and 1885 to 1887 editions of the pattern book The National Garment Cutter. They were used by both amateur and professional dressmakers to make up the mainstream styles of the day, and are very similar to patterns published by Butterick. These patterns are enlarged with apportioning scales, printed versions of which are provided in this book, along with step-by-step instructions. Apportioning scales are special rulers that enable you to draft custom sizes, from queen size to doll size, without doing arithmetic. Most patterns in this book are accompanied by supplementary illustrations with detailed descriptions, drawn from Butterick's Delineator magazine. Each supplement shows optional style variations that can be produced by using flat pattern alteration techniques, or merely by substituting a garment section from a different pattern in this book or draping an overskirt pattern differently. The descriptions include information on construction and fabrics. Edited selections from fashion columns in The Delineator, Harper's Bazar, and other publications add information on style trends. Also drawn from The Delineator are instructions and illustrations for 208 trimmings and 91 accessories. In addition, a substantial chapter on dressmaking, assembled from articles in Godey's Lady's Book, gives detailed information on making garments for the second half of the 1880s. The book's glossary explains period fabric names and dressmaking terms.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Gorski Vijenac je drama Petra II Petrovi¿a Njegöa, napisana u stihu i maniru narodnih pesama. Drama opisuje borbu crnogorskih plemena protiv domäih poturica, na kraju XVII i pöetkom XVIII veka. Stihovi su puni mudrosti vrlo popularnih u Srbiji i Crnoj Gori. Ova drama je objavljena u Be¿u 1847 godina na narodnom srpskom jeziku.Petar II Petrovi¿-Njegö, bio je Crnogorski verski poglavar, vladika a istovremeno i poeta, filozof i istori¿ar. Rodjen je u Njegüi, Crna Gora 1813 godine, a umro je na Cetinju, Crna Gora 1851 godine.Pismo: Latinica

Das Schauspiel, aber besonders die Oper haben nur scheinbar wenig mit unserem alltäglichen Leben zu tun. Die Oper ist zwar eine sehr artifizielle Kunstform, in der die Wirklichkeit dennoch präsent ist, jedoch in einer Weise verdichtet, daß sie uns über die Zeiten hinweg anrührt. Beim Erleben von Opernaufführungen werden wir so zu Gefährten des Sängers Orpheus in Monteverdis Oper L'Orfeo, der mit seinen Klageliedern den Tod seiner geliebten Nymphe Eurydike betrauert. Wir verwandeln uns in mitfühlende und mitleidende Brüder und Schwestern von Orpheus, Wozzeck, Tosca, Tristan, Isolde oder Jenufa und werden damit ganz direkt auf die Fährnisse - und auch Freuden - des eigenen Lebens verwiesen. Um die visuellen und klanglichen Dimensionen einer Oper für das Publikum erlebbar zu machen, ist ein enges Zusam-menspiel von Dramaturgen, Schauspielern, Sängern, Tänzern, Regisseuren, Bühnenbildnern und Technikern erforderlich. Welche Rolle spielen dabei die Bühnenbildner? Haben nicht manche Aufführungen ihren Erfolg vor allem dem Werk des Bühnenbildners zu verdanken? Die Bühnenbilder von Hans Dieter Schaal, der an fast allen deutschen Bühnen gearbeitet hat, aber auch in vielen bedeutenden internationalen Theaterorten, darunter in Wien, Salzburg, Zürch, Brüssel, Paris, Moskau und San Francisco, entfalten durch ihre visuelle Kraft immer wieder eine so nachhaltige Wirkung, daß sie für lange Zeit dem Gedächtnis des Publikums verhaftet bleiben. Der erste Band über die Bühnenbilder Hans Dieter Schaals umfaßte die Jahre 1982 bis 2000. Mit diesem Buch erscheint nun ein weiterer Band, der den Arbeiten aus den Jahren 2001 bis 2021 gewidmet ist. Das Buch besticht nicht nur durch eine Fülle von großformatigen Photographien und viele Entwurfszeichnungen, sondern auch durch die von Schaal selbst verfaßten ausführlichen Texte, die erkennen lassen, wie intensiv sich der Künstler mit dem jeweiligen Werk ausein-andersetzt. Er erfindet dabei Bilder, die oft eine ganz neue Sicht auf die Werke auslösen.

Thirty-three years after his death, Elvis Presley's extraordinary physical appeal, timeless music, and sexual charisma continue to captivate, titillate, and excite. Though hundreds of books have been written about the King, no book has solely explored his relationships with women and how they influenced his music and life . . . until now. Based largely on exclusive interviews with the many women who knew him in various roles?lover, sweetheart, friend, costar, and family member?Baby, Let's Play House presents Elvis in a new light: as a charming but wounded Lothario who bedded scores of women but seemed unable to maintain a lasting romantic relationship. While fully exploring the most famous romantic idol of the twentieth century, award-winning veteran music journalist Alanna Nash pulls back the covers on what Elvis really wanted in a woman and was tragically never able to find.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.