Filmhistorie, filmteori og filmkritik

"Brilliant, beautiful, driven, uncompromising, elusive, iconic-Jessica Lange is one of the most gifted and fascinating actors of her generation. From her rise to fame in Dino De Laurentiis's remake of King Kong (1976) and her Oscar-winning performances in Tootsie (1982) and Blue Sky (1994); to her Emmy-winning work in Grey Gardens (2009) and the American Horror Story series; and her Tony Award-winning turn in Eugene O'Neill's Long Day's Journey into Night (2016), Lange has had a long and illustrious career on-screen and onstage. She has worked with some of the most celebrated names in the business, including Jack Nicholson, Bob Fosse, Martin Scorsese, Kim Stanley, Halle Berry, and Kathy Bates. Jessica Lange: An Adventurer's Heart, the first full-length biography of Lange, presents a comprehensive study of the life and work of an exceptional actress. Beginning with her upbringing in Minnesota, author Anthony Uzarowski traces Lange's formative years as a restless soul who found solace in art and a life on the road before turning to acting. While critics initially questioned her talent, she refused to be dismissed as yet another pretty face. She continued to study her craft and immersed herself in her roles, honing the poignant and emotionally charged performances for which she is renowned. Lange was introduced to a whole new generation of fans with her acclaimed work in Ryan Murphy's anthology series, American Horror Story. Murphy later created another chance for Lange to shine with his television miniseries, Feud: Bette and Joan, costarring Susan Sarandon. This meticulously researched and wide-ranging biography also gives a glimpse into Lange's carefully guarded private life: her years as a free-spirited artist in the 1960s, her dedication to motherhood, and her legendary partnership with Sam Shepard, which was one of the most passionate, tumultuous, and secretive long-term relationships in Hollywood"--

The Beijing Film Academy Yearbook highlights the best academic debates, discussions and research, as published in the highly prestigious Journal of Beijing Film Academy in 2019. This volume brings together specially selected articles, appearing in English for the first time, to bridge the gap in cross-cultural research in cinema and media studies.

A comprehensive reassessment of British musical films 1946-1972 including King's Rhapsody, Beat Girl, The Tommy Steele Story, Rock You Sinners, The Golden Disc, and Oliver!

Rithy Panh survived the Cambodian genocide and found his life work. Aesthetics and ethics inform all he does, whether he is directing Isabel Huppert in The Sea Wall, following laborers digging trenches or interrogating the infamous director of S-21 prison. Written for film lovers as well as scholars, Ferryman of Memories introduces Panh and his incomparable cinema.

"The movie director Paul Williams is a real-life Forrest Gump. Williams' experiences form a unique and often wild constellation of encounters with star power, political power, and spiritual power-a life cycle that led to fame and fortune and to integrity and anonymity. In a mad childhood created by an autocratic English teacher father and an infantilizing mother, he develops a precocious visual acuity to avoid wallops and a writing ability that mollified his father. This skill set wins him a scholarship to Harvard, where he needs to learn how the Wisemen think. He seeks out tutors who reveal themselves: Kissinger, Skinner, Galbraith, Erikson, Alpert, Leary, the Hubleys and Jean Renoir. Howard Gardner is his roommate and Michael Crichton is an editor friend on the college daily, The Crimson. After months, his lover reveals she is the heiress of a great American fortune. A member of the inner circle of the "Movie Brats" who led the charge of American New Wave cinema in the 1970s, Williams' idiosyncrasies make him a darling of the era. His stories about his pals-Scorsese, Voight, Christie, DePalma, Coppola, Dreyfuss, Spielberg, De Niro, Lucas-shed new light on a world bursting with creativity and possibility. He helps Terrence Malick make his first film, tries to adjust to the tyranny of the fabulously wealthy, and turns down the offer to direct the smash hits Animal House and Stepford Wives, and to partner on a new Parisian restaurant-The Hard Rock Cafe; and turns down Lorne Michaels' offer to help him create Saturday Night Live. With amazing honesty, Williams recounts the unexpected details of making his own seminal cult classics, Out of It (1969), The Revolutionary (1970) and Dealing (1972). And his adventures with Black Panther Eldridge Cleaver in Algiers, Fidel Castro in Havana, Huey P. Newton in Oakland, and Pope John Paul II in Vatican City. Harvard, Hollywood, Hitmen and Holy Men is an extraordinary odyssey-large, experimental, fearlessly audacious and eventually self-knowing. Through his anecdotes, shocking and delightful in their humor and authenticity, Williams takes readers on his unique journey to answer life's big questions-with aides Mescalito (the Peyote guide), Ichazo (the Gurdjieffian Sufi master), and Dilgo Khyentse (the current Dali Lama's principal teacher), and finally, Vivian (a transcendent love)"--

James Cameron: A Retrospective is an enthralling and beautifully illustrated film-by-film biography - from The Terminator to Aliens to Avatar 2 - of the most popular director in movie history.

Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

The real story of Hollywood as told by such luminaries as Steven Spielberg, Frank Capra, Bette Davis, Meryl Streep, Harold Lloyd, and nearly four hundred others, assembled from the American Film Institute's treasure trove of interviews, reveals a fresh history of the American movie industry from its beginnings to today. From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a reader listen in on candid remarks from the biggest names in front of the camera--Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd--to the biggest behind it--Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. It's the insider's story.Legendary film scholar Jeanine Basinger and New York Times bestselling author Sam Wasson, both acclaimed storytellers in their own right, have undertaken the monumental task of digesting these tens of thousands of hours of talk and weaving it into a definitive portrait of workaday Hollywood.

The definitive, behind-the-scenes story of the making of The Godfather.

THE NEW YORK TIMES BESTSELLER`These rollicking gabfests ¿ bring together nearly everyone ¿ who made the series a creative and cultural landmark¿ New York Times`Essential for fans, with a revelation on every page¿ Kirkus

The Screen Decades: American Culture/American Cinema series is now available as an twelve-volume set: American Cinema from the 1890s to the 2010s. Each volume presents a group of original essays analyzing the impact of cultural issues on the cinema and the impact of the cinema on society. Every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events to provide a continuing sense of the decade as it came to be depicted on movie screens across the nation.

Early in the twentieth-century, B. S. Moss was one of many ambitious Jewish immigrants to leap from New York's textile business to the more promising and exciting world of motion pictures. Unlike most, Moss resisted the siren call of Hollywood and instead built one of the largest and most prestigious theater chains in the New York area. Inspired by his vision, successive generations of Moss management have kept his chain thriving, even as audiences migrated from vaudeville emporiums to sumptuous Art Deco palaces to suburban multiplexes.It was never easy: every movie was a gamble, and the business was constantly challenged by world wars, depressions, urban blight, union battles, real estate values, and the threats of radio, television, and streaming services. Yet the Mosses emerge as a rare multigenerational family success story. Now, Charles B. Moss Jr. and Jonathan Kay explored every inch of the family archives in their iconic Times Square headquarters to chart a century of ups, downs, and fascinating adventures in the tumultuous cinema industry

In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among cinema, modernism across the arts, and modernity in the period 1914 to 1941. Each of the fifteen chapters focuses on at least one influential film by a major director from Europe, America, or Asia, including Pastrone, Griffith, Eisenstein, Lang, Hitchcock, Murnau, Dreyer, Vertov, Buñuel, Ozu, Ford Renior, Chaplin,Riefenstahl, and Welles. Contributors explore the formal and aesthetic qualities silent and early sound films in relation to their social, cultural, and political context and with particular attention to the challenges, crises, and promise of modern life in the first half of the 20th century.