Filmguider og filmanmeldelser

Despite starting on a high in 1978, by 1997 there could be no doubt that the superhero genre was all but dead. So, whatever happened to the heroes? Join John Rain as he walks through every film of note from 1978 to 1997, from Flash Gordon to Spider Man and examines just what went wrong, and how.

Japanese Cult Cinema: Films from the Second Golden Age is a collection of film reviews and in-depth essays exploring some of the best from the mid-1990s to the early 2000s. During the period between the early 1990s and early 2000s the Japanese film industry enjoyed its biggest boom since the post-war era. Cult monster and horror films like Godzilla 2000, and Audition enjoyed successful releases overseas and Hollywood remakes. In her first book, Upton explores some of her favorite Japanese films and directors in the crime, kaiju and J-horror genres. In the essays, she digs deeper, using semiotic and feminist interpretations to explore notions of authorship, gender, and the adaptation process for some of the most interesting films to come out of this era including Ringu, Cure and Kikujiro.

Movies Go Fourth is a celebration of the fourth movies in the most popular film franchises of all time. It offers behind-the-scenes stories of fourth films from such beloved series as Star Wars, Star Trek, and James Bond. It also explores infamous fourth films, including Jaws: The Revenge, Superman IV: The Quest for Peace, and Batman & Robin. This riveting book reveals the inside scoop on some of the biggest films in horror (Halloween, Nightmare on Elm Street), sci-fi (Highlander, Terminator, Planet of the Apes), action (James Bond, Die Hard, Rambo) and comedy (Police Academy, Home Alone). Author Mark Edlitz also examines notable unmade fourth films, such as Francis Ford Coppola's The Godfather: Part IV and Sam Raimi's Spider-Man 4.Film trilogies used to signify a movie's success. Today, studios prefer to make never-ending stories. So what happens when the trilogy is over and the filmmakers or the studios want to make a fourth movie? Do they stick with the original story or create invent new characters who chart a new story? How do they honor what came first while inventing something new? And what happens when the artist and the studio come into conflict? This book answers those questions and many others.Through exclusive and revealing interviews, Movies Go Fourth delves deeply into making some of the most popular film franchises of all time. Based on candid interviews from the filmmakers themselves, Movies Go Fourth reveals what happens when art and commerce collide.

The early essays of the most influential French film critic of the post-68 period.The Footlights (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. The Footlights stands apart in Daney’s body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from Cahiers du Cinéma by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub/Huillet, on films ranging from Pasolini’s Saló to Spielberg’s Jaws, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment.

1000 Vampires on Screen is a truly unique collection written by award-winning author and vampire-genre expert Simon Bacon that in two packed volumes covers the history of vampires on film and television. Looking at examples, from Nosferatu to Duckula, Blacula to Twilight, and Dark Shadows to True Blood the story of the screen vampire from its first appearance on film is told from the perspective of the vampire itself, charting its journey from a hideous, devilish monster through to romantic lead and even as aspirational role model. It is a trip that takes us around the globe, to countries in every continent, and even some places in outer space, encompassing bloodsuckers, energy-drinkers, soul-takers, life-absorbers, body-copiers, man-eating-plants, possessed objects, sexoholics, eternal lovers, and vegetarian vampires, to name but a few. Further to this, the two volumes of 1000 Vampires on Screen also features 30+ exclusive interviews with the writers, directors, and actors that have brought these undead creatures to life. Jim Wynorski, Henry Rollins, Robert Bierman, Debbie Rochon, Neil Jordan, Anna Silk, Doug Jones, Leonor Varella, Catherine Hardwicke, and James Woods amongst many others discuss what glamoured them about the vampire, how they became them on screen, and why, so many of them, returned to its embrace again and again. Many of them also share exclusive and personal onset photographs, design images, and publicity shots to give new perspectives on themselves and on the vampires they created. All of this is supported by cross-reference notes on all the entries and extensive Film, and Actor and Director Indexes making 1000 Vampires on Screen not only an indispensable reference tool for professionals and enthusiasts alike, but one of the most inventive and important books on the vampire genre of 2023. "It is seldom that we find scholarship that simultaneously informs and entertains, but Simon Bacon, a leading figure in the new generation of academic appraisal of the penetration of Dracula and vampire lore into the popular culture, does just that in his 1000 Vampires on the Screen. He immerses the reader into one of the major realms through which vampires in all their diversity take up residence in our mundane existence, enlarge our consciousness, and drive boredom from day-to-day routines. Then, by repeatedly assuming the vampire's POV, he forces us to consider our personal appropriation and integration of our favorite bloodsuckers as we suck the life out of the movies we love."J. Gordon Melton Author of The Vampire Almanac: The Compete History (2022) "A highly original approach to a vampire encyclopedia, which makes it all the more necessary for every bookshelf, even those storing garlic cookbooks." Gary D. Rhodes, Ph.D., author of The Birth of the American Horror Film and writer-director of Lugosi: Hollywood's Dracula

1000 Vampires on Screen is a truly unique collection written by award-winning author and vampire-genre expert Simon Bacon that in two packed volumes covers the history of vampires on film and television. Looking at examples, from Nosferatu to Duckula, Blacula to Twilight, and Dark Shadows to True Blood the story of the screen vampire from its first appearance on film is told from the perspective of the vampire itself, charting its journey from a hideous, devilish monster through to romantic lead and even as aspirational role model. It is a trip that takes us around the globe, to countries in every continent, and even some places in outer space, encompassing bloodsuckers, energy-drinkers, soul-takers, life-absorbers, body-copiers, man-eating-plants, possessed objects, sexoholics, eternal lovers, and vegetarian vampires, to name but a few. Further to this, the two volumes of 1000 Vampires on Screen also features 30+ exclusive interviews with the writers, directors, and actors that have brought these undead creatures to life. Jim Wynorski, Henry Rollins, Robert Bierman, Debbie Rochon, Neil Jordan, Anna Silk, Doug Jones, Leonor Varella, Catherine Hardwicke, and James Woods amongst many others discuss what glamoured them about the vampire, how they became them on screen, and why, so many of them, returned to its embrace again and again. Many of them also share exclusive and personal onset photographs, design images, and publicity shots to give new perspectives on themselves and on the vampires they created. All of this is supported by cross-reference notes on all the entries and extensive Film, and Actor and Director Indexes making 1000 Vampires on Screen not only an indispensable reference tool for professionals and enthusiasts alike, but one of the most inventive and important books on the vampire genre of 2023. "It is seldom that we find scholarship that simultaneously informs and entertains, but Simon Bacon, a leading figure in the new generation of academic appraisal of the penetration of Dracula and vampire lore into the popular culture, does just that in his 1000 Vampires on the Screen. He immerses the reader into one of the major realms through which vampires in all their diversity take up residence in our mundane existence, enlarge our consciousness, and drive boredom from day-to-day routines. Then, by repeatedly assuming the vampire's POV, he forces us to consider our personal appropriation and integration of our favorite bloodsuckers as we suck the life out of the movies we love."J. Gordon Melton Author of The Vampire Almanac: The Compete History (2022) "A highly original approach to a vampire encyclopedia, which makes it all the more necessary for every bookshelf, even those storing garlic cookbooks." Gary D. Rhodes, Ph.D., author of The Birth of the American Horror Film and writer-director of Lugosi: Hollywood's Dracula

La carrera de John Fante tras un éxito esquivo está repleta de anécdotas sorprendentes y giros inesperados. El último, el encuentro casual entre su obra y las manos de Charles Bukowski en una biblioteca de Los Ángeles, sería el que le permitiría, finalmente, darle caza. En el despertar tardío de la bibliografía fantiana sobresale Ask the Dust, un retrato en claroscuro del amor fatal en los márgenes de la L.A. de los años 30 que golpeó la inspiración del director y guionista Robert Towne al primer contacto: arrancaba entonces un nuevo pillapilla entre la pasión del genio y el pragmatismo de la industria que recorrería los pasillos de Hollywood durante más de tres décadas. 2006 pondría término a la espera y alfombra roja a la película: Ask the Dust desembarcaba en los cines estadounidenses. Por fin.Este trabajo da cuerpo a las historias esbozadas en las líneas anteriores, pero también penetra en una fracción de la alfaguara paratextual que sucedió al lanzamiento de la película para analizar su recepción por parte de crítica y público. Al mismo tiempo, sus páginas calibran el peso de la (in)fidelidad a la novela en sus valoraciones y desglosan cómo aborda cada audiencia este aspecto, tan central como controvertido en la genealogía de los estudios de adaptación. Para saber más, no hace falta preguntar al polvo: basta con leer este libro.

WELCOME TO JUNK FILM¿¿Entire libraries of criticism study good art. Who studies bad art?For the most part, bad movies have been buried by their creators, or have circulated in midnight screenings and Reddit threads. They've been used for humor by Mystery Science Theater 3000 and Red Letter Media, and presented as outrageous spectacle by critics and commentators. Rarely have bad movies been studied.JUNK FILM's thirteen essays explore the failures of specific works created between the 1940s and the 2010s. Each demonstrates a different kind of failure, from mixing incompatible genres (Cop Rock) to stacking a screenplay with sociopaths (Staying Alive). The book uses a few basic theses about bad film and television to unpack these failures. Importantly, it shows what students of film can learn from bad movies: how to make art that works via watching art that doesn't. Junk Film bridges film scholarship and pop culture criticism with wit and warmth.

A celebration of the cinema of the 70s. What a decade!

"Written by NYT bestselling author Jeff Yang, The Golden Screen is a first-of-its-kind history and celebration of Asian Americans on the big screen. Covering more than 130 films, spanning more than 100 years--from Cecil B. DeMille's 1915 film The Cheat to Wayne Wang's The Joy Luck Club to the Danielses' Everything Everywhere All at Once in 2022--this groundbreaking book explores how these iconic films have shaped how America sees Asians and how Asian Americans see themselves"--

If you’re curious about The Walt Disney Company, this comprehensive, newly revised and updated encyclopedia is your one-stop guide!Filled with significant achievements, short biographies, historic dates, and tons of trivia-worthy tidbits and anecdotes, this newly updated collection covers all things Disney—from A to Z—through more than nine thousand entries and two hundred images across more than a thousand pages.The sixth edition includes all the major Disney theme park attractions, restaurants, and shows; summaries of ABC and Disney television shows and Disney+ series; rundowns on all major films and characters; the latest and greatest from Pixar, Marvel, and Lucasfilm; key actors, songs, and animators from Disney films and shows; and so much more! Searching for more ways to celebrate Disney100? Explore these books from Disney Editions:The Story of Disney: 100 Years of WonderThe Official Walt Disney Quote BookWalt Disney: An American Original, Commemorative Edition

Chick flicks. Brokeback Mountain. Bollywood. Superhero movies. Sophie's Choice. Sandra Bullock. Avant-garde musicals... If this sort of stuff is your cup of tea, then this isn't the book for you. Blokey film enthusiast Dave Franklin instead concentrates on the politically incorrect delights of Coffy, Magnum Force and Boogie Nights while paying tribute to the likes of Christopher Walken, Paul Schrader, 70's disaster movies and Brian De Palma. There's even some tongue-in-cheek appreciation of the God-like Steven Seagal. So settle back, forget about identity politics and the prevailing lefty narrative, and immerse yourself in a book that values celluloid entertainment above all else. Or as Rob Reiner says at the start of the immortal Spinal Tap: "Enough of my yakking. Let's boogie."

"The Marvel Cinematic Universe (MCU) is vast, incredibly varied, and richly complex. Different worlds, different timelines, countless characters. This is the guide to that universe. Created in close collaboration with Marvel Studios, it will answer the biggest questions: what happened, when, where, and why. Follow the entire story of the MCU from before the Big Bang to the Blip and beyond. Along the way, learn more about the evolution of the Iron Man armors, the hunt for the Infinity Stones, and the formation of the Multiverse. Want to know how many times aliens have invaded Earth, or the complete history of Cap's shield? Look no further! A treasured keepsake for any movie buff, filled with exclusive infographics, illuminating timelines, and amazing movie stills, this book will have pride of place on any MCU fan's shelf."--

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.