Filmproduktion: teknik og tekniske discipliner

Med en karriere, der strakte sig over 24 film, er Jan Priskorn Schmidt til dato dansk films mest benyttede barneskuespiller. I sin tolv år lange karriere spillede han sammen med filmbranchens største danske stjerner, som Dirch Passer, Ove Sprogøe og Ghita Nørby, og medvirkede i film som Sommer i Tyrol, Min søsters børn og Flådens friske fyre. I en alder af bare 21 år trak Jan Priskorn Schmidt sig tilbage fra offentligheden. Gennem 45 år har han undgået enhver kontakt med pressen og medierne, og forsøgt at lægge tiden som skuespiller bag sig. Indtil nu. 'Barnestjernen fra Bryggen' er Jans personlige fortælling om en turbulent barndom som landskendt skuespiller og en ungdom præget af angst, virkelighedsflugt og bevidsthedsudvidende stoffer. Jan Priskorn Schmidt fortæller ærligt og åbenhjertigt om sin barndom i dansk film og i arbejderkvarteret på Islands Brygge, om livets op- og nedture, om tidens store ikoner og om de indre dæmoner. Det er en fortælling om en ung mand, der fik en filmkarriere forærende, og som valgte at vende den ryggen, at gå sine egne veje og tage kampen op med sig selv og omverdenens konstante opmærksomhed … 'Barnestjernen fra Bryggen' er blevet til i samarbejde mellem Jan Priiskorn Schmidt og journalist Klaus Thodsen, igennem en lang række interviews. Bogen er illustreret med en lang række private fotos, filmbilleder, fotos fra lokalhistoriske arkiver og avisartikler.

Lars von Triers film- og tv-produktioner har siden hans biografdebut med The Element of Crime i 1984 udløst stærke reaktioner hos publikum, og desuden har han vakt opsigt i hele filmverdenen med Dogme 95-manifestet. I dag regner mange Trier blandt de største nulevende filminstruktører, og med hver ny film forventes han at sætte nye standarder for, hvad filmmediet kan. I denne bog undersøges Lars von Triers affektskabende og etisk involverende stil med udgangspunkt i hans værker over en 30-årig periode, helt op til hans seneste film, Nymphomaniac. Centralt i Bodil Marie Stavning Thomsens læsninger står væsentlige analytiske begreber som det haptiske, det affektive, det diagrammatiske og det signaletiske materiale, der med Gilles Deleuze anvendes til at betegne det, der i filmene undslipper en repræsentationel analyse. Lars von Triers fornyelse af filmen 1984-2014 giver en omfattende læsning af Lars von Triers værker i lyset af Deleuzes (film)filosofi og udfolder en ny affektdiagrammatisk filmteori. Løbende inddrages Gilles Deleuzes og Félix Guattaris filosofiske arbejder, samt bl.a. Brian Massumis fortolkning af Baruch de Spinozas affektbegreb og C.S. Peirces diagrammatiske tegn. Bogen giver således en nytænkende analyse og diskussion af samtlige hovedværker af en af vor tids mest anerkendte filminstruktører. Bodil Marie Stavning Thomsen, ph.d., professor mso ved Nordiske studier, Institut for Kommunikation og Kultur, Aarhus Universitet.

Et personligt bud på, hvordan man arbejder journalistisk med DV-kameraet. I bogen præsenteres nye metoder for, hvordan man strukturerer og fortæller en tv-historie. Bogen gennemgår teknikken i DV-kameraet og giver råd om, hvordan man laver det gode billede, den fine lyd og den skarpe redigering.

Here is a look behind the frozen fjords and ice caves of Berk at the making of the sequel to a beloved animated classic. This full-color, lavishly illustrated book features more than 650 paintings, drawings, sketches, models, film stills, lighting studies, color keys, story boards, and photographs. Along with quotes from all the principal filmmakers there is also an introduction by the writer/director Dean DeBlois and a foreword by Gerard Butler, the voice of Stoick.In this brilliantly conceived sequel, we are on a journey of exploration to new lands, four-winged dragons, long-lost love, vicious and powerful enemies, and ginormous Bewilderbeasts.How does a movie of such imagination and magnitude come into creation? Well, you begin with an incredibly talented team of artists, writers, engineers, animators, modelers, and tech wizards and you let their creativity soar. The result is a stunning, original vision?bigger, better, and fiercer than ever?of an earth-shattering, fire-breathing sequel to the legendary story of Vikings and dragons in the frozen north.Hold on to your dragons, fans and friends, you're in for the ride of a lifetime!

The bestselling classic, in a revised 100th Anniversary Edition

The long-awaited first work of non-fiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

Now in paperback, a collection of interviews with a French cinematic titan—covering subjects such as adaptation, the effects of capitalism on art, and the importance of intuition—selected from a period of four decades.Robert Bresson, the director of such cinematic masterpieces as Pickpocket, A Man Escaped, Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work.Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”

THE PUBLISHING SENSATION OF THE YEAR FOR EVERY FILM FAN The never-before-published edition of Francis Ford Coppola’s notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world’s most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it—Francis Ford Coppola, then only thirty-two years old—reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzo’s novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola’s original notebook. This publication will change the way the world views the iconic film—and the process of filmmaking at large. A must-have book of the season. Nothing like it has ever been published before.

Kötülü¿ün özü olan, günahlar¿n ilkini i¿leyen güçlü ve kudretli ¿eytan, insanölunu cezbeden ve ayartan bir varl¿k olarak bilinmi¿tir. ¿lk kötülü¿ün ¿eytan'¿n Cennet'ten at¿l¿¿¿ ile gerçekle¿ti¿i bilinmektedir. ¿eytan, tä¿d¿¿¿ insanî özelliklerle ve ¿eytan ad¿na insanl¿¿a tan¿mlanan yedi önemli günahla insan için hem bir rehber hem de bir ayartma fonksiyonu i¿levindedir. Kötü ve iyili¿in, güzel ve çirkinin, asl¿nda tüm z¿tl¿klar¿n dünyada dengesini de sälad¿¿¿ dü¿ünülen ¿eytan acaba gerçekten ilk kötülü¿ün sembolü mü yoksa sadece bir cezaland¿r¿c¿ m¿d¿r?Bu kitap ¿eytan'¿n sinemada ve önemli edebiyat eserlerinin sinemaya yans¿malar¿nda nas¿l bir i¿leve sahip oldüunu, dinî eserler ile benzerlik ve farkl¿l¿klar¿n¿, popüler kültürün etkisi ile ilk ¿eytan'dan günümüze nas¿l bir de¿i¿im geçirdi¿ini gözler önüne sermek üzere yaz¿lm¿¿t¿r.Kitaba konu olan filmler:Richard Burton'¿n 1967 yap¿m¿ Dr. Faustus filmi,Cappola'n¿n 1992 yap¿m¿ Bram Stoker Drakula filmi,Hackford'un 1997 yap¿m¿ ¿eytan¿n Avukat¿ filmi,Wachowski Karde¿lerin The Matrix (1999), Matrix Reloaded (2003) ve Matrix Revolutions (2003)'¿,Kapinos'un 2016-2021 y¿llar¿ aras¿nda 6 sezon devam eden Lucifer dizisi.

Newly repackaged as a Penguin paperback, Conquest of the Useless, the legendary filmmaker Werner Herzog's diary of the making of Fitzcarraldo, one of his most revered and classic filmsIn 1982, the visionary directory Werner Herzog released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. It was hailed instantly by critics around the globe as a masterpiece and won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog’s reputation as one of the most revered and enigmatic filmmakers of his time.Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog’s writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's camp in the heart of the jungle is attacked and burned to the ground; the production of the film clashes with a border war; and, of course, Herzog unravels the impossible logistics of moving a 320-ton steamship over a hill without the use of special effects.In his preface, Herzog warns that the diary entries collected in Conquest of the Useless do not represent “reports on the actual filming” but rather “inner landscapes, born of the delirium of the jungle.” Thus begins an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.

The first amateur motion picture camera was massively produced in 1923, shortly after the introduction of 9,5 mm film by the Pathé Frères in France 101 years ago, in December 1922, and of 16 mm film by the Eastman Kodak Company in America a month later. The present collection depicts 101 movie cameras manufactured between the 1920s and the 1980s, most using 8 mm perforated celluloid film. A full-page 'portrait' of each model is accompanied by an exposé of its main technical specifications on the facing page. The guided tour leafs through a range of makes and companies from an era when novelty, aesthetics, industrial design, and competition for the commercial home market propelled the creation of sculptures out of metal and glass for the wide use by individuals and families who aspired to preserve their visual impressions in motion. The book is a useful source for hobbyists and collectors.

"I have a great idea for a documentary. Now what do I do?"

Explores how watery spaces provoke radical modes of screening queer corporeality in a diverse range of contemporary Latin American films.

"The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a major force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own exciting career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir. George Stevens, Jr. grew up in Hollywood working on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1958). He explores how the magnitude of his father's talent and achievements left him with questions about his own abilities and future. The younger Stevens began to forge his unique career when the legendary broadcaster Edward R. Murrow recruited him to work at the United States Information Agency in John F. Kennedy's Washington. He began his service in government by initiating what has been called the Golden Age of USIA filmmaking. In 1967 he became the founding director of the American Film Institute, placing him at the leading edge of culture and politics, shepherding the rescue of thousands of endangered motion pictures, and training a new generation of filmmakers. He created the Kennedy Center Honors and began making distinguished films and television programs that celebrated American culture and explored social justice. He earned an Oscar and other accolades, including fifteen Emmys, two Peabody Awards, and the Humanitas Prize. Stevens provides a fascinating look at a pioneering American family that spans five generations in the performing arts, from the San Francisco stage in the 19th century to Academy Award-winning films, Emmy Award-winning television programs and a Broadway play. He shows us the private side of the dazzling array of people who cross his path, including Elizabeth Taylor, Sidney Poitier, Robert and Ethel Kennedy, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun, George Stevens, Jr. shares his lifelong passion for film and commitment to the performing arts. He provides an insightful look at Hollywood's Golden Age and an insider's account of life in Washington as he collaborated with presidents, power brokers, media moguls and social activists. This magnificent and delightful memoir brings to life a sparkling era of American history and culture"--

This book is the result of more than three decades of in-depth research regarding the representation of gays and lesbians in African, Asian and Latin American cinema. The study consists of a contextualisation and analysis of South African Queer features, as well as selected short films and documentaries.

"David Graham is one of the best location managers in the business. But this book confirms my long held suspicion that on any given film set, if you scratch beneath the surface of titles on a crew list, you just might find a visionary artist." TONY GOLDWYNGraham's unique photography style blends the formal perspective of a location scout with the intuitive skill of a street photographer, shaped by collaborations with top filmmakers and photographers-including PAUL GREENGRASS, PETER LINDBERGH, MICHAEL MANN, CHRISTOPHER NOLAN, STEVEN SPIELBERG.

The sensational, lurid, and wickedly entertaining true story of the brothers who invented Hollywood to become the godfathers of cinema - movie moguls Nicholas and Joseph Schenck - studded with glamorous stars, scandals, mobsters, murders, and one legendary blond bombshell. . .Groundbreaking pioneers of the Hollywood Dream Factory, Joseph and Nicholas Schenck may not have been household names like the Warner brothers or Louis B. Mayer, but they were infinitely more powerful, influential—and ruthless. A pair of Russian immigrants with giant ambitions, the Schencks turned their small nickelodeon business in New York’s Bowery into a partnership with Loew’s movie theaters and a controlling interest in three major studios: MGM, 20th Century Fox, and United Artists. They painted the silver screen silver, laid the foundations for the all-powerful studio system, and ruled a global movie empire from their Gatsby-sized mansions on the East and West coasts. The Schencks had become moguls.Their story is the stuff of legends—and their scandals are among the greatest stories Hollywood never told. This riveting, behind-the-scenes account reveals the suprising truth about:The union-busting mob deal that landed Joe Schenck in federal prison for four years—on tax evasion charges including deductions for a menage a trois.The cutthroat and merciless political maneuvering that defined the Hollywood studio heads.The lurid murder charges against silent film star “Fatty” Arbuckle—whose legal defense was paid for by Joe Schenck.Joe’s secret infatuation with Marilyn Monroe, even though Marilyn’s mother named her Norma after Joe’s wife!The brothers’ ingenious creation of the Academy of Motion Pictures and the Oscars—and indomitable control over the entire film industry.From the earliest days of silent films and the swinging era of the Roaring Twenties, through the Golden Age of the studio system and the patriotic call of WWII, to the Red Scare paranoia of the McCarthy years, the history of the Schenck brothers is the story of Hollywood itself—and the endurng power of the American Dream. Moguls is a must-read for film fans, history buffs, and anyone who loves the movies.

This book traces the origins of Baz Luhrmann¿s Moulin Rouge! (2001) to opera, employing a variety of theoretical frameworks to highlight their aesthetic and ideological correlation. Through intertextuality, allusions to opera are examined in terms of story, setting and character, while issues of social class, gender representation and orientalism are raised. Prominent examples from opera include Verdi¿s La Traviata, Puccini¿s La Bohème as well as 19th century French opera, such as works by Offenbach, Massenet and Gounod. Furthermore, the book explores how the formal elements of opera are translated into the film with a postmodern twist, thus enhancing the interplay between the two media. Moulin Rouge!¿s theatricality and self-reflexivity renegotiate the tropes of stage performance, rendering the film a love letter to opera.

The first monograph of a rising star in the world of fashion photography and film, this dazzling volume is filled with lusciously colored images that capture Moses' eye for beauty and talent for storytelling. The first monograph of a rising star in the world of fashion photography and film, this dazzling volume is filled with lusciously colored images that capture Moses' eye for beauty and talent for storytelling. Gabriel Moses was only eighteen when he received his first commission-from Nike. Since then the self-taught British Nigerian photographer has been in enormous demand, with clients that range from Louis Vuitton and Burberry to Chanel and Vogue, and from stars such as Pharrell Williams, A$AP Rocky, and Skepta. Gorgeous full page reproductions capture Moses' uniquely atmospheric vibe-marked by deep colors, rich textures-as well as his startling ease with his subject, be it music, fashion, or sports. A series of essays include a foreword by Moses, touching on his own ideology and practice; Federico Sargentone's insightful exploration of Moses' work; contributions and personal accounts by Matthew Williams, Ciesay, Clint, Samuel Ross and Slawn, among others; and a series of in-conversations, one with Skepta discussing the totality of life; and the second with Nick Knight exploring the depths of photography. Touching on every aspect of his work to date, including a number of previously unpublished images, this stunning and contemporary feeling monograph, designed by Hassan Rahim, dives deep into Moses' visual language and highlights his profound connection to family, community, and the culture around it.

Everything you need to know to make a movie, in a single book. From someone who's been in the trenches, done it all, and teaches it.

Fifty years since its opening, Super Fly remains a powerful influence in American pop culture.

If you've been trying to sell a spec script, attach a star, raise financing, or even just get someone to return your email, you already know it might take a while. So why not do something while you're waiting for other people to do something?This practical, no-nonsense guide to indie filmmaking will provide you with the tools and insider tips you need to make your movie with little to no budget. Written by an experienced and successful filmmaker who has paved her own way despite the odds, this book can help anyone-regardless of experience, education, or funding-to follow their dreams and actually DO IT. YES YOU CAN will lead you through every step of the low- to no-budget filmmaking process, from writing, casting, and pre-production, to lighting, directing actors, post-production, distribution, and more. Author Courtney Daniels shares everything she's learned, providing expert insight and personal anecdotes that will prove invaluable for any filmmaker who wants to do things their way. This book will give you the tools you need to make a super low-budget film-for yourself, by yourself-without waiting for anyone's permission or blessing. What are you waiting for?

This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema ¿whether arthouse or mainstream, fictional or documentary, working with traditional or new mediä engages with phenomena of precarity, poverty, and social exclusion. It compares how the filmic traditions of different countries reflect the socioeconomic conditions associated with precarity, and illuminates similarities in the iconography of precarious lives across cultures. While some of the contributions deal with the representations of marginalized minorities, others focus on work-related precarity or the depictions of downward mobility. Among other topics, the volume looks at how films grapple with gender inequality, intersectional struggle, discriminatory housing policies, and the specific problems of precarious youth. With its comparative approach to filmic representations of European precarity, this volume makes a major contribution to scholarship on precarity and the representation of social class in contemporary visual culture.Watch our book talk with the editors Elisa Cuter, Guido Kirsten and Hanna Prenzel here: https://youtu.be/lKpD1NFAx2o

"El Arte de la Creación de Contenido: Consejos y Trucos para YouTube" es una guía completa para creadores aspirantes y experimentados en la plataforma de compartir videos más grande del mundo. Con más de 2 mil millones de usuarios activos mensuales, YouTube se ha convertido en una plataforma esencial para que los creadores de contenido muestren sus talentos y construyan un seguimiento leal.Este libro cubre una amplia gama de temas, desde identificar a tu audiencia y pasión, crear una marca atractiva y generar ideas de contenido excepcionales, hasta técnicas de iluminación y sonido, equipo de cámara, esenciales de edición y SEO para YouTube. Aprenderás cómo trabajar con otros creadores, transmitir en vivo y monetizar tu contenido, así como cómo construir una comunidad fuerte y mantener tu privacidad y seguridad en línea.El libro también explora tendencias y tecnologías emergentes, como la realidad virtual, la inteligencia artificial y blockchain, y cómo están moldeando el futuro de la creación de contenido en YouTube.Con consejos y trucos prácticos de creadores de YouTube exitosos y expertos de la industria, este libro proporciona una hoja de ruta para tu viaje en YouTube. Aprenderás cómo establecer objetivos, crear una hoja de ruta y celebrar éxitos mientras aprendes de los fracasos.Ya sea que seas un principiante o un creador experimentado, "El Arte de la Creación de Contenido: Consejos y Trucos para YouTube" es la guía definitiva para lograr el éxito en la plataforma.

In this book, the prominent businessman Murat Ülker, who has transformed Yildiz Holding into a global company with more than 70,000 employees operating in an area where more than a four billion consumer population lives across four continents, covers everything from management and leadership to corporate communication and marketing, from science and technology to nutrition and health.Murat Ülker not only gives clues to the principles that have enabled him to be successful but also makes many predictions about the future. In these texts written during the pandemic, he also imagines how the future will be shaped while discussing how the pandemic will affect our daily and working lives.