Museumsvidenskab og kulturarvsstudier

This book mainly focuses on the roles of engraved symbols and ornamentation in Liangzhu culture. It categorizes the engraved symbols discovered in Liangzhu culture as means of ideographical expression and decoration, aspects that are explored in detail. Further, the engraved symbols and ornamentation are subdivided in terms of certain similarities, including the dragon and bird systems. A separate chapter is especially designed to help readers appreciate the typical paintings and symbols in selected objects and vessels. In this way, the book seeks to analyze and generate a particular formula so as to explore patterns in the thinking of Liangzhu's people, thus deciphering the spiritual code of the Liangzhu world.

This is the first book to systematically study the Hepu Han Tombs. Covering an area of about 68 square kilometers, the Hepu Han Tombs is one of the largest-scale and best-preserved ancient tombs in China. In 2001, the remains of 1,056 grave mounds could be seen on the earth surface and it was estimated that almost 10,000 tombs still survived underground. In the last 60 years, over 1,200 tombs have been excavated at Hepu, with approximately 20,000 artefacts unearthed which include pottery, bronze, iron, gold and silver ware, jade, lacquer, glass and bead ornaments. Especially to deserve to be mentioned, a large amount of artefacts can be related to the Maritime Silk Road. From the 2nd century B.C. to the 3rd century A.D., the Hepu Port served as the eastern starting point of the Maritime Silk Road, opening up trade and cultural exchange with countries in Southeast Asia, South Asia, West Asia, and the Mediterranean world, which resulted in a vast maritime trade network between China and the West. And these artefacts provide important evidence about this route, which also confirm the records of Chinese official history books. Therefore, the Hepu Han Tombs is of great significance to the study of ancient Chinese history and cultural exchanges between China and the West.

This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics.

Forgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for nvestigations of paintings is based on art historical, curatorial, aesthetic, technical and scientific evaluation. In this book sophisticated digital and analytical techniques are reviewed for the identification of materials (pigments, binders, varnishes, adhesives) and the physical characteristics of paintings such as brushstrokes, craquelure and canvas weaves. This book presents an updated overview of both non-invasive and micro-invasive techniques that enable the material characterization of paintings. The materials constituting a painting are reviewed, as are ways that changes in materials over time can provide insights into chronology and physical history. State-of the art digital metods including multi and hyper-spectral imaging and computational approaches to data treatment will be presented. Analytical techniques developed and optimized to characterize binders, varnishes, and pigments are reviewed, focusing on materials which can provide information on ageing or provenance. Case studies of applications of synchrotron-based methods and the analysis of paintings are given, as are chapters devoted to legal aspects related to authenticity. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This book gathers the peer-reviewed papers presented at the 13th International Conference on Structural Analysis of Historical Constructions (SAHC), held in Kyoto, Japan, on September 12-15, 2023. It highlights the latest advances and innovations in the field of conservation and restoration of historical and heritage structures. The conference topics encompass history of construction and building technology, theory and practice of conservation, inspection methods, non-destructive techniques and laboratory testing, numerical modeling and structural analysis, management of heritage structures and conservation strategies, structural health monitoring, repair and strengthening strategies and techniques, vernacular constructions, seismic analysis and retrofit, vulnerability and risk analysis, resilience of historic areas to climate change and hazard events, durability, and sustainability. As such the book represents an invaluable, up-to-the-minute tool, providing an essential overview of conservation of historical constructions, and offers an important platform to engineers, architects, archeologists, and geophysicists.Chapter Guidelines for Seismic Retrofitting of Earthen Historic Buildings in Peru and Latin America is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.