Museumsvidenskab og kulturarvsstudier

The Himalaya is the new folded mountain system ¿ the tallest and the youngest in the world. It has a rich diversity ¿ natural and cultural, and diversity in all walks of life. Most of its uniqueness is unknown because of its remoteness. Even, the native people are not aware of them. This book aims to describe the uniqueness of the Central Himalaya in terms of its natural and cultural diversity in detail. Supported by original figures and primary data, this book is empirically tested. It is mainly based on observation and participation and the use of a qualitative approach. Although lots of work has been carried out on the various aspects of the Himalayan region yet, a detailed description of the natural and cultural diversity is yet to be done. This book steps forward to elaborate on some of the unique natural and cultural features of the Central Himalaya, which are worthy to be known about. It contains a total of 10 chapters. Four chapters are devoted to natural diversity and fourchapters comprise cultural diversity. Besides, the introduction and conclusions are the first and the last chapters of the book, respectively. The book is the first of its kind and will be useful to all stakeholders ¿ students of all standards, research scholars, academicians, policymakers, native people, tourists, and the general public.

Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.

This book critically analyses the relationships between intangible cultural heritage (ICH), sustainable development and intellectual property rights (IPRs). The author argues that although the use of IPRs to safeguard ICH presents challenges and has impeded sustainable development in some cases, the adoption of these rights on ICH also presents opportunities and, fundamentally, is not contrary to the spirit of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (UNESCO 2003 Convention). The adoption of IPRs on ICH can form an important part of the development of sustainable safeguarding plans capable of benefitting the communities, groups and individuals (CGIs) that create, maintain and transmit such heritage. The book provides a nuanced analysis of the relationship between intellectual property (IP) law and ICH as well as examining the role of IPRs in safeguarding ICH through the lens of sustainable development. It analyses the relationship between IP law and ICH from environmental, social and economic perspectives. These perspectives allow a thorough evaluation of both the positive effects and potential pitfalls of adopting IPRs to safeguard ICH. The book addresses deeper structural matters that refer back to the safeguarding of social and environmental processes underlying ICH.

The book focuses on the key contemporary issue of Climate change, constructing the narrative from traditions' of Urbanism through its Axiology and Epistemology. The book is a rich collection of seven chapters and attempts to address each of the aspects and building further for traditional Urbanism. The book further explores the synergies of traditional urbanism for Climate change through climate responsive practices with main thrust on Energy use. The said understanding is validated through the case example of walled city of Jaipur:  World Heritage Site 2019. The chapters enumerate how the traditional urbanism of Jaipur was designed that evolved as climate responsive typology for the respective geography.

This book explores the latest advances in the field of building management. Several chapters use new technologies such as the BIM methodology for collecting life cycle information and managing the maintenance of existing buildings, sharing valid historical and architectural heritage data, energy analysis of building envelopes, and planning new buildings or sustainable building practices. In addition, other tools are presented that focus on improving access to BIM information, open-source governance, mobile applications to accelerate information transfer, the use of blockchain, lean design methods, and open-source software to solve critical path problems. Some contributions feature the assessment of occupational risks in construction, as it is necessary to plan preventive measures based on risk assessments integrated throughout the construction process, which is another important element for the management of this sector.

"Perry T. Rathbone was one of the leading American art museum directors of the twentieth century. Over the course of his thirty two year career at the St. Louis Art Museum and the Museum of Fine Arts in Boston, he kept a journal. These are his unguarded and spontaneous expressions, not meant for publication-at least not in his lifetime. Alone in his study at the end of a day, Perry T. Rathbone wrote in a large, unlined sketchbook, unloading whatever was fresh on his mind. Whether a meeting at the museum, a business trip, or a party he had just returned from, he wrote about whom he met, what he thought of them, the ambiance, the conversation, the art, the wine, and the food. Rathbone's journals provide a window onto an era of seismic cultural change seen through the eyes of an art czar and a tastemaker. There are meetings with artists such as William de Kooning, Edward Hopper, Andrew Wyeth, Isamu Noguchi, and Alexander Calder, men of letters such as T.S. Eliot and Aldous Huxley. There are observations of the collectors he courted, entertained, and forbore, such as Peggy Guggenheim and Joseph Pulitzer, and of the eccentric Boston Brahmin families with historic ties to the MFA-the Lowells, Lambs, Warrens, Coolidges, and Codmans. And of course he writes of the thrill of assisting Jaqueline Kennedy in the early 1960s with loans from the MFA to adorn the private quarters in the White House. In the Company of Art includes journal entries from the end of Rathbone's time as director of the St. Louis Art Museum in the early 1950s, through is seventeen years at the MFA in Boston, and beyond into the 1970s. The greatest concentration of entries focuses on the 1960s, during the banner years of Rathbone's directorship of the Museum of Fine Arts in Boston, as he began to enjoy the rewards of his achievements at the museum with new acquisitions, renovated galleries, rising attendance and membership. Rathbone was celebrated for his ability to transform museums from quiet repositories of art into vibrant cultural centers. This is a unique record of what he thought along the way"--

The days when museums were dusty, stuffy institutions displaying their wealth and wisdom to a reverential public are over. Museums today are a cultural battleground. Who should decide what is put on display and how it is presented? Who gets to set the narrative? In this passionately argued book, Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do. But what does good inclusion look like in practice? Cleverly structured like a museum tour, Sleigh uses seven illustrative museum objects from seven very different museums to explore such wide-ranging issues as trust-building, representation, digital access, conflicting narratives, removal from display and restitution.

Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum's formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.

The successful transmediation of books and documents through digitization requires the synergetic partnership of many professional figures, that have what may sometimes appear as contrasting goals at heart. On one side, there are those who look after the physical objects and strive to preserve them for future generations, and on the other those involved in the digitization of the objects, the information that they contain, and the management of the digital data. These complementary activities are generally considered as separate and when the current literature addresses both fields, it does so strictly within technical reports and guidelines, concentrating on procedures and optimal workflow, standards, and technical metadata. In particular, more often than not, conservation is presented as ancillary to digitization, with the role of the conservator restricted to the preparation of items for scanning, with no input into the digital product, leading to misunderstanding and clashes of interests. Surveying a variety of projects and approaches to the challenging conservation-digitization balance and fostering a dialogue amongst practitioners, this book aims at demonstrating that a dialogue between apparently contrasting fields not only is possible, but it is in fact desirable and fruitful. Only through the synergetic collaboration of all people involved in the digitization process, conservators included, can cultural digital objects that represent more fully the original objects and their materiality be generated, encouraging and enabling new research and widening the horizons of scholarship.

This book analyzes the role of integrated spatial planning in constructing eco-sustainable urban housing in post-conflict scenarios and investigates two different spaces in an emergency: Zaatari refugee camp in Jordan and Damascus city in Syria. The book presents a new innovative tool that assists in building a successful and sustainable reconstruction after emergencies which corresponds to the planning approach's heterogeneous nature within emergency situations. The same innovative theoretical framework also covers the ramifications of climate change on the urban built environment and reduces its sociological impact on the stricken communities.This book is intended for researchers, academics, students, spatial planners, policy makers, think tank groups, and public entities who are interested in post-disaster reconstruction and the issues of refugee camps.

This book shares timely and thought-provoking methodological and theoretical approaches from perspectives concerning landscape, gender, cognition, neural networks, material culture and ontology in order to comprehend rock art's role in memorisation processes, collective memory, and the intergenerational circulation of knowledge. The case studies offered here stem from human experiences from around the globe-Africa, Australia, Europe, North and South America-, which reflects the authors' diverse interpretative stances. While some of the approaches deal with mnemonics, new digital technologies and statistical analysis, others examine performances, sensory engagement, language, and political disputes, giving the reader a comprehensive view of the myriad connections between memory studies and rock art. Indigenous interlocutors participate as collaborators and authors, creating space for Indigenous narratives of memory. These narratives merge with Western versions of past and recent memories in order to construct jointly novel inter-epistemic understandings of images made on rock. Each chapter demonstrates the commitment of rock art studies to strengthen and enrich the field by exploring how communities and cultures across time have perceived and entangled rock images with a broad range of material culture, nonhumans, people, emotions, performances, sounds and narratives. Such relations are pivotal to understanding the universe behind the intersections of memory and rock art and to generating future interdisciplinary collaborative studies.

Exhibition spaces are physical places of knowledge productionand exchange. Their spatial properties play an importantrole in contextualizing information. Virtual stagings ofexhibitions should therefore retain these properties. TheBeyond Matter research project (2019-23) aims to unravelthe intertwining of physical and virtual structures and theirimpact on spatial aspects in art production, curating, andart education, and thus to identify ways to preserve culturalheritage in the digital age.This publication offers a comprehensive overview of thediverse research activities, exhibition and book projects,and symposia that have taken place or emerged in thecourse of the international Beyond Matter project at thevarious partner institutions.

Against a backdrop of environmental and societal concerns, best captured by the UN¿s Sustainable Development Goals (SDGs), this book brings together the leading voices on Mosque architecture to make a case for its role as a purveyor of culture, heritage, and sustainability in the modern world. The Mosque, as an institution, continues to serve as the epicenter of spiritual, moral, and cultural life in Muslim societies. Recognizing that the popular understanding of Muslim culture and archetypes is, at best, minimal among the broader public worldwide, this book has two objectives: i.e., (i) to explore Masjid architecture as a carrier of culture, heritage, and the sustainability of Muslim communities; and (ii) to offer a bias-free introduction to the intricacies of Muslim architecture, culture, and heritage today. The papers featured in this collection were presented at the 5th Memaryat International Conference (MIC), held at Effat University, Jeddah. The MIC¿s objective is to build bridges between research communities engaged with diverse aspects of science, technology, and innovation, seen as the key levers for attaining the SDGs.

This fifth volume in the Ecology and Ethics series integrates key concepts of the previous four volumes by addressing biocultural conservation through novel educational methods. In Field Environmental Philosophy (FEP), the authors undertake two complementary tasks. First, they address a problematic facet of education as an indirect driver of a global change and biocultural homogenization. Second, they contribute to solve the former problems by introducing the FEP method as well as other educational approaches from around the world that value and foster conservation of biological and cultural diversity. A particular emphasis is therefore on the integration of sciences, arts, humanities, and ethics into educational practices that involve the participation of local communities with their diverse forms of ecological knowledge and practices. The book is divided into four parts. Part I introduces FEP concepts and practices that involve a 4-step cycle of transdisciplinary research, poeticcommunication through composition of metaphors, design of field activities guided with an ecological and ethical orientation, and participation in biocultural conservation activities. Part II exposes problems as well as solutions in formal education (from preschool to higher education) and non-formal education to respect biocultural diversity. Parts III & IV provide case studies developed at long-term socio-ecological research (LTSER) sites, botanical gardens, and other platforms for non-formal education that contribute to biocultural conservation.This book supports a paradigm shift addressing still understudied indirect drivers of global change to foster the conservation of biological and cultural diversity. It is a valuable asset for scientists and practitioners in science and humanities education.

This book incorporates a wealth of research focused on the more and more urgent challenges that urban planning and architectural design all over the world must cope with: from climate change to environmental decay, from an increasing urban population to an increasing poverty. In detail, this book aims at providing innovative approaches, tool and case study examples that, in line with the agenda of 2030, may better drive human settlements toward a sustainable, inclusive and resilient development. To this aim, the book includes heterogeneous regional perspectives and different methodologies and suggests development models capable of limiting further urban growth and re-shaping existing cities to improve both environmental quality and the overall quality of life of people, also taking account the more and more close relationships among urban planning and technological innovation.

A Storied Past: Collections of the Historic Odessa captures the historical character and significance of two important late-18th-century houses, each of which retains a high percentage of original furnishings and locally made objects.

"Experience art and design as never before with 101 imaginative, mindfulness-based practices"--

This book gathers the latest advances, innovations and applications in the field of historic mortars and masonry structures conservation and restoration, as presented by international researchers and professionals at the 6th Historic Mortars Conference (HMC), held in Ljubljana, Slovenia, on September 21¿23, 2022. It covers topics such as characterization of historic mortars and masonry structures¿sampling and test methods; historic production, processing and application of mortars, renders and grouts; assessment of historic renders and plasters; conservation and preventing conservation case studies; repair mortars and grouts¿requirements and design, compatibility issues, durability and effectiveness and adequacy of testing procedures. Special attention is given to historic mortars where one of the binders or the only binder is Portland cement and to the structures in which these materials are used. The contributions, which were selected through a rigorous international peer-review process, share new knowledge and exciting ideas that will help protect heritage buildings more efficiently and foster new multidisciplinary collaborations in this area.Chapter Performance Evaluation of Patch Repairs on Historic Concrete Structures (PEPS): An Overview of the Assessment Methodology is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Based on the success of the first published book on "e;Nondestructive Evaluation and Monitoring Technologies, Documentation, Diagnosis and Preservation of Cultural Heritage"e;,  this book will includes peer reviewed papers submitted to the conference in form of single independent chapters. Each chapter will highlight the benefits of one or more Non-Destructive Testing (NDT) methods, image processing and data analysis methods and their applications on cultural heritage sites. This book demonstrates Non-destructive sensing technologies and inspection modules as main tools for documentation, diagnosis, characterization, preservation planning, monitoring and quality of restoration, assessment and evaluation of material and preservation work.   Within this book, the benefits of NDT methods and their applications will be demonstrated on diverse and important cultural heritage sites and monuments around the world. NDT sensing technologies and inspection modules are becoming main tools for the documentation, diagnosis, characterization, preservation planning, monitoring and quality control of restoration, assessment and evaluation of materials and preservation works.Distinguished scientists and representatives of the National Geographic Society, the Cultural Heritage Finance Alliance, the International Council of Monuments and Sites ICOMOS, the Organization of World Heritage Cities OWHC, the European Society for Engineering Education SEFI, the European Construction Technology Platform ECTP, the International Federation of Surveyors FIG, the International Committee CIPA Heritage Documentation, the World Monuments Fund and other major International and European Organizations, Associations, networks Universities and Research Centers in the field of cultural heritage preservation, participate in to the International Steering Committee which had successfully organized the 1st TMM_CH Conference as well.

Quelles perspectives la rencontre de la muséologie, de l¿histoire de l¿art et dela sociologie nous livre-t-elle sur les problématiques de recherche en cours au musée ? À partirde trois thématiques ¿ la collection, la gouvernance et les archives ¿, des personnalités issuesde la recherche, de la conservation, des archives, de l¿analyse économique ou de l¿administrationlivrent dans cet ouvrage leurs analyses et témoignages, nourris par des années d¿expérienceset de pratiques partagées. Réunies autour d¿un lieu qui les rassemble, le Louvre, leurs échangesfont apparaître des outils nouveaux pour s¿interroger sur les définitions individuelles,communautaires, historiques, sociétales ou encore politiques des musées.

The Parthenon marbles case is the most famous international cultural heritage dispute concerning repatriation of looted antiquities, the Parthenon marbles in the British Museum¿s ¿Elgin Collection¿. The case has polarised observers ever since Elgin had the marbles hacked out of the ancient temple at the turn of the 19th century in Ottoman-occupied Athens. In 1816, a debt-stricken Elgin sold the marbles to the British government, which subsequently entrusted them to the British Museum, where they have remained since then.Much ink has been spilled on the Parthenon marbles. The ethical and cultural merits of their repatriation have been fiercely debated for years. But what has generally not been considered are the legal merits of their return in light of contemporary international law. This book is the first in legal scholarship to provide an international law perspective of the cause célèbre of international cultural heritage disputes and, in doing so, toclarify the new customary international law on the return of cultural property unlawfully removed from its original context.The book, which includes a foreword by Andrew Wallace-Hadrill, is a unique reference work on the legal case for the return of the Parthenon marbles and the new normative framework for the protection of cultural heritage.