Museumsvidenskab og kulturarvsstudier

This book contributes to the growing scientific literature on ¿intangible cultural heritage¿ ¿ determined by UNESCO to be particularly worthy of safeguarding and transmission ¿ by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance. By exploring the potential of the ¿intangible materiality¿ of dance practice the book argues that implementing the concept of a ¿performative dance-archive¿ creates a new analytic field: research in praxis.The concept of the ¿performative dance-archive¿ draws out the potential for safeguarding and transmission of dance heritage, but also the challenges of the opposition between living heritage and the codifying of cultural inventories. This book uses the formal and contextual transformation of Argentine tango and German modern dance to discuss this ambiguity of intangible heritage and how the ¿performative dance-archive¿ creates a cognitive, empractical approach to determine, archive, and distribute danceknowledge.This is a timely methodological intervention in the context of the increasing importance of the intangible cultural heritage. It enables us to re-revise the concept of (im)materiality and the specific knowledges within cultural practice as a necessary fundamental category for research-processes and societal growth. This book is directed both to researchers in the field of intangible cultural heritage and to practitioners and researchers searching for new ways of investigating methods and perspectives to understand 'immaterial materialities'.

Im Zuge der Debatte über Sammlungsgut aus kolonialen Kontexten steht Georg Zenker (1855-1922) exemplarisch für eine Generation von Sammlern, die in der Hochphase des Imperialismus disziplinenübergreifend Sammlungen für die Berliner Museen zusammenbrachten. Zenker gilt dabei als eine zentrale und zugleich sehr ambivalente Person in der Geschichte des deutschen Kolonialismus in Westafrika. Basierend auf umfangreichem Quellenmaterial nähert sich die vorliegende Publikation der Biografie sowie den Sammelpraktiken, Objekten und Netzwerken Georg Zenkers.Mit dem vorliegenden dreisprachigen Band auf Deutsch, Englisch und Französisch sollen die Erkenntnisse über Zenker für einen größeren Interessentenkreis zugänglich gemacht werden. In the course of the debate on collections from colonial contexts, Georg Zenker (1855-1922) is exemplary for a generation of collectors who brought together interdisciplinary collections for the Berlin museums during the heyday of imperialism. Zenker is considered a central and at the same time very ambivalent figure in the history of German colonialism in West Africa. Based on extensive source material, this publication approaches the biography as well as the collecting practices, objects and networks of Georg Zenker.With this trilingual volume in German, English and French, the findings on Zenker are to be made accessible to a wider circle of interested parties. Dans le cadre du débat sur les collections provenant de contextes coloniaux, Georg Zenker (1855-1922) est un exemple de la génération de collectionneurs qui, à l'apogée de l'impérialisme, ont réuni des collections interdisciplinaires pour les musées berlinois. Zenker est considéré comme une personne à la fois centrale et très ambivalente dans l'histoire du colonialisme allemand en Afrique de l'Ouest. Se basant sur de nombreuses sources, la présente publication aborde la biographie ainsi que les pratiques de collecte, les objets et les réseaux de Georg Zenker.Le présent ouvrage trilingue en allemand, anglais et français vise à rendre les connaissances sur Zenker accessibles à un plus grand nombre d'intéressés.

Armorial porcelains comprised the output of most European ceramics factories in the 18th and 19th Centuries in response to the large quantity of armorial porcelain services that were being imported from China bearing the coats of arms and crests of aristocratic families. Whereas these armorial services have been identified and covered for most porcelain manufactories the information relevant to their production by the two relatively short-lived Nantgarw and Swansea China Works has not been addressed as a theme until now. As an integral  component  of  the holistic forensic appraisal of porcelain, a functional and decorative artwork manifestly part of our cultural heritage and its ongoing preservation ,  the recording and identification of such artefacts is material for the future establishment of a database of factory production . The Nantgarw and Swansea factories only operated for a limited period in the second decade of the 19th Century and their porcelains were much appreciated  for their high quality and desirability by Georgian households. Today, examples are to be found in many museums and  ceramics collections and continue to excite the interest of specialists and the general public . This text provides the first comprehensive assessment of armorial porcelains from these two factories and the methodology and procedure for the identification of unknown armorial bearings and crests is illustrated; individual bearings are discussed  in detail and existing incorrect assignments in the literature are re-appraised. The difficulties in attribution of armorial heraldic achievements that are only minimally depicted are considered and directions for further studies using historical documentation are invoked. This book therefore fills a currently existing gap in the ceramics literature of the 19th Century. 

Als erstes Museum weltweit hat sich das National Museum of Women in the Arts in Washington, D.C. ausschließlich dem Engagement für Frauen mit den Mitteln der Kunst verschrieben. Die Sammlung umspannt Werke aus fünf Jahrhunderten von Künstlerinnen aus sechs Kontinenten. Der Band stellt Neuerwerbungen und langjährige Publikumslieblinge vor und führt Leserinnen und Leser dank seiner thematischen Gliederung zu überraschenden Entdeckungen.Der Katalog neuer Highlights in der NMWA-Sammlung macht kunstgeschichtliche Zusammenhänge transparent und erleichtert das Kennenlernen von Künstlerinnen. Der prachtvolle Bildband präsentiert Schlüsselwerke von Louise Bourgeois, Lalla Essaydi, Frida Kahlo, Hung Liu, Clara Peeters, Faith Ringgold, Niki de Saint Phalle, Amy Sherald, Alma Woodsey Thomas und vielen anderen. Dem Museum angehörende Autorinnen und über dreißig Gäste aus Kunst und Forschung beleuchten schlaglichtartig die einmaligen Werke und die Mission des NMWA.

This book discusses the fundamentals and practical applications of heritage conservation as an important tool of a city's development. It presents case studies that demonstrate how to achieve a balance between the promotion of tourism industry and the generation of income while also seeking optimum sustainable methods for Conserving the City's Tradition and Identity. The book in hand offers useful insights to a wide array of audience aware of the need to preserve the architectural beauty of cities, such as architects, policymakers, investors and even the wide public who is interested in ways of conserving and protecting cultural sites.

Ausgehend von den Artists for Democracy (AFD) untersucht die Publikation die Verflechtung von künstlerischer Aktion mit transnationaler, durch Migration und politische Mobilisierung geprägte Solidarität. Die AFD wurde 1974 in London gegründet, um "Befreiungsbewegungen weltweit materiell und kulturell zu unterstützen". Mittels detaillierter Recherche, der Beauftragung von Wissenschaftlern und Künstlern sowie einer umfangreichen Archivdokumentation nähert sich Precarious Solidarities diesen Zusammenhängen - künstlerisch, sozial, politisch, historisch und geografisch -, um aktuelle Sachverhalte zu erkennen.Text: Cuong Pham with An Viet Archive, Wing Chan, Hannah Healey, Eileen Legaspi-Ramirez, María José Lemaitre & Caroll Yasky (Museo de la Solidaridad Salvador Allende), Courtney J. Martin, David Medalla, David Morris, Yaiza Hernández Velázquez, Vijay Prashad, and Cecilia Vicuña.

This book explores the historical and contemporary connections between art and politics in Colombia. These relations are unique because of the ways in which they are saturated by violence, as the country has passed through conquest, struggles for Independence, fighting between political factions, civil war, paramilitaries, narco-traffickers and state violence. This seemingly unending stream of violence gives art in Colombia one of its main themes. The lavishly illustrated essays, written by Colombian authors, examine Colombian visual arts, music, theatre, literature, cinema, indigenous arts, popular culture, militant publications and recent protest movements, analysing them with tools drawn from contemporary philosophy and theory. Approaches include decolonisation theory, cosmopolitics, anthropology after the ontological turn, Colombian philosophy, feminism, and French theory. The essays all offer powerful understandings of how art has not only been complicit in perpetuating political violence in Colombia, but also how it has been a vital form of analysis and resistance.

Alarming environmental shifts and disasters have raised public awareness and anxieties regarding the future of the planet. While planetary in scale, the negative effects of this global crisis are distributed unequally, affecting some of the already most fragile communities most intensely, thus contributing to rising global inequality. The pairing of environmental crises and a sense of inadequacy facing hitherto celebrated models of citizenry informs a current spirit of the times. The contributors to this volume place ethnographic or world cultures museums at the centre of these debates - these museums have been embroiled in longstanding debates about their histories, collections, and practices in relation to the colonial past.

Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.

This book gathers peer-reviewed papers presented at the 3rd International and Interdisciplinary Conference on Image and Imagination (IMG), held in Milano, Italy, in November 2021. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.

Heraldic devices first appeared on ceramics in Western Europe from the sixteenth century onwards; however, it was not until the 1760s that British ceramic manufactories began executing commissions for services displaying heraldic devices for the gentry. This book explores the rise of the new gentry class and the market for armorial services through the case study of the Pendock Barry service. The case study is presented from three angles. It looks at Pendock Neale Barry (1757¿1833) who commissioned the service, then considers the evidence for attributing the service to the Derby factory during the period 1805¿1810, and finally looks at the evidence supporting an attribution of the decoration to Billingsley. The case study sets out a novel approach to understanding heraldic devices on ceramics by bringing together the disciplines of detailed genealogical research, cultural knowledge, and chemical analytical compositional data. This multidisciplinary approach enables the armorial services to be considered and understood through the lens of heritage, culture, and science.

To excel in life, adolescents need to be more than academically intelligent. Life skill education are very crucial in this regard. Life skills help the adolescents understand, manage, and express the social and emotional aspects of one's life such as learning, forming relationships, solving everyday problems, and adapting to the complex demands of growth and development. Given the fact that life skills are linked to life success, it is critical to introduce its education and impart its training to the adolescents. This book is an effort to support the trainers and teachers to conduct life skills training among adolescence.

This book offers an international overview of how to apply the Conservation Management Plan (CMP) to the 20th-century architectural heritage. Although the CMP is universally considered a fundamental tool for sustainable management of the built heritage, the application to 20th-century buildings is still limited. The book illustrates selected case studies from different countries to discuss how best to preserve the authenticity of the original materials, manage changes in use, engage users and stakeholders in this process, and make conservation and sustainability work together. "Conserving 20th-century architecture" will provide insights for scholars and students and assist architects in drafting an effective conservation management plan.

This book gathers the latest advances and innovations in the field of sustainable reuse of built heritage, as presented by international researchers at the conference "ReUSO - Documentation, Restoration and Reuse of Heritage¿, held on November 2-4, 2022, at the Faculty of Engineering of the University of Porto (FEUP), Porto, Portugal. The X edition of the ReUSO conference promoted the discussion among the participants on issues related to the sustainable and adaptive reuse of built heritage, from the theoretical perspectives to the methodological and practical applications in contemporary interventions in relation to the complexity and vulnerability of the present-day context and the future orientations of our scientific sectors.

Toxic Heritage addresses the heritage value of contamination and toxic sites and provides the first in-depth examination of toxic heritage as a global issue.Bringing together case studies, visual essays, and substantive chapters written by leading scholars from around the world, the volume provides a critical framing of the globally expanding field of toxic heritage. Authors from a variety of disciplinary perspectives and methodologies examine toxic heritage as both a material phenomenon and a concept. Organized into five thematic sections, the book explores the meaning and significance of toxic heritage, politics, narratives, affected communities, and activist approaches and interventions. It identifies critical issues and highlights areas of emerging research on the intersections of environmental harm with formal and informal memory practices, while also highlighting the resilience, advocacy, and creativity of communities, scholars, and heritage professionals in responding to the current environmental crises.Toxic Heritage is useful and relevant to scholars and students working across a range of disciplines, including heritage studies, environmental science, archaeology, anthropology, and geography.

Toxic Heritage addresses the heritage value of contamination and toxic sites and provides the first in-depth examination of toxic heritage as a global issue.Bringing together case studies, visual essays, and substantive chapters written by leading scholars from around the world, the volume provides a critical framing of the globally expanding field of toxic heritage. Authors from a variety of disciplinary perspectives and methodologies examine toxic heritage as both a material phenomenon and a concept. Organized into five thematic sections, the book explores the meaning and significance of toxic heritage, politics, narratives, affected communities, and activist approaches and interventions. It identifies critical issues and highlights areas of emerging research on the intersections of environmental harm with formal and informal memory practices, while also highlighting the resilience, advocacy, and creativity of communities, scholars, and heritage professionals in responding to the current environmental crises.Toxic Heritage is useful and relevant to scholars and students working across a range of disciplines, including heritage studies, environmental science, archaeology, anthropology, and geography.

This book provides a comprehensive examination of death, dying, and human remains in museums and heritage sites around the world.Presenting a diverse range of contributions from scholars, practitioners, and artists, the book reminds us that death and the dead body are omnipresent in museum and heritage spaces. Chapters appraise collection practices and their historical context, present global perspectives and potential resolutions, and suggest how death and dying should be presented to the public. Acknowledging that professionals in the galleries, libraries, archives, and museums (GLAM) fields are engaging in vital discussions about repatriation and anti-colonialist narratives, the book includes reflections on a variety of deathscapes that are at the forefront of the debate. Taking a multivocal approach, the handbook provides a foundation for debate as well as a reference for how the dead are treated within the public arena. Most important, perhaps, the book highlights best practices and calls for more ethical frameworks and strategies for collaboration, particularly with descendant communities.The Routledge Handbook of Museums, Heritage, and Death will be useful to all individuals working with, studying, and interested in curation and exhibition at museums and heritage sites around the world. It will be of particular interest to those working in the fields of heritage, museum studies, death studies, archaeology, anthropology, sociology, and history.

Rethinking Heritage in Precarious Times sets a fresh agenda for Heritage Studies by reflecting upon the unprecedented nature of the contemporary moment. In doing so, the volume also calls into question established ideas, ways of working, and understandings of the future.

Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; collectivities and trade unions in Argentina; Civil Rights movements and Black communities in Baltimore; institutional self-critique within the neoliberal museum; reframing feminisms in USA; and revisiting Cold War Modernisms in Eastern Europe among other themes.An interdisciplinary project with a global reach, this edited volume considers the theme of exhibitions as political resistance as well as cultural critique from global perspectives including South Africa, Latin America, Eastern Europe, USA and West Europe. The book includes contributions by ten authors from the fields of art history, social sciences, anthropology, museum studies, provenance research, curating and exhibition histories. The edited volume finally examines exhibition reconstructions both as a symptom of advanced capitalism, geopolitical dynamics and social uprisings, and as a critique of imperial and capitalist violence. Art historical areas covered in the book include conceptualism, minimalism, modern painting, global modernisms, archives and community arts.This volume will be of interest to a wide range of audiences including art historians, curators, gallery studies and museum professionals, and also to scholars and students from the fields of anthropology, ethnography, sociology, and history. It would also appeal to a general public with an interest in modern and contemporary art exhibitions.

The Materiality of the Archive is the first volume to bring together a range of methodological approaches to the materiality of archives, as a framework for their engagement, analysis and interpretation.

This book explores the relationships between empire, natural history, and gender in the production of geographical knowledge and its translation between colonial Burma and Britain. Focusing on the work of the plant collector, botanical illustrator, and naturalist, Charlotte Wheeler-Cuffe, this book illustrates how natural history was practised and produced by a woman working in the tropics from 1897 to 1921.Drawing on the extensive and under-studied archive of private and official correspondence, diaries, sketchbooks, photographs, paintings, and plant lists of Wheeler-Cuffe, this book advances our conceptual understanding of the 'invisible' historical geographies underpinning scientific knowledge production, by focusing on the role of a female actor in the complex gendered setting of colonial Burma. Using a bio-geographical approach, this analysis reconceptualises female agency beyond authorship and publication, and stresses how Wheeler-Cuffe represents an instantiation of the occluded contribution of women to the historiography of natural history. This book highlights Wheeler-Cuffe's production of scientific knowledge about Burma in the context of her relationship, as a white Western woman, with local, indigenous actors and details her practice of fieldwork and its embodied geographies in different parts of Burma, while she maintained the domestic superstructure of a colonial wife.This book will be of interest to advance-level students and researchers in historical and cultural geography; the history of science; feminist geography; women and natural history; colonial Burma and imperialism; and botanical art and illustration.

This timely book explores the spatial and social injustices within our streets, malls, schools, and public institutions. Taken-for-granted acts like going for a walk, seeing an exhibition with a friend, and going to school are, for people with disabilities, conditional or precluded acts due to exclusion by design.