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From Fox's late-night comedy's star comes this hilarious, politically incorrect, and deeply personal takedown of cancel culture. Many of the funniest lines you've ever heard were off-the-cuff. And now, the woke mob wants to end that.Politically correct progressives and social justice warriors have attacked comedians who dare offend them and try to silence them. This is a curtailment of free speech?and humor. In You Can't Joke About That, Kat Timpf says the quiet part out loud: Comedy isn't about appeasing the woke gods or sending a political message; it's about gasp making people laugh.In her unique, funny voice, Kat shows how many on the left have no sense of humor?and are killing American comedy. She also shares insights from her diverse life experiences and achievements?being homeless, offending Star Wars fans, doing comedy on live television while wearing a colostomy bag, and getting dumped by her boyfriend on an outing with her dad to Coney Island.Thoroughly researched and refreshingly honest, You Can't Joke About That is the book conservatives have wanted to take down Cancel Culture with humor and get America laughing again.
This anthology explores the dynamics through which contested art has lost and gained visibility.
In Dershowitz on Killing: How the Law Decides Who Shall Live and Who Shall Die, Alan Dershowitz—New York Times bestselling author and one of America’s most respected legal scholars—examines the subjects of death, life, and the law. Alan Dershowitz has been called “one of the most prominent and consistent defenders of civil liberties in America” by Politico and “the nation’s most peripatetic civil liberties lawyer and one of its most distinguished defenders of individual rights” by Newsweek. His legal career as a criminal defense lawyer has been deeply involved with death and life decisions.Dershowitz on Killing is a timely examination of issues and questions that are front and center in today’s society. Employing a philosophical, moral, religious, and cultural lens to the legal aspects surrounding death and life, Dershowitz elucidates the role of government to determine who shall live and who shall die in declaring wars, ordering executions, authorizing deadly force, permitting or denying abortions, providing or mandating vaccines, controlling climate change, allowing or refusing asylum for endangered migrants, and other life and death rulings. He notes that when the government decides these choices, it is asked to do so by first determining whether a “right” is involved, because rights trump mere interest, just as constitutional restrictions trump legislative and executive actions. Dershowitz on Killing asserts that the rules governing death and life decisions should reflect the irreversibility of death. It is essential reading for anyone interested in or concerned about how these decisions are allocated among state and federal; executive, legislative, and judicial; private and governmental; religious and secular institutions—and how people in a democracy, through the power of the ballot, have the ultimate say in these critical decisions.
'A fascinating journey into our relationship with the physical book...I lost count of the times I exclaimed with delight when I read a nugget of information I hadn't encountered before' Val McDermid, The TimesMost of what we say about books is really about the words inside them: the rosy nostalgic glow for childhood reading, the lifetime companionship of a much-loved novel. But books are things as well as words, objects in our lives as well as worlds in our heads. And just as we crack their spines, loosen their leaves and write in their margins, so they disrupt and disorder us in turn. All books are, as Stephen King put it, 'a uniquely portable magic'. Here, Emma Smith shows us why.Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium's worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books' physical form - their 'bookhood' - that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper's Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways. Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a 'classic'-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal - and more turbulent - than we tend to imagine.
As the crisis of expertise continues to be a global issue, this book shows that it is not a 'scientific' controversy, but an ideological dispute with believers on both sides. If the advocates of consensus science acknowledge the uncertainties of even the best science, it is possible to open a pathway towards communication between world views.
This stimulating analysis from Hannes Gerhardt shows how technology-led and commons-oriented strategies can create fairer economies and societies.
This volume examines the latest health and genetic technologies, explores the representation, communication, and internalization of health knowledge and reveals the economic and cultural inequalities that result from these technologies.
'On Rape' is a visualisation of the origin of gender stereotypes and myths, as well as the failing structures of law and order, that perpetuate rape culture. Abril interweaves testimonies, political proclamations, historical archives, popular and traditional beliefs, to explore society's failure to deal with sexual violence.
Dance and Ethics: Moving Towards a More Humane Culture is an introductory study of ethical issues as applied to the history and field of Western theatrical dance. It is the first sustained work of its kind, inspired by the belief that there are serious issues to be illuminated by examining dance in relation to ethics and to the changing values in the dance world itself, especially as faced by young dancers entering the profession.Since the 1960s and gathering momentum with the #metoo movement, scholars and practitioners, especially from the fields of dance education, somatics and the realms of postmodern dance and ballet, have increasingly believed that attitudes and practices involving psychological, physical and sexual mistreatment of students and dancers must be challenged. Dance and Ethics examines key ethical issues related to the dance field, primarily within the United States, and how those directly impact different aspects of the lives of dance artists over the span of their careers. The issues discussed include the basic ethical choices facing a dance artist in terms of whether to care about ethics or separate art from morality; ethical issues involved in student-teacher and dancer-choreographer relationships; how ethical concerns relate to the creation and reception of choreographic work; ethical aspects of the critical assessment of dance and dancers; and ethical issues related to presenting systems and institutional infrastructures within the dance field.While there is a clear bias towards greater humanism within the dance field, Naomi Jackson is sensitive to the variety of moral stances available in any given situation. Readers are invited to consider that ethical options exist other than those that are usually promoted, that while sometimes there are no clear right and wrong answers, there are better and worse positions to be explored and defended and that it is important for the dance field and broader culture to consciously address ethical issues in relation to dance in a sustained, thoughtful and creative manner.The book focuses on theatrical dance forms of ballet, modern/postmodern dance and theatrical jazz, but also extends to commercial dance, dance for the camera/internet and social/vernacular/folk dance when relevant to the main argument.Dance and Ethics will appeal primarily to educators and students as well as young professional dancers. It is designed for undergraduate and graduate students in dance studies, American studies, performance studies and cultural studies. It will be useful for undergraduate and graduate dance courses focused on pedagogy, choreography, criticism, community engagement, politics and aesthetics.
The first comprehensive study of plastics, from the moment they were invented to the present day
"Part memoir, part courtroom drama, part primer for fighting assaults on free speech, Stifled Laughter, the revised edition, is the story of one woman's efforts to restore literary classics to the classrooms of rural north Florida. In 2021, 1,500 books were banned in the United States. More than any other year previously recorded. Johnson's honest, often hilarious, first-person account of censorship in its modern form provides valuable insight into why what our children read at school remains a controversial issue, and why free speech in America remains a precarious right. For anyone who has ever wondered just how far the religious right will go in limiting free expression, this book proves once again that the personal is political. Parents and teachers, writers and readers-all will benefit from Johnson's experience and all will be touched by her spirit"--
Ardyce West's compelling narrative examines the grief, pain and regret suffered by women and men who hide in the dark shadows of abortion. While acknowledging the pointed issues and opinions of both pro-life and pro-choice, West remains apolitical and non judgmental, conceding that many women and men involved in abortion successfully move on comfortably resolved to their decision. "I Never Heard You Cry" in fact never approaches political edict or social commentary regarding abortion. West focuses rather on the substantial number of people who do struggle with complex and deeply emotional post-abortion issues.In addition to relating the heartrending story of her own struggles and triumphs, West interviews a number of abortion survivors who have transcended the emotional, social, and political stigmas attached to this volatile issue. Interspersed are effective techniques designed to achieve self-forgiveness and spiritual healing.
Mange kvinder og mænd får ikke de børn, de ønsker sig – infertilitet er den næsthyppigste kroniske sygdom blandt folk i den reproduktive alder. Alligevel behandler vi fortsat infertilitet, som om det var et luksusproblem og ikke en sygdom: Over halvdelen af alle fertilitetsbehandlinger varetages i den private sektor, hvilket skaber en enorm ulighed i behandlingstilbuddet. Hvis vi skal styrke den reproduktive sundhed, kræver det mere oplysning henvendt til unge, strukturelle forandringer samt opdaterede rammer for behandling i offentligt regi.Lone Schmidt er læge og professor mso i nedsat frugtbarhed og folkesundhedsvidenskab ved Institut for Folkesundhedsvidenskab, Københavns Universitet.Anja Pinborg er professor i gynækologi og obstetrik og ledende overlæge på Afdeling for Fertilitet på Rigshospitalet. Anja Pinborg er desuden assisterende redaktør for Ugeskrift for Læger. Moderne Ideer er støttet af Lundbeckfonden, Augustinus Fonden og Statens Kunstfond. I bøgerne gør førerende forskere deres viden tilgængelig og leverer deres bud på, hvordan vi løser tidens største udfordringer.
Studienarbeit aus dem Jahr 2017 im Fachbereich Soziologie - Politik, Majoritäten, Minoritäten, Note: 2,0, Bergische Universität Wuppertal, Sprache: Deutsch, Abstract: Die Todesstrafe - eine Strafe, welche lange im Voraus vom Staat geplant und schließlich häufig durchgeführt wird. Wie kommt es, dass sich die Todesstrafe von einem legitimen staatlichen Mittel zu einem moralisch höchst verwerflichen Verstoß gegen die Menschenrechte entwickelt hat? Wie entwickelten sich die Hinrichtungsarten hin zu einer ¿humaneren¿ Todesstrafe? Welche Argumente gibt es für, aber auch gegen die Todesstrafe? Welche Meinung herrscht in Deutschland zur Todesstrafe? In wie weit stellen die Organisationen eine Gegenbewegung dar, welche die Legalität der Todesstrafe in Frage stellt? Diesen und weiteren Fragen wird sich diese Hausarbeit widmen. Es soll diskutiert werden, wie sich das Spannungsverhältnis zwischen der Legalität und der Legitimität der Todesstrafe verhält. In wie weit stellen die Organisationen eine Gegenbewegung dar, welche die Legalität der Todesstrafe in Frage stellt?
A fiery feminist manifesto from the Chilean performance collective who led the rallying cry for today's mass feminist movement across South America.
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