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Using machine and deep learning techniques the authors introduce pre-processing methods applied to satellite images to identify land cover features, detect object, classify crops, recognize targets, and monitor and support earth resources. Readers will need a basic understanding of computing, remote sensing and image interpretation.
Written by an international team of experts from a wide range of research areas, this book highlights the emerging role of cognitive sensors in a growing number of real time applications including smart health, smart cities, smart transportation, smart energy and smart agriculture.
Satellite Interferometry Data Interpretation and Exploitation: Case Studies from the European Ground Motion Service (EGMS) focuses on the interpretation and exploitation of data obtained from InSAR, thus enabling millimeter-scale deformation measurements from space. The most emblematic InSAR service, the European Ground Motion Service (EGMS), opens a wide range of new applications. However, for effective use of raw data, interpretation techniques and methods are required. This book presents interpretation protocols that can be applied to any InSAR data, as well as the most relevant technical aspects and boundaries of measurement points. Detailed case studies are reviewed to demonstrate points. This book will be a valuable resource for remote sensing specialists, as well as non-specialists in geotechnics, geology and other geosciences who are looking to apply InSAR data techniques in their research.
From architectures to specific use-case-oriented communication design, key technologies, management mechanisms and security, this book offers a broad overview of the latest research and advances in non-geostationary satellite orbit (NGSO) communications systems.
Proprietary algorithms, secret data troves, and inscrutable systems rule the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holes-all the while, toggling between enlightened concern and occult dreaming.NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017).
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