Antikviteter og samleobjekter: keramik og glas

Ceramics in America 2024 continues to publish new research on ceramics made, used, or collected in America. Articles in this issue include several on Thomas Commeraw, the free Black potter working in New York from about 1797 to 1819; a newly-discovered French porcelain figure that belonged to George Washington that descended in an African American family; new discoveries about porcelain figures of characters from Uncle Tom's Cabin; the long history of face vessels in America; how a baby squirrel inspired a collection of tin-glazed earthenware.

This is the first comprehensive survey of the colourful ceramic tiles produced by Morris & Company. From the earliest examples made for Red House to the tiles produced in the twentieth century, all the many different designs are illustrated and discussed in detail. Richard and Hilary Myers are proud to include a previously unrecorded tile panel among the many little-known examples described in this book. Found in a Sussex church, the panel takes its place with such masterpieces as the overmantel at Queens' College, Cambridge, and the Membland panels. All Morris & Co.'s tile designs are analysed and linked to related stained-glass, textile or graphic work produced by the Firm. The authors reveal the various contributions of individual designers, including Edward Burne-Jones, D. G. Rossetti, Ford Madox Brown, Kate Faulkner and William Morris himself. Morris & Co.'s connections with the Dutch tileries, William de Morgan, Murray Marks and Barnard, Bishop & Barnard, and the roles they played in the production and distribution of the tiles, are all thoroughly examined.

"Melancholy Wedgwood is an experimental biography that traces multiple strands in the ceramic entrepreneur's life to propose an alternative look at eighteenth-century England's tenuous relationship to our own lives and times"--

The essays in this lavishly illustrated volume offer a multifaceted portrait of American financier J. Pierpont Morgan (1837-1913) as a collector of art. A riveting exploration of Morgan's acquisitions from antiquities to medieval manuscripts to Old Master paintings and European decorative arts, "Morgan-The Collector" introduces the reader to how and why he amassed his vast collection. The lively essays also serve as a tribute to Linda Roth, curator at Wadsworth Atheneum Museum of Art, Hartford, CT, who dedicated much of her forty-year career to researching Morgan and the over 1,500 works from his collection now in the museum. This much-needed publication focuses on Morgan as a collector and is directed at both a scholarly and more general audience that is interested in the history of collecting, America in the Gilded Age, Pierpont Morgan, and European art.

The stoneware manufactured in Hartford, Connecticut in the nineteenth century is a well-known subject today, which served a larger area than just the local marketplace, utilizing the Connecticut River for transportation. In fact, some of the stoneware was inspired by the industry in New York City. Although, it was red earthenware that was actually the original type of household pottery produced in the area, dating as early as the 1700s, where some of the early wares may have been influenced by production in Massachusetts. In some years, thousands of pieces of red earthenware were produced, utilizing the local clays, resulting in a wide range of accomplished wares, some of which were embellished with dramatic styles of hand-applied slip decoration. The most famous of the potters were the Seymours, the Goodwins and Hervey Brooks, but there were other potters as well. This book is the first of its kind to take an in-depth look at the various types of wares manufactured in the Hartford area, as well as the variety of domestic red earthenware artifacts recovered along the Connecticut River within eighteenth and nineteenth century archaeological contexts.

A guide and reference to early soda and mineral bottles of the Old West.This is a reprint and update of Peck & Audie Markota's "Early Soda and Mineral Bottles of the Old West." Markota's book(s) are valuable references but was completed before the use of computers as we know them today. Jeff Wichmann's American Bottle Auction catalogs are too valuable to waste the excellent photos of rare bottles.With the additional listings of unlisted bottles from the collections of Mike Southworth, John O'Neill, John Louder, Richard Siri and Rick Siri it places more information into this endeavor.That being said; I consolidated the information presented in each book and have created a reference guide in color to assist local collectors.

A guide and reference to bottles, history, and porcelain stoppers of the West. Specifically, California, Oregon, Washington, and Utah. Features 200+ pages of bottles, labels, descriptions, photos, and porcelain stoppers.

For almost 300 years, pocket watches were important accessories for the nobility and middle-classes. In order to store the watches securely and stylishly, artfully designed stands that matched the wearer's interior were developed and were an impressive reflection of the history of European art and culture from the Baroque to the early twentieth century. The stands ranged from miniature versions of grandfather and mantle clocks to one-off works of art made from wood, ceramic or metal.Until now, research on pocket-watch stands has attracted little attention. This publication provides a first representativeoverview of some 450 objects from a unique private collection in southern Germany, documenting its wealth of designs, whichencompass a large repertoire of Christian, mythological and political themes. Scholarly texts on the history of the objects,their designs, and restoration issues make this an indispensable standard work in this field.