Udvidet returret til d. 31. januar 2025

William Morris Tiles - Richard Myers - Bog

Bag om William Morris Tiles

This is the first comprehensive survey of the colourful ceramic tiles produced by Morris & Company. From the earliest examples made for Red House to the tiles produced in the twentieth century, all the many different designs are illustrated and discussed in detail. Richard and Hilary Myers are proud to include a previously unrecorded tile panel among the many little-known examples described in this book. Found in a Sussex church, the panel takes its place with such masterpieces as the overmantel at Queens' College, Cambridge, and the Membland panels. All Morris & Co.'s tile designs are analysed and linked to related stained-glass, textile or graphic work produced by the Firm. The authors reveal the various contributions of individual designers, including Edward Burne-Jones, D. G. Rossetti, Ford Madox Brown, Kate Faulkner and William Morris himself. Morris & Co.'s connections with the Dutch tileries, William de Morgan, Murray Marks and Barnard, Bishop & Barnard, and the roles they played in the production and distribution of the tiles, are all thoroughly examined.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780903685436
  • Indbinding:
  • Hardback
  • Sideantal:
  • 152
  • Udgivet:
  • 10. oktober 2006
  • Størrelse:
  • 231x18x310 mm.
  • Vægt:
  • 1043 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025

Normalpris

  • BLACK WEEK

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af William Morris Tiles

This is the first comprehensive survey of the colourful ceramic tiles produced by Morris & Company. From the earliest examples made for Red House to the tiles produced in the twentieth century, all the many different designs are illustrated and discussed in detail. Richard and Hilary Myers are proud to include a previously unrecorded tile panel among the many little-known examples described in this book. Found in a Sussex church, the panel takes its place with such masterpieces as the overmantel at Queens' College, Cambridge, and the Membland panels. All Morris & Co.'s tile designs are analysed and linked to related stained-glass, textile or graphic work produced by the Firm. The authors reveal the various contributions of individual designers, including Edward Burne-Jones, D. G. Rossetti, Ford Madox Brown, Kate Faulkner and William Morris himself. Morris & Co.'s connections with the Dutch tileries, William de Morgan, Murray Marks and Barnard, Bishop & Barnard, and the roles they played in the production and distribution of the tiles, are all thoroughly examined.

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