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Film Festivals, Ideology and Italian Art Cinema - Rachel Johnson - Bog

Bag om Film Festivals, Ideology and Italian Art Cinema

Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivalsâEUR(TM) construction of dominant ideas about art cinema. Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art and humanist politics. However, the question of what drives them remains highly contentious. In a rare consideration of the European competitive film festival circuit as a whole, this book analyses the shared economic, geopolitical and cultural histories that characterise âEUR¿European A festivalsâEUR(TM). It offers, too, the first extensive analysis of such festivalsâEUR(TM) role in the canonisation of select Italian films, from Rome, Open City to The Great Beauty and Gomorrah. The book proposes a new approach to ideology critique, one that enables detailed examination of how film festivals construct ideas about not only contemporary art cinema, but assumptions about gender, race, colonialism and capitalism.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9789463720366
  • Indbinding:
  • Hardback
  • Sideantal:
  • 308
  • Udgivet:
  • 14. december 2023
  • Størrelse:
  • 161x240x21 mm.
  • Vægt:
  • 686 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK WEEK

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Film Festivals, Ideology and Italian Art Cinema

Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivalsâEUR(TM) construction of dominant ideas about art cinema. Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art and humanist politics. However, the question of what drives them remains highly contentious. In a rare consideration of the European competitive film festival circuit as a whole, this book analyses the shared economic, geopolitical and cultural histories that characterise âEUR¿European A festivalsâEUR(TM). It offers, too, the first extensive analysis of such festivalsâEUR(TM) role in the canonisation of select Italian films, from Rome, Open City to The Great Beauty and Gomorrah. The book proposes a new approach to ideology critique, one that enables detailed examination of how film festivals construct ideas about not only contemporary art cinema, but assumptions about gender, race, colonialism and capitalism.

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