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L'histoire de la peinture en Italie et les plagiats de Stendhal - Paul Arbelet - Bog

Bag om L'histoire de la peinture en Italie et les plagiats de Stendhal

Paul Arbelet nous propose une étude passionnante sur l'histoire de la peinture en Italie et les plagiats de Stendhal. Il offre une vision critique de la célèbre Histoire de la peinture en Italie de Stendhal. Ce livre intéressera tous les amateurs d'art et les curieux. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Sprog:
  • Fransk
  • ISBN:
  • 9781019601679
  • Indbinding:
  • Hardback
  • Udgivet:
  • 18. juli 2023
  • Størrelse:
  • 156x234x30 mm.
  • Vægt:
  • 948 g.
  • 2-3 uger.
  • 13. december 2024
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  • BLACK WEEK

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af L'histoire de la peinture en Italie et les plagiats de Stendhal

Paul Arbelet nous propose une étude passionnante sur l'histoire de la peinture en Italie et les plagiats de Stendhal. Il offre une vision critique de la célèbre Histoire de la peinture en Italie de Stendhal. Ce livre intéressera tous les amateurs d'art et les curieux.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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