Udvidet returret til d. 31. januar 2025

Osmos Magazine: Issue 10 - Cay Sophie Rabinowitz - Bog

Bag om Osmos Magazine: Issue 10

Osmos Magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"-- and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue features Sarah Meister on Jan Groover, Helga Pakasaar on the Uno Langmann Family Collection's photographic archive of turn-of-the-century British Columbia, AA Bronson, Josef Bauer, Janice Guy, Honza Zamojski, Eva Kot'átková, Brian DePinto, and Anna & Bernhardt Blume, all enclosed in Alex Welsh's poignant cover, depicting residents of Fergusson, MO.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780986166563
  • Indbinding:
  • Paperback
  • Sideantal:
  • 96
  • Udgivet:
  • 25. oktober 2016
  • Størrelse:
  • 213x10x277 mm.
  • Vægt:
  • 499 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025

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  • BLACK WEEK

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Prøv i 30 dage for 45 kr.
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Beskrivelse af Osmos Magazine: Issue 10

Osmos Magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"-- and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue features Sarah Meister on Jan Groover, Helga Pakasaar on the Uno Langmann Family Collection's photographic archive of turn-of-the-century British Columbia, AA Bronson, Josef Bauer, Janice Guy, Honza Zamojski, Eva Kot'átková, Brian DePinto, and Anna & Bernhardt Blume, all enclosed in Alex Welsh's poignant cover, depicting residents of Fergusson, MO.

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